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افلاطون - Wikipedia

افلاطون

د Wikipedia لخوا

غربي فلسفه
لرغونې فلسفه
Plato
Plato
نوم:افلاطون
زېږېدنه:c. 427–428 BC
مړينه:347 BC
School/tradition: Platonism
Main interests
Metaphysics, Epistemology, اخلاق, Aesthetics, سياست, زده کړې, د شمېرپوهنې فلسفه
Notable ideas
Platonic realism
Influences Influenced
سقراط, Archytas, Democritus, Parmenides Most philosophers who followed him

اپلاتون (يوناني: Πλάτων, Plátōn) (c.427–c.347 BC) يو ډېر زيات اغېزناکه لرغونې يوناني فېلسوف او د سكرات زده کوونکی وه چې د خپل استاد، د سكرات د اندونو نه متاثره شوی و. هغه يو تکړه شمېرپوه او د فلسفي ديالوګونو ليکوال او په آتېن کې د اکادمۍ Academy بنسټګر دی، چېرته چې ارسطو هم زده کړې کړي.

افلاطون به په پراخه کچه په اکادمۍ کې په زده کړو ورکولو بوخت وه خو د دې ترڅنګ به يې په ډېرو فلسفي چارو لکه سياست، اخلاقيات، مېټافيزيک او منېق ليکنې هم کولې. دده ترټولو اهمې ليکنې دده ډيالوګونه دي، که څه هم چې دده نه راپاتې ډېرې لېشناکې او لطيفې خبرې او نکتې هم راپاتې دي او ځينې ليکونه هم د هغه د وختونو نه راپاتې دي کوم چې ده پخپل لاس کښلي. تاريخپوهان پدې اند دي چې د افلاطون ټول معتبره ډيالوګونه د تاريخ په بېلابېلو پړاوونو کې بچ او خوندي پاتې شوي.

However, some dialogues ascribed to Plato by the Greeks are now considered by the consensus of scholars to be either suspect (e.g., First Alcibiades, Clitophon) or probably spurious (such as Demodocus, or the Second Alcibiades). The letters are all considered to probably be spurious, with the possible exception of the Seventh Letter.

Will Durant, in the preface to the second edition of his book The Story of Philosophy, writes: "It did not seem to Plato any insult to philosophy that it should be transformed into literature, realized as drama, and beautified with style; nor any derogation to its dignity that it should apply itself, even intelligibly, to living problems of morality and the state."

Socrates is often a character in the dialogues of Plato. How much of the content and argument of any given dialogue is Socrates' point of view, and how much of it is Plato's, is heavily disputed, since Socrates himself did not write down his teachings; this ambiguity is often referred to as the "Socratic problem". However, Plato was doubtless strongly influenced by Socrates' teachings, so many of the ideas presented, at least in his early works, were likely borrowings or adaptations.

نيوليک

[سمادول] ژوندليک

افلاطون
افلاطون

Plato was born in Athens or Aegina in May or December in 428 or 427 BC. He was raised in a moderately well-to-do aristocratic family. His father was named Ariston, and his mother Perictione. His family claimed descent from the ancient Athenian kings, and he was related – though there is disagreement as to exactly how – to the prominent politician Critias. According to a late Hellenistic account by Diogenes Laertius, Plato's given name was Aristocles, whereas his wrestling coach, Ariston of Argos, dubbed him "Platon", meaning "broad" on account of his robust figure. Diogenes mentions alternative accounts that Plato derived his name from the breadth (platutês) of his eloquence, or else because he was very wide (platus) across the forehead. According to Dicaearchus, Plato wrestled at the Isthmian games. Such was his learning and ability that the ancient Greeks declared him to be the son of Apollo and told how, in his infancy, bees had settled on his lips, as prophecy of the honeyed words which were to flow from them.

Plato became a pupil of Socrates in his youth, and – at least according to his own account – he attended his master's trial, though not his execution. He was deeply affected by the city's treatment of Socrates, and much of his early work records his memories of his teacher. It is suggested that much of his ethical writing is in pursuit of a society where similar injustices could not occur. During the twelve years following the death of Socrates, he traveled extensively in Italy, Sicily, Egypt, and Cyrene in a quest for knowledge.

After his return to Athens at the age of forty, Plato founded one of the earliest known organized schools in Western civilization on a plot of land in the Grove of Academe. The Academy was "a large enclosure of ground which was once the property of a citizen at Athens named Academus... some, however, say that it received its name from an ancient hero" (Robinson, Arch. Graec. I i 16), and it operated until 529, when it was closed by Justinian I of Byzantium, who saw it as a threat to the propagation of Christianity. Many intellectuals were schooled in the Academy, the most prominent one being Aristotle.

Plato was also deeply influenced by a number of prior philosophers, including: the Pythagoreans, whose notions of numerical harmony have clear echoes in Plato's notion of the Forms; Anaxagoras, who taught Socrates and who held that the mind, or reason, pervades everything; and Parmenides, who argued for the unity of all things and may have influenced Plato's concept of the soul.

[سمادول] کار

Raphael's Plato in The School of Athens fresco, probably in the likeness of Leonardo da Vinci. Plato gestures to the heavens, representing his belief in The Forms.
Raphael's Plato in The School of Athens fresco, probably in the likeness of Leonardo da Vinci. Plato gestures to the heavens, representing his belief in The Forms.

[سمادول] Themes

Unlike Socrates, Plato wrote down his philosophical views, leaving behind a considerable number of manuscripts.

In Plato's writings are debates concerning the best possible form of government, featuring adherents of aristocracy, democracy, monarchy, as well as other issues. A central theme is the conflict between nature and convention, concerning the role of heredity and the environment on human intelligence and personality long before the modern "nature versus nurture" debate began in the time of Thomas Hobbes and John Locke, with its modern continuation in such controversial works as The Mismeasure of Man and The Bell Curve.

Another theme in Plato's writing is the distinction between knowledge and true belief. From this problems, ideas, and arguments arose which continue to be debated by modern philosophers. Unlike most modern writers, Plato argued that the main difference between knowledge and true belief was the nature of their objects: knowledge was of eternal truths (later, the Forms), while true belief was of ephemeral, contingent truths.

Plato also had a position on the art of writing as opposed to oral communication. This is evidenced in his Phaedrusکينډۍ:Rf dialogue and his Seventh Epistle.کينډۍ:Rf He said that oral communication is superior to the written word, especially in the accuracy of the oral word over the written word and in his Seventh Epistle that nothing of importance should be written down but transmitted orally.

[سمادول] بڼه او بنسټ

Plato wrote mainly in the form known as dialogue. In the early dialogues, several characters discuss a topic by asking questions of one another. Socrates figures prominently, and a lively, more disorganised form of elenchos/dialectic is present; these are called the Socratic Dialogues.

The nature of these dialogues changed a great deal over the course of Plato's life. It is generally agreed that Plato's earlier works are more closely based on Socrates' thought, whereas his later writing increasingly breaks away from the views of his former teacher. In the middle dialogues, Socrates becomes a mouthpiece for Plato's own philosophy, and the question-and-answer style is more pro forma: the main figure represents Plato and the minor characters have little to say except "yes", "of course" and "very true". The late dialogues read more like treatises, and Socrates is often absent or quiet. It is assumed that while some of the early dialogues could be based on Socrates' actual conversations, the later dialogues were written entirely by Plato. The question of which, if any, of the dialogues are truly Socratic is known as the Socratic problem.

The ostensible mise en scène of a dialogue distances both Plato and a given reader from the philosophy being discussed; one can choose between at least two options of perception: either to participate in the dialogues, in the ideas being discussed, or choose to see the content as expressive of the personalities contained within the work.

The dialogue format also allows Plato to put unpopular opinions in the mouth of unsympathetic characters, such as Thrasymachus in The Republic.

[سمادول] مېټافيزيک

Main article: Platonic idealism

Platonism has traditionally been interpreted as a form of metaphysical dualism, sometimes referred to as Platonic or Exaggerated Realism. According to this reading, Plato's metaphysics divides the world into two distinct aspects: the intelligible world of "forms", and the perceptual world we see around us. The perceptual world consists of imperfect copies of the intelligible forms or ideas. These forms are unchangeable and perfect, and are only comprehensible by the use of the intellect or understanding; i.e., a capacity of the mind that does not include sense-perception or imagination. This division can also be found in Zoroastrian philosophy, in which the dichotomy is referenced as the Minu (intelligence) and Giti (perceptual) worlds. The Zoroastrian ideal city, Shahrivar, also exhibits certain similarities with Plato's Republic. The existence and direction of influence here is uncertain; while Zoroaster lived well before Plato, few of the earliest writings of Zoroastrianism survive unaltered.

انځور:PlatosCave.gif
Illustrating Plato's allegory of the cave

In the Republic Books VI and VII, Plato uses a number of metaphors to explain his metaphysical views: the metaphor of the sun, the well-known allegory of the cave, and most explicitly, the divided line.

Taken together, these metaphors convey a complex, and, in places, difficult theory: there is something called The Form of the Good (often interpreted as Plato's god), which is the ultimate object of knowledge and which, as it were, sheds light on all the other forms (i.e., universals: abstract kinds and attributes), and from which all other forms "emanate". The Form of the Good does this in somewhat the same way as the sun sheds light on, or makes visible and "generates" things, in the perceptual world.

In the perceptual world, the particular objects we see around us bear only a dim resemblance to the more ultimately real forms of Plato's intelligible world; it is as if we are seeing shadows of cut-out shapes on the walls of a cave, which are mere representations of the reality outside the cave, illuminated by the sun.

We can imagine everything in the universe represented on a line of increasing reality; it is divided once in the middle, and then once again in each of the resulting parts. The first division represents that between the intelligible and the perceptual worlds. This is followed by a corresponding division in each of these worlds: the segment representing the perceptual world is divided into segments representing "real things" on the one hand, and shadows, reflections, and representations on the other. Similarly, the segment representing the intelligible world is divided into segments representing first principles and most general forms, on the one hand, and more derivative, "reflected" forms, on the other. (See the divided line of Plato)

Plato's metaphysics, and particularly its dualism between the intelligible and the perceptual, would inspire later Neoplatonist thinkers, such as Plotinus and Gnostics, and many other metaphysical realists. Although Platonist philosophers like Plotinus rejected Gnosticism (see Plotinus' Enneads). One reason being the Gnostic vilification of nature and Plato's demiurge from Timaeus. Plato also influenced Saint Justin Martyr. For more on Platonic realism in general, see Platonic realism and the Forms.

Although this interpretation of Plato's writings (particularly the Republic) has enjoyed immense popularity throughout the long history of Western philosophy, it is also possible to interpret his suggestions more conservatively, favoring a more epistemological than metaphysical reading of such famous metaphors as the Cave and the Divided Line. There are obvious parallels between the Cave allegory and the life of Plato's teacher Socrates (who was killed in his attempt to "open the eyes" of the Athenians). This example reveals the dramatic complexity that often lies under the surface of Plato's writing (remember that in the Republic, it is Socrates who relates the story.).

[سمادول] Epistemology

Main article: Platonic epistemology

Plato also had some influential opinions on the nature of knowledge and learning which he propounded in the Meno, which began with the question of whether virtue can be taught, and proceeded to expound the concepts of recollection, learning as the discovery of pre-existing knowledge, and right opinion, opinions which are correct but have no clear justification.

Plato stated that knowledge is essentially justified true belief, an influential belief which informed future developments in epistemology. In the Theaetetus, Plato argued that belief is to be distinguished from knowledge on account of justification. Many years later, Edmund Gettier famously demonstrated the problems of the justified true belief account of knowledge.

[سمادول] دولت يا رياست

Plato's philosophical views had many societal implications, especially on the idea of an ideal state or government. There is some discrepancy between his early and later views. Some of the most famous doctrines are contained in the Republic during his middle period.

Plato asserts that societies have a tripartite class structure corresponding to the appetite/spirit/reason structure of the individual soul.

  • Productive (Workers) — the labourers, carpenters, plumbers, masons, merchants, farmers, ranchers, etc. These correspond to the "appetite" part of the soul.
  • Protective (Warriors) — those who are adventurous, strong, brave, in love with danger; in the armed forces. These correspond to the "spirit" part of the soul.
  • Governing (Rulers) — those who are intelligent, rational, self-controlled, in love with wisdom, well suited to make decisions for the community. These correspond to the "reason" part of the soul and are very few.

According to this model, the principles of Athenian democracy (as it existed in his day) are rejected as only a few are fit to rule. Instead of rhetoric and persuasion, Plato says reason and wisdom should govern. This does not equate to tyranny, despotism, or oligarchy, however. As Plato puts it:

"Until philosophers rule as kings or those who are now called kings and leading men genuinely and adequately philosophise, that is, until political power and philosophy entirely coincide, while the many natures who at present pursue either one exclusively are forcibly prevented from doing so, cities will have no rest from evils,... nor, I think, will the human race." (Republic 473c-d)

Plato describes these "philosopher kings" as "those who love the sight of truth" (Republic 475c) and supports the idea with the analogy of a captain and his ship or a doctor and his medicine. Sailing and health are not things that everyone is qualified to practice by nature. A large part of the Republic then addresses how the educational system should be set up to produce these philosopher kings.

However, it must be taken into account that the ideal city outlined in the Republic is qualified by Socrates as the ideal luxurious city, examined to determine how it is that injustice and justice grow in a city (Republic 372e). According to Socrates, the "true" and "healthy" city is instead the one first outlined in book II of the Republic, 369c-372d, containing farmers, craftsmen, merchants, and wage-earners, but lacking the guardian class of philosopher-kings as well as delicacies such as "perfumed oils, incense, prostitutes, and pastries", in addition to paintings, gold, ivory, couches, a multitude of occupations such as poets and hunters, and war.

[سمادول] افلاطوني پوهه

"The safest general characterisation of the European philosophical tradition is that it consists of a series of footnotes to Plato." (Alfred North Whitehead, Process and Reality, 1929).
"The safest general characterisation of the European philosophical tradition is that it consists of a series of footnotes to Plato." (Alfred North Whitehead, Process and Reality, 1929).

Plato's thought is often compared with that of his most famous student, Aristotle, whose reputation during the Western Middle Ages so completely eclipsed that of Plato that the Scholastic philosophers referred to Aristotle as "the Philosopher". However, in the Byzantine Empire, the study of Plato continued.

The Medieval scholastic philosophers did not have access to the works of Plato, nor the knowledge of Greek needed to read them. Plato's original writings were essentially lost to Western civilization until they were brought from Constantinople in the century before its fall, by George Gemistos Plethon. Medieval scholars knew of Plato only through translations into Latin from the translations into Arabic by Persian and Arab scholars. These scholars not only translated the texts of the ancients, but expanded them by writing extensive commentaries and interpretations on Plato's and Aristotle's works (see Al-Farabi, Avicenna, Averroes).

Only in the Renaissance, with the general resurgence of interest in classical civilization, did knowledge of Plato's philosophy become widespread again in the West. Many of the greatest early modern scientists and artists who broke with Scholasticism and fostered the flowering of the Renaissance, with the support of the Plato-inspired Lorenzo de Medici, saw Plato's philosophy as the basis for progress in the arts and sciences. By the 19th century, Plato's reputation was restored, and at least on par with Aristotle's.

Notable Western philosophers have continued to draw upon Plato's work since that time. Plato's influence has been especially strong in mathematics and the sciences. It inspired the greatest advances in logic since Aristotle, due to Gottlob Frege and his followers Kurt Gödel, Alonzo Church, and Alfred Tarski, the last of whom summarised his approach by reversing Aristotle's famous declaration of sedition from the Academy: Inimicus Plato, sed magis inimica falsitas ("Plato is an enemy, but falsehood is yet a greater enemy"). Albert Einstein drew on Plato's understanding of an immutable reality that underlies the flux of appearances for his objections to the probabilistic picture of the physical universe propounded by Niels Bohr in his interpretation of quantum mechanics. Conversely, thinkers that diverged from ontological models and moral ideals in their own philosophy, have tended to disparage Platonism from more or less informed perspectives. Thus Friedrich Nietzsche attacked Plato's moral and political theories, Martin Heidegger argued against Plato's alleged obfuscation of Being, and Karl Popper argued in The Open Society and Its Enemies (1945) that Plato's proposal for a government system in the Republic was prototypically totalitarian.

[سمادول] Bibliography

Plato's writings (most of them dialogues) have been published in several fashions; this has led to several conventions regarding the naming and referencing of Plato's texts.

Those works ascribed to Plato that have a separate Wikipedia article can be found in Category:Dialogues of Plato

[سمادول] By tetralogy

One tradition regarding the arrangement of Plato's texts is according to tetralogies. This scheme is ascribed by Diogenes Laertius to an ancient scholar and court astrologer to Tiberius named Thrasyllus.

In the list below, works by Plato are marked (1) if there is no consensus among scholars as to whether Plato is the author, and (2) if scholars generally agree that Plato is not the author of the work. Unmarked works are assumed to have been written by Plato.

[سمادول] Tetralogies

  • I. Euthyphro, (The) Apology (of Socrates), Crito, Phaedo
  • II. Cratylus, Theaetetus, Sophist, Statesman
  • III. Parmenides, Philebus, (The) Symposium, Phaedrus
  • IV. First Alcibiades (1), Second Alcibiades (2), Hipparchus (2), (The) (Rival) Lovers (2)
  • V. Theages (2), Charmides, Laches, Lysis
  • VI. Euthydemus, Protagoras, Gorgias, Meno
  • VII. (Greater) Hippias (major) (1), (Lesser) Hippias (minor), Ion, Menexenus
  • VIII. Clitophon (1), (The) Republic, Timaeus, Critias
  • IX. Minos (2), (The) Laws, Epinomis (2), Letters (1)

[سمادول] Works not in tetralogies

The remaining works were transmitted under Plato's name, most of them already considered spurious in antiquity:

  • Axiochus (2), Definitions (2), Demodocus (2), Epigrams, Eryxias (2), Halcyon (2), On Justice (2), On Virtue (2), Sisyphus (2)

[سمادول] Stephanus pagination

The usual system for making unique references to sections of the text by Plato derives from a 16th century edition of Plato's works by Henricus Stephanus. An overview of Plato's writings according to this system can be found in the Stephanus pagination article.

[سمادول] Chronology

The exact order in which Plato's dialogues were written is not known, nor is the extent to which some might have been later revised and rewritten. However, there is enough information internal to the dialogues to form a rough chronology. The dialogues are normally grouped into three fairly distinct periods, with a few of them considered transitional works, and some just difficult to place.

Many of the positions in this ordering are still highly disputed.

[سمادول] پخواني ډيالوګونه

Socrates figures in all of these, and they are considered the most faithful representations of the historical Socrates; hence they are also called the Socratic dialogues. Most of them consist of Socrates discussing a subject, often an ethical one (friendship, piety) with a friend or with someone presumed to be an expert on it. Through a series of questions he will show that they don't apparently understand it at all. This period also includes several pieces surrounding the trial and execution of Socrates.

  • Apology
  • Crito
  • Charmides
  • Laches
  • Lysis
  • Euthyphro
  • Menexenus
  • Lesser Hippias
  • Ion

The following are variously considered transitional or middle period dialogues:

  • Gorgias
  • Protagoras
  • Meno

[سمادول] منځني ډيالوګونه

Late in the early dialogues Plato's Socrates actually begins supplying answers to some of the questions he asks, or putting forth positive doctrines. This is generally seen as the first appearance of Plato's own views. The first of these, that goodness is wisdom and that no one does evil willingly, was perhaps Socrates' own view. What becomes most prominent in the middle dialogues is the idea that knowledge comes of grasping unchanging forms or essences, paired with the attempts to investigate such essences. The immortality of the soul, and specific doctrines about justice, truth, and beauty, begin appearing here. The Symposium and the Republic are considered the centrepieces of Plato's middle period.

  • Euthydemus
  • Cratylus
  • Phaedo
  • Phaedrus
  • Symposium
  • Republic
  • Theaetetus
  • Parmenides

[سمادول] وروستي ډيالوګونه

The Parmenides presents a series of criticisms of the theory of Forms which are widely taken to indicate Plato's abandonment of the doctrine. Some recent publications (e.g., Meinwald (1991)) have challenged this characterisation. In most of the remaining dialogues the theory is either absent or at least appears under a different guise in discussions about kinds or classes of things (the Timaeus may be an important, and hence controversially placed, exception). Socrates is either absent or a minor figure in the discussion. An apparently new method for doing dialectic known as "collection and division" is also featured, most notably in the Sophist and Politicus, explicitly for the first time in the Phaedrus, and possibly in the Philebus. A basic description of collection and division would go as follows: interlocutors attempt to discern the similarities and differences among things in order to get clear idea about what they in fact are. One understanding, suggested in some passages of the Sophist, is that this is what philosophy is always in the business of doing, and is doing even in the early dialogues.

The late dialogues are also an important place to look for Plato's mature thought on most of the issues dealt with in the earlier dialogues. There is much work still to be done by scholars on the working out of what these views are. The later works are agreed to be difficult and challenging pieces of philosophy. On the whole they are more sober and logical than earlier works, but may hold out the promise of steps towards a solution to problems which were systematically laid out in prior works.

  • Sophist
  • Statesman
  • Philebus
  • Timaeus
  • Critias
  • Laws

[سمادول] Loeb Classical Library

James Loeb provided a very popular edition of Plato's works, still in print in the 21st century: see Loeb Classical Library#Plato for how Plato's works were named in Loeb's publications.

کينډۍ:Academia

[سمادول] دا هم وګورۍ

Wikiquote اړونده موضوع کليکسون لري:
  • Greek texts
  • Important publications in Western philosophy
  • Mitchell Miller
  • Alexander Nehamas
  • Platonic love

[سمادول] Footnotes

  • کينډۍ:Ent Plato, Phaedrus, "the living word of knowledge which has a soul, and of which the written word is properly no more than an image"
  • کينډۍ:Ent Plato, Seventh Epistle, "Therefore every man of worth, when dealing with matters of worth, will be far from exposing them to ill feeling and misunderstanding among men by committing them to writing." [1]

[سمادول] References

  • Cooper, John M. & Hutchinson, D. S. (Eds.) (1997). Plato: Complete Works, Hackett Publishing Co., Inc. ISBN 0872203492.
  • Durant, Will (1926). The Story of Philosophy, Simon & Schuster. ISBN 0671695002.
  • Hamilton, Edith & Cairns, Huntington (Eds.) (1961). The Collected Dialogues of Plato, Including the Letters, Princeton Univ. Press. ISBN 0691097186.
  • Jackson, Roy (2001). Plato: A Beginner's Guide, London: Hoder & Stroughton. ISBN 0-340-80385-1.
  • Kraut, Richard (Ed.) (1993). The Cambridge Companion to Plato, Cambridge University Press. ISBN 0521436109.
  • Melchert, Norman (2002). The Great Conversation: A Historical Introduction to Philosophy, McGraw Hill. ISBN 0195175107.
  • Meinwald, Constance Chu (1991). Plato's Parmenides, Oxford University Press. ISBN 0195064453.
  • Oxford University Press publishes scholarly editions of Plato's Greek texts in the Oxford Classical Texts series, and some translations in the Clarendon Plato Series.
  • Harvard University Press publishes the hardbound series Loeb Classical Library, containing Plato's works in Greek, with English translations on facing pages.
  • Les Belles Lettres also publishes Plato's complete works in Greek with French translations.
  • Smith, William. (1867 — original). Dictionary of Greek and Roman Biography and Mythology, University of Michigan/Online version.

[سمادول] External links

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aa - ab - af - ak - als - am - an - ang - ar - arc - as - ast - av - ay - az - ba - bar - bat_smg - bcl - be - be_x_old - bg - bh - bi - bm - bn - bo - bpy - br - bs - bug - bxr - ca - cbk_zam - cdo - ce - ceb - ch - cho - chr - chy - co - cr - crh - cs - csb - cu - cv - cy - da - de - diq - dsb - dv - dz - ee - el - eml - en - eo - es - et - eu - ext - fa - ff - fi - fiu_vro - fj - fo - fr - frp - fur - fy - ga - gan - gd - gl - glk - gn - got - gu - gv - ha - hak - haw - he - hi - hif - ho - hr - hsb - ht - hu - hy - hz - ia - id - ie - ig - ii - ik - ilo - io - is - it - iu - ja - jbo - jv - ka - kaa - kab - kg - ki - kj - kk - kl - km - kn - ko - kr - ks - ksh - ku - kv - kw - ky - la - lad - lb - lbe - lg - li - lij - lmo - ln - lo - lt - lv - map_bms - mdf - mg - mh - mi - mk - ml - mn - mo - mr - mt - mus - my - myv - mzn - na - nah - nap - nds - nds_nl - ne - new - ng - nl - nn - no - nov - nrm - nv - ny - oc - om - or - os - pa - pag - pam - pap - pdc - pi - pih - pl - pms - ps - pt - qu - quality - rm - rmy - rn - ro - roa_rup - roa_tara - ru - rw - sa - sah - sc - scn - sco - sd - se - sg - sh - si - simple - sk - sl - sm - sn - so - sr - srn - ss - st - stq - su - sv - sw - szl - ta - te - tet - tg - th - ti - tk - tl - tlh - tn - to - tpi - tr - ts - tt - tum - tw - ty - udm - ug - uk - ur - uz - ve - vec - vi - vls - vo - wa - war - wo - wuu - xal - xh - yi - yo - za - zea - zh - zh_classical - zh_min_nan - zh_yue - zu -

Static Wikipedia 2006 (no images)

aa - ab - af - ak - als - am - an - ang - ar - arc - as - ast - av - ay - az - ba - bar - bat_smg - bcl - be - be_x_old - bg - bh - bi - bm - bn - bo - bpy - br - bs - bug - bxr - ca - cbk_zam - cdo - ce - ceb - ch - cho - chr - chy - co - cr - crh - cs - csb - cu - cv - cy - da - de - diq - dsb - dv - dz - ee - el - eml - eo - es - et - eu - ext - fa - ff - fi - fiu_vro - fj - fo - fr - frp - fur - fy - ga - gan - gd - gl - glk - gn - got - gu - gv - ha - hak - haw - he - hi - hif - ho - hr - hsb - ht - hu - hy - hz - ia - id - ie - ig - ii - ik - ilo - io - is - it - iu - ja - jbo - jv - ka - kaa - kab - kg - ki - kj - kk - kl - km - kn - ko - kr - ks - ksh - ku - kv - kw - ky - la - lad - lb - lbe - lg - li - lij - lmo - ln - lo - lt - lv - map_bms - mdf - mg - mh - mi - mk - ml - mn - mo - mr - mt - mus - my - myv - mzn - na - nah - nap - nds - nds_nl - ne - new - ng - nl - nn - no - nov - nrm - nv - ny - oc - om - or - os - pa - pag - pam - pap - pdc - pi - pih - pl - pms - ps - pt - qu - quality - rm - rmy - rn - ro - roa_rup - roa_tara - ru - rw - sa - sah - sc - scn - sco - sd - se - sg - sh - si - simple - sk - sl - sm - sn - so - sr - srn - ss - st - stq - su - sv - sw - szl - ta - te - tet - tg - th - ti - tk - tl - tlh - tn - to - tpi - tr - ts - tt - tum - tw - ty - udm - ug - uk - ur - uz - ve - vec - vi - vls - vo - wa - war - wo - wuu - xal - xh - yi - yo - za - zea - zh - zh_classical - zh_min_nan - zh_yue - zu

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ZIM Files for Kiwix

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Lazarillo de Tormes

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Madame Bovary

https://www.madamebovary.org



Il Fu Mattia Pascal

https://www.mattiapascal.it



The Voice in the Desert

https://www.thevoiceinthedesert.org



Confessione d'un amore fascista

https://www.amorefascista.it



Malinverno

https://www.malinverno.org



Debito formativo

https://www.debitoformativo.it



Adina Spire

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Our "Network":

Project Gutenberg
https://gutenberg.classicistranieri.com

Encyclopaedia Britannica 1911
https://encyclopaediabritannica.classicistranieri.com

Librivox Audiobooks
https://librivox.classicistranieri.com

Linux Distributions
https://old.classicistranieri.com

Magnatune (MP3 Music)
https://magnatune.classicistranieri.com

Static Wikipedia (June 2008)
https://wikipedia.classicistranieri.com

Static Wikipedia (March 2008)
https://wikipedia2007.classicistranieri.com/mar2008/

Static Wikipedia (2007)
https://wikipedia2007.classicistranieri.com

Static Wikipedia (2006)
https://wikipedia2006.classicistranieri.com

Liber Liber
https://liberliber.classicistranieri.com

ZIM Files for Kiwix
https://zim.classicistranieri.com


Other Websites:

Bach - Goldberg Variations
https://www.goldbergvariations.org

Lazarillo de Tormes
https://www.lazarillodetormes.org

Madame Bovary
https://www.madamebovary.org

Il Fu Mattia Pascal
https://www.mattiapascal.it

The Voice in the Desert
https://www.thevoiceinthedesert.org

Confessione d'un amore fascista
https://www.amorefascista.it

Malinverno
https://www.malinverno.org

Debito formativo
https://www.debitoformativo.it

Adina Spire
https://www.adinaspire.com