James Horner
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| James Horner | |
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| Background information | |
| Birth name | James Roy Horner |
| Born | August 14, 1953 |
| Origin | London, England moved to Los Angeles, California in early 1970's California |
| Genre(s) | film score |
| Occupation(s) | Composer |
James Roy Horner (born August 14, 1953) is an American composer of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores, and for frequent use of Celtic musical elements. Horner won two Academy Awards for his score and song compositions for the film Titanic in 1997.
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[edit] Early life
Horner was born in Los Angeles, California, the son of Joan (née Fraenkel) and Harry Horner, who was a production designer, set designer and occasional film director.[1] He started playing piano at the age of five. Horner's early years were spent in London, where he attended the Royal College of Music and studied under György Ligeti. He received his bachelor's degree in music from the University of Southern California, and eventually earned a masters and started working on his doctorate at the University of California, Los Angeles where he studied with Paul Chihara and others. After several scoring assignments with the American Film Institute in the 1970s, he ended his teaching of music theory at the UCLA and turned to film scoring.
[edit] Film and television scoring
Horner began his film scoring career by working for B-movie director and producer Roger Corman, with his first composer credit for Corman's big-budget Battle Beyond the Stars. His works steadily gained notice in Hollywood, which led him to take on larger projects. Horner made a breakthrough in 1982, when he had the chance to score for Star Trek II: The Wrath of Khan, establishing himself as a mainstream composer. Horner continued composing music for high-profile releases in the 1980s, including 48 Hrs. (1981), Krull (1983), Star Trek III: The Search for Spock (1984), Commando (1985), Cocoon (1985), Aliens (1986, earning his first Academy Award nomination), Willow (1988), Glory and Field of Dreams (both 1989).
Horner's scores also began to see a secondary life with their usage in film trailers for other movies. Excerpts from his score for Aliens rank fifth in the most commonly-used soundtrack cues for film trailers.[2] In a strange twist, several films whose scores were composed by Michael Kamen have had Horner music for the trailers; most notably, the music from Willow is substituted for the theme Kamen wrote for the 1993 remake of The Three Musketeers.
Throughout the 1980s and early 1990s, Horner also displayed a talent for writing orchestral scores for children's films (particularly those produced by Amblin Entertainment), with credits for An American Tail (1986), The Land Before Time (1988), An American Tail: Fievel Goes West (1991), We're Back! A Dinosaur's Story (1993), and Casper and Balto (both 1995).
The year 1995 saw Horner produce no fewer than six scores, including his commercially successful and critically-acclaimed works for Braveheart and Apollo 13. Horner's greatest financial success would come in 1997 with an enormously popular score to Titanic, which was greatly influenced by the music of Clannad.[3] The album became the best-selling instrumental soundtrack in history with over 24 million copies sold worldwide, and is the third best-selling soundtrack album ever, trailing only Whitney Houston's The Bodyguard soundtrack (over 37 million) and the Bee Gees Saturday Night Fever (40 million). In 1997 he won Academy Awards for Best Original Dramatic Score and Best Original Song for "My Heart Will Go On" (which he co-wrote with Will Jennings), in addition to three Grammy Awards and two Golden Globe Awards.
Since Titanic, Horner has continued to score for major productions (including The Perfect Storm, A Beautiful Mind, and The Legend of Zorro). Aside from the major projects, Horner periodically tackles smaller projects as well (such as Iris and Bobby Jones: A Stroke of Genius). He frequently scores for the films of director Ron Howard, a partnership that began with Cocoon in 1985. Coincidentally, Horner's end title music from Glory can be heard in the trailer for Howard's Backdraft.
Horner composed the new theme music for the CBS Evening News. The theme was introduced as part of the debut of Katie Couric as anchor on September 5, 2006. It has since been adopted by most other CBS News programs, as well.
Recently, Horner finished the scores for The Spiderwick Chronicles, directed by Mark Waters, and Life Before Her Eyes, directed by Vadim Perelman.
[edit] List of film scores
[edit] Other work
Horner can be seen briefly in a cameo appearance as a crewman in Star Trek II: The Wrath of Khan.
[edit] References
[edit] External links
- Website by Sony Classical
- James Horner at the Internet Movie Database at the Internet Movie Database
- James Horner discography (Music City)
- JamesHorner.de - Fansite (in German)
- James Horner Fan Site with sheet music and midi tracks
