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48 Hrs. - Wikipedia, the free encyclopedia

48 Hrs.

From Wikipedia, the free encyclopedia

48 Hrs.

Theatrical poster
Directed by Walter Hill
Produced by D. Constantine Conte
Lawrence Gordon
Joel Silver
Written by Walter Hill
Roger Spottiswoode
Larry Gross
Steven E. de Souza
Jeb Stuart
Starring Nick Nolte
Eddie Murphy
Annette O'Toole
James Remar
Music by James Horner
Cinematography Ric Waite
Editing by Freeman A. Davies
Mark Warner
Billy Weber
Distributed by Paramount Pictures
Release date(s) December 8, 1982 (USA)
Running time 96 minutes
Country Flag of the United States United States
Language English
Budget $1,000,000
Followed by Another 48 Hrs.
Allmovie profile
IMDb profile

48 Hrs. is a 1982 action comedy film directed by Walter Hill, starring Nick Nolte and Eddie Murphy as a cop and convict, respectively, who team up to catch a cop-killer. The title refers to the amount of time they have to solve the crime. This was Eddie Murphy's film debut. The screenplay was written by Hill, Roger Spottiswoode, Larry Gross, Steven E. de Souza and Jeb Stuart (uncredited).

48 Hrs. is often credited as being the first "buddy cop" film. The genre evolved throughout the 1980s and 1990s with features such as Beverly Hills Cop, Running Scared, Lethal Weapon, Tango & Cash, Bad Boys, and Rush Hour. The film spawned a 1990 sequel, Another 48 Hours.

Contents

[edit] Summary

Convicted robber Albert Ganz (James Remar) escapes from a chain gang with the help of his partner Billy Bear (Sonny Landham). They head to San Francisco to recover the money Ganz was after when he was arrested. After killing one of his old comrades, Henry Wong, Ganz and Billy take the I.D. they find on Wong, registered to a G.P. Polson, and rent a car and a hotel room. They catch up with their old friend Luther (David Patrick Kelly) and hold his girlfriend Rosalie hostage until he delivers the money, which Luther says he can't get to for a day or so.

Jack Cates (Nick Nolte) is an alcoholic, chain-smoking San Francisco cop. His rocky relationship with his girlfriend Elaine (Annette O'Toole) is a frequent source of stress to him, mostly because neither respects the other much. He hears over the scanner about a G.P. Polson, whose stolen credit cards were used to rent a car and a room at the Walden Hotel. He decides to tag along with fellow officers Algren (Jonathan Banks) and VanZant (James Keane) to the hotel, where they expect to find a kid with a knife holding onto Polson's wallet. VanZant doesn't enjoy Jack's company, but Algren, the mediator, has Jack stake out the lobby.

Algren and VanZant go up to the room, where Ganz and Billy are fooling around with prostitutes they hired earlier. Ganz and Billy immediately start a gunfight and VanZant is instantly killed. Algren puts up a fight but is badly wounded. Ganz and Billy get down to the lobby, where Jack intercepts them. He disarms Ganz, but Billy intervenes and Algren, desperately trying to fire his empty weapon, pushes everything into a standoff. Despite Algren's statement that he's not worth it, Jack gives his gun up to Ganz so that Billy will not kill Algren. Of course, Ganz shoots Algren, while Jack narrowly escapes death.

Back at the police station, Jack is talked down to by his fellow officers; notorious for being a loose cannon, Jack is blamed for the mess. Hoping to redeem himself and get revenge, Jack talks Chief Haden (Frank McRae) into letting him go it alone. Haden agrees, but threatens Jack with "going down" if he screws up.

Jack goes to San Quentin prison and visits Ganz and Billy's former partner Reggie Hammond (Eddie Murphy). Jack decides to parole Reggie Hammond for 48 hours so Reggie can help him find Ganz and Billy. Jack, a hot-headed straight arrow after the villains, clashes instantly with the wisecracking, womanizing Reggie, who wants some female companionship. Reggie first leads Jack to Luther, who refuses to talk. They then go to a redneck bar Billy hangs out in. Reggie, on a challenge from Jack, shakes the bar down in a famous scene, single-handedly bringing the crowd under his control. They get a lead on Billy's old girlfriend, but this also leads nowhere, as the girlfriend says she threw Billy out. Jack, frustrated to the boiling point, lets loose on Reggie and they get into a relentless but ridiculous fistfight.

Jack eventually learns that Reggie has $500,000 stashed in the trunk of his car, the spoils of a deal gone bad when Ganz apparently sold Reggie out. The money is in the trunk of Reggie's car, parked in a garage for three years. Luther goes and gets the car, and Jack and Reggie tail him to a Muni station where Ganz comes to get the money. Luther, however, recognizes Jack, and Ganz and Billy escape, while Reggie chases after Luther.

Left with nothing, Jack ends up sitting at the station waiting for Reggie to call. His partner Kehoe (Brion James), about to leave, reminds Jack about a message from "your pal from the vice squad." Unfortunately, this comes while Jack is trying to patch things up with Elaine, breaking things up instead.

Jack goes to the local club in the Fillmore district to find Reggie, who has tracked Luther to a hotel across the street. Jack, humbled, apologizes for continuously berating and insulting Reggie. He lends Reggie some money to pay for a hotel room, but when Reggie leaves to fool around with a girl he's met, he sees Luther leave the hotel.

Luther gets onto a stolen bus driven by Billy and hands over the money to Ganz, but when he asks Rosalie if she's okay, Ganz gets angry- "What're you talking about? Huh? I said I wouldn't hurt her, didn't I?" - and shoots Luther. What happens to Rosalie is left ambiguous. Ganz spots Jack and Reggie following them, and a car chase/gunfight ensues, which ends when Billy forces Jack's Cadillac through the window of a Cadillac showroom.

Chief Haden furiously berates Jack back at the station, telling him he's through. Jack quietly soaks it up, but when Haden shouts about his defending a "lousy n---er convict" Jack loses his temper and angrily defends Reggie. Haden disregards this and Jack drags Reggie out of the station.

At a local bar before Reggie goes back to prison, Reggie asks Jack how things are going with Elaine- "If I was depressed and had a lady I'd go see her, I figured you'd do the same." Jack decides he'll patch things up tomorrow, then questions whether Billy would do the same with his girlfriend; the bus was found in Chinatown, where her apartment is. As it turns out, Billy did just that.

Jack and Reggie force their way inside and after a brief confrontation Reggie shoots Billy. Ganz puts up a fight and escapes into a maze of alleyways, capturing Reggie. Jack approaches and shoots Ganz, throwing him off Reggie, then finishes him off by shooting him repeatedly. Reggie is almost shocked by Jack's stony face.

Finally, Jack takes Reggie to go fool around with the girl he'd been chasing. They agree to meet again when Reggie gets out of San Quentin in six months. Jack leaves the money in Reggie's car, but asks for a loan on another Cadillac when he gets out. They drive off, heading back towards prison.

[edit] Cast and characters

[edit] Production

Lawrence Gordon came up with the original idea for the film. The premise had the Governor of Louisiana's daughter kidnapped by a criminal who strapped dynamite to her head and threatened to blow her up in 48 hours if the ransom was not met. The meanest cop goes to the worst prison in the state and gets out the most vicious criminal for his knowledge of the kidnapper who was his cellmate.[1] Roger Spottiswoode was hired and he wrote the early drafts as did Bill Kerby. The project started at Columbia Pictures and moved to Paramount Pictures. At one point, even Walter Hill wrote a draft.

Clint Eastwood was originally approached to play Det Sgt. Jack Cates and Richard Pryor was set for the role of Reggie Hammond. Eastwood wanted to play the criminal role and ended up playing one in Escape from Alcatraz instead. As a result, 48 Hrs. went into limbo for two years. Then, Gordon called Hill and asked him if he would make the film with Nick Nolte as Cates.[1]

Eddie Murphy started a few weeks after principal photography began because he was finishing up a season of Saturday Night Live. The shoot went well but Hill ran into problems with studio executives.[1] Michael Eisner, then head of Paramount, was worried that the film was not funny enough. Hill and his co-screenwriter, Larry Gross wrote more material tailored to Nolte and Eddie Murphy's personalities. By Hill's account, they rewrote Murphy's character right to the very last day of shooting. Executives also found the footage of the gunfight in the hotel to be too violent and were worried that it would kill the film's humor. They told Hill that he would never work for Paramount again as a result.[1]

[edit] References

  1. ^ a b c d McGilligan, Patrick. "Walter Hill: Last Man Standing", Film International, June 2004. Retrieved on 2007-11-28. 

[edit] External links



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