Kullanıcı:Gökhan/Çalışma
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The New York Times wrote that while some might consider the plot an "offense against narrative order ... the film is an intoxicating liberation from sense, with moments of feeling all the more powerful for seeming to emerge from the murky night world of the unconscious."[1]
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[değiştir] Production history
[değiştir] Development
Başlangıçta televizyon dizisi olarak düşünülen Mulholland Çıkmazı, Touchstone Television için yapılan ve ABC'de yayınlanması düşünülen iki saatlik pilot bölümüyle başladı. David Lynch, araba kazasından kurtulan ve çantasında 125.000 $ ve mavi bir anahtar bulunan Rita ve kim olduğunu hatırlaması için ona yardım etmeye çalışan Betty'nin hikayesini temel alan fikri ABC yöneticilerine sattı. An ABC executive recalled, "I remember the creepiness of this woman in this horrible, horrible crash, and David teasing us with the notion that people are chasing her. She's not just 'in' trouble—she is trouble. Obviously, we asked, 'What happens next?' And David said, 'You have to buy the pitch for me to tell you.'"[2]
Lynch described the attractiveness of the idea of a pilot, despite the knowledge that the medium of television would be constricting: "I'm a sucker for a continuing story ... Theoretically, you can get a very deep story and you can go so deep and open the world so beautifully, but it takes time to do that."[3] The story balanced normal and surreal elements, much like Lynch’s earlier series Twin Peaks. Groundwork was laid for story arcs, such as the mystery of Rita's identity, Betty's career, and Adam Kesher's film project.[4]
[değiştir] Casting
Lynch Naomi Watts ve Laura Elena Harring'i fotoğraflarına bakarak seçti. Onları oayrı ayrı çağırarak yarım saatlik görüşme yaptı ve onlara daha önceki hiçbir televizyon veya film çalışmalarının görmediğini söyledi.[5] Harring ilk görüşmeye giderken yolda küçük bir trafik kazası geçirmişti, o görüşmede filmde de trafik kazası geçireceğini öğrendi.[6] Watts arrived wearing jeans for the first interview, direct from the airplane from New York City. Lynch asked her to return the next day "more glammed up". She was offered the part two weeks later. Lynch explained his selection of Watts, "I saw someone that I felt had a tremendous talent, and I saw someone who had a beautiful soul, an intelligence—possibilities for a lot of different roles, so it was a beautiful full package."[7] Justin Theroux also met Lynch directly from his airplane. After a long flight with little sleep, Theroux arrived dressed all in black, with his hair mussed. Lynch liked the look and decided to cast Adam wearing similar clothes and the same hairstyle.[8]
[değiştir] Filming
Şablon:Quote box2
Televizyon pilotunun çekimleri Şubat 1999'da başladı ve altı hafta sürdü. Televizyon yöneticileri pilot bölümünden mutsuzdu ve onu takvime almama kararı aldılar.[9][10] Doğrusal olmayan hikaye örgüsü, Harring ve Watts'ın yaşları (çok yaşlı olduklarına karar verildi), Anne Miller karakterinin sigara içmesi, sahnelerin birinde köpek dışkısının yakın çekimde gösterilmesi projenin reddedilme sebeplerindendi. Lynch remembered, "All I know is, I loved making it, ABC hated it, and I don't like the cut I turned in. I agreed with ABC that the longer cut was too slow, but I was forced to butcher it because we had a deadline, and there wasn't time to finesse anything. It lost texture, big scenes, and storylines, and there are 300 tape copies of the bad version circulating around. Lots of people have seen it, which is embarrassing, because they're bad-quality tapes, too. I don't want to think about it."[11]
The script was later rewritten and expanded when Lynch decided to transform it into a feature film. Describing how he transitioned from an open-ended pilot to a feature film with a resolution of sorts, Lynch said, "One night, I sat down, the ideas came in, and it was a most beautiful experience. Everything was seen from a different angle ... Now, looking back, I see that [the film] always wanted to be this way. It just took this strange beginning to cause it to be what it is."[12] The result was an extra eighteen pages of material that included the romantic relationship between Rita and Betty and the events that occurred after the blue box was opened. Watts was relieved that the pilot was dropped by ABC. She found Betty too one-dimensional without the darker portion of the film that was put together afterward.[13] Most of the new scenes were filmed in October 2000, funded with $7 million from French production company StudioCanal.[5]
Theroux described approaching filming without entirely understanding what the plot was about: "You get the whole script, but he might as well withhold the scenes you're not in, because the whole turns out to be more mystifying than the parts. David welcomes questions, but he won't answer any of them ... You work kind of half-blindfolded. If he were a first-time director and hadn't demonstrated any command of this method, I'd probably have reservations. But it obviously works for him."[14] Theroux noted the only answer Lynch did provide was that he was certain that Theroux's character, a Hollywood director, was not autobiographical of Lynch. Watts stated that she tried to bluff Lynch by pretending she had the plot figured out, and that he delighted in the cast's frustration.[5]
