Progressive metal
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| Progressive metal | |
| Stylistic origins | |
|---|---|
| Cultural origins | |
| Typical instruments | |
| Mainstream popularity | Popular among heavy metal and progressive rock fans |
| Fusion genres | |
| Mathcore - Progressive death metal | |
| Other topics | |
| Timeline of heavy metal | |
Progressive metal is a sub-genre of heavy metal music which blends the powerful, guitar-driven sound of metal with the complex compositional structures, odd time signatures, and intricate instrumental playing of progressive rock. Some progressive metal bands are also influenced by jazz fusion and classical music. Like progressive rock songs, progressive metal songs are usually much longer than standard metal songs, and they are often thematically linked in concept albums. As a result, progressive metal is rarely heard on mainstream radio and video programs.
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[edit] History
The origins of progressive metal can be traced back to progressive rock bands from the late 1960s and early to mid-1970s such as Yes, Pink Floyd, Emerson, Lake and Palmer, Jethro Tull, King Crimson, Genesis, Gentle Giant, Focus, Renaissance, The Alan Parsons Project, early Queen, Kansas, Atomic Rooster, Uriah Heep and Rush. The latter 5 also often blended metal elements into their music. However, progressive metal did not develop into a genre of its own until the mid-1980s. Bands such as Rainbow had many qualities of progressive metal. Bands such as Fates Warning, Queensrÿche and Dream Theater took elements of these progressive rock groups – primarily the instrumentation and compositional structure of songs – and merged them with heavy metal styles associated with early Metallica and Megadeth. The result could be described as a progressive rock mentality with heavy metal sounds.
Progressive metal received mainstream exposure in the early 1990s when Queensrÿche's "Silent Lucidity" (from 1990's Empire) became a radio and MTV hit. It was not a typical progressive metal song, but its popularity increased the profile of other progressive metal bands. In 1993, Dream Theater's "Pull Me Under" (from 1992's Images and Words) became popular on radio and MTV. In the 1990s, bands such as Pain of Salvation, Opeth, Ayreon, and Symphony X developed their own signature sounds.
Pain of Salvation drew heavily on more obscure 1970s prog acts. Ayreon stayed with the traditional Prog Metal themes, but mixed them with rock opera and ambient influences. Symphony X married progressive elements to power metal and classical music, bridging the gap between the three sub-genres. Steve Vai's former singer and heavy metal band Strapping Young Lad's singer and guitarist Devin Townsend combined elements of post metal and ambient with traditional progressive metal on his first two solo albums Ocean Machine: Biomech and Infinity. Opeth combined their prog influence with death metal. Another influence on prog metal was "technical metal" bands, such as Meshuggah, Watchtower, Atheist and Cynic, which played complex song structures and used virtuoso instrumental playing.
Bands like Sun Caged, Dominici and Circus Maximus are influenced by traditional progressive metal and several of the first wave of 1990s bands. Bands such as Dark Suns, Disillusion, or Conscience are influenced by emotional progressive metal bands like Opeth, Pain of Salvation, Green Carnation and Anathema. Sweden's Tiamat have also been influential in the progressive metal genre, especially on their 1994's breakthrough-album Wildhoney.
[edit] Diversity
Progressive metal can be broken down into countless sub-genres corresponding to certain other styles of music that have influenced progressive metal groups. For example, two bands that are commonly identified as progressive metal, King's X and Opeth, are at opposite ends of the sonic spectrum to one another. King's X are greatly influenced by softer mainstream rock and, in fact, contributed to the growth of grunge influencing bands like Pearl Jam, whose bassist Jeff Ament once said, "King's X invented grunge". Opeth's growling vocals and heavy guitars (liberally intermixed with Gothic-evocative acoustic passages) often see them cited as progressive death metal, yet Mikael Åkerfeldt refers to Yes and Camel as major influences in the style of their music.
Classical and symphonic music have also had a significant impact on sections of the progressive metal genre, with bands Devin Townsend, Symphony X and Shadow Gallery fusing traditional progressive metal with a complexity and grandeur usually found in classical compositions. Similarly, bands such as Dream Theater, Planet X and Liquid Tension Experiment have a jazz influence, with extended solo sections that often feature "trading solos". Cynic, Atheist, Pestilence and Meshuggah also blended jazz/fusion with death metal. Devin Townsend draws on more Ambient influences in the atmosphere of his music. Progressive metal is also often linked with power metal, hence the ProgPower music festival. Prog metal has also overlapped thrash metal. Most famously perhaps with Dark Angel's swansong album Time Does Not Heal, which was famous for its sticker that said "9 Songs, 67 Minutes, 246 Riffs". Other bands with recognizable progressive metal elements include Anacrusis, Coroner, Mekong Delta, Voivod, Forbidden, Defiance, Metallist, Heathen, Sadus, Tool, and Blind Illusion.
[edit] Differences with avant-garde metal
Although progressive metal and avant-garde metal both favor experimentation and non-standard ideas, there are rather large differences between the two genres. The experimentation of progressive metal lies mostly in playing complex rhythms and song structures with traditional instruments[1]. For avant-garde metal, most of the experimentation is in the use of unusual sounds and instruments[1]. Progressive metal also puts a greater emphasis on technicality and theoretical complexity (e.g., odd time signatures, complex song forms, jazz fusion influences), while avant-garde metal is more unorthodox and tends to question many of the musical conventions[1].
[edit] References
- Recording Industry Sourcebook, Seventh Edition, Burkhart Publishing (1996, ISBN#0918371090)
[edit] See also
[edit] References
- ^ a b c "Mittel Ethan, "The Avant Garde And How To Swing It" on Metal Storm" 2006.
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