Peter Maxwell Davies
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Sir Peter Maxwell Davies, CBE (b. 8 September 1934), is an English composer and conductor.
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[edit] Biography
Davies was born in Salford, Lancashire. He took piano lessons and composed from an early age. After education at Leigh Boys Grammar School, which purchased a mini grand piano for him when he was student there, Davies studied at the University of Manchester and at the Royal Manchester College of Music (amalgamated into the Royal Northern College of Music in 1973), where his fellow students included Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Together they formed New Music Manchester, a group committed to contemporary music. After graduating in 1956, he briefly studied with Goffredo Petrassi in Rome before working as Director of Music at Cirencester Grammar School from 1959 to 1962.
In 1962, he secured a Harkness Fellowship at Princeton University, with the help of Aaron Copland and Benjamin Britten[1], where he studied with Roger Sessions, Milton Babbitt and Earl Kim. He then moved to Australia, where he was Composer in Residence at the Elder Conservatorium of Music, University of Adelaide from 1965-66.
He then returned to the United Kingdom and moved to the Orkney Islands, initially to Hoy in 1971, and later to Sanday, where he lives with his partner Colin Parkinson. Orkney (particularly its capital, Kirkwall) hosts the St Magnus Festival, an arts festival founded by Davies in 1977. He frequently uses it to premiere new works (often played by the local school orchestra).
Davies was Artistic Director of the Dartington Summer School from 1979 to 1984 and has held a number of posts. From 1992 to 2002 he was associate conductor/composer with the BBC Philharmonic Orchestra and he has conducted a number of other prominent orchestras, including the Philharmonia, the Cleveland Orchestra, the Boston Symphony Orchestra and the Leipzig Gewandhaus Orchestra. In 2000 Davies was Artist in Residence at the Barossa Music Festival when he presented some of his music theatre works and worked with students from the Barossa Spring Academy.
He has been awarded a number of honorary doctorates at various institutions. He has been President of Making Music (The National Federation of Music Societies) since 1989. Davies was made a CBE in 1981 and knighted in 1987. He was appointed Master of the Queen's Music for a ten-year period from March 2004. Oxford University awarded him an honorary Doctor of Music degree in July 2005. On November 25, 2006, Sir Peter was appointed an Honorary Fellow of Canterbury Christ Church University at a service in Canterbury Cathedral. He is also a professor of composition at the Royal Academy of Music.
Davies was one of the first classical composers to open a music download website, MaxOpus, (in 1996). The site has been unavailable since the arrest in June 2007 of Michael Arnold (one of MaxOpus's directors) on fraud charges arising from money missing from Davies's business accounts.[2]
Davies was known as an 'enfant terrible' of the 60's, whose music frequently shocked. One of the last of his overtly theatrical and shocking pieces was 'Eight Songs for a mad King' (1969). It was written at the same time as Hendrix's Star Spangled Banner and utilised 'musical parody', in much the same way Hendrix had. In Eight Songs for a Mad King, Davis took a canonical piece of music, Handel's Messiah, and subverted it to suit his own needs, just as Hendrix had subverted the US National Anthem.
Davies has a keen interest in environmentalism, and wrote The Yellowcake Revue, collection of cabaret-style pieces that he performed with actress Eleanor Bron, in protest plans to mine uranium ore in Orkney. It is from this suite of pieces that his famous instrumental chanson triste interlude Farewell to Stromness[3][4] is taken. The slow, walking bass line that pervades the Farewell portrays the residents of the village of Stromness having to leave their homes as a result of uranium contamination. The Revue was first performed at the St. Magnus Festival, in Orkney, by Eleanor Bron, with the composer at the piano, in June 1980. Stromness, the second largest town in Orkney, would have been two miles from the uranium mine's core, and the center most threatened by pollution.
Openly gay, in 2007, there was a controversy around his planned Civil Partnership when he was told that the ceremony could not take place on the Sanday Light Railway.[5] He later abandoned his plans.[6]
Davies is known informally as "Max," after his middle name "Maxwell." A reporter for The Independent humorously recalled the confusion this brought about when Davies was staying in Las Vegas. No one seemed able to locate him at any hotel, despite trying "Maxwell Davies", "Davies", "Max", "Sir Peter" and every other imaginable permutation. It was finally discovered that the hotel had registered him as "Mavis", which inspired the composer to produce the orchestral piece Mavis in Las Vegas.[7]
[edit] Music
Davies is a prolific composer who has written music in a variety of styles and idioms over his career, often combining disparate styles in one piece.
Early works include the Trumpet Sonata (1955), written while he was at college, and his first orchestral work, Prolation (1958), written while under the tutelage of Petrassi. Early works often use serial techniques (for example Sinfonia for chamber orchestra, 1962), sometimes combined with Mediaeval and Renaissance compositional methods. Fragments of plainsong are often used as basic source material to be adapted and developed in various ways.
Pieces from the late 1960s take up these techniques and tend towards expressionism and a violent character - these include Revelation and Fall (based on a poem by Georg Trakl), the music theatre pieces Eight Songs for a Mad King and Vesalii Icones, and the opera Taverner. Taverner again shows an interest in Renaissance music, taking as its subject the composer John Taverner, and consisting of parts resembling Renaissance forms. The orchestral piece St Thomas Wake (1969) also shows this interest, and is a particularly obvious example of Davies's polystylism, combining, as it does, a suite of foxtrots (played by a twenties-style dance band), a pavane by John Bull and Davies's "own" music (the work is described by Davies as a "Foxtrot for orchestra on a pavan by John Bull"). Many works from this period were performed by the Pierrot Players which Davies founded with Harrison Birtwistle in 1967 (they were reformed as The Fires of London in 1970, disbanded in 1987).
Davies is known for his use of magic squares as a source of musical materials and as a structural determinant. In his work Ave Maris Stella (1975) he used a 9x9 square numerologically associated with the moon, reduced modulo 9 to produce a Latin square, to permute the notes of a plainsong melody with the same name as the piece and to govern the durations of the notes.
Worldes Blis (1969) indicated a move towards a more integrated and somewhat more restrained style, anticipating the calm which Davies would soon find at his new home in Orkney. Some have drawn a comparison between this later style and the music of Jean Sibelius. His present style is regarded as much more accessible, to the point where Harrison Birtwistle no longer regarded him as a modernist.[8]
Since his move to Orkney, Davies has often drawn on Orcadian or more generally Scottish themes in his music, and has sometimes set the words of Orcadian writer George Mackay Brown. He has written a number of other operas, including The Martyrdom of St Magnus (1976), The Lighthouse (1980, his most popular opera), and The Doctor of Myddfai (1996). The ambitious, nihilistic parable Resurrection (1987), which includes parts for a rock band, was nearly twenty years in gestation.
Davies also became interested in classical forms, completing his first symphony in 1976. He has written eight numbered symphonies since - a symphonic cycle of the Symphonies No.1 - No.7 (-2000), a Symphony No.8 titled the 'Antarctic' (2000), a Sinfonia Concertante (1982), as well as the series of ten Strathclyde Concertos for various instruments (pieces born out of his association with the Scottish Chamber Orchestra, 1987-1996). In 2002, he began work on a series of string quartets for the Maggini String Quartet to record on Naxos Records (the so-called Naxos Quartets). The whole series has been completed in 2007, and is viewed by the composer as a novel in ten chapters.
Davies's lighter orchestral works have included Mavis in Las Vegas and Orkney Wedding, With Sunrise (which features the bagpipes), as well as a number of theatre pieces for children and a good deal of music with educational purposes. Additionally he wrote the scores for Ken Russell's films The Devils and The Boy Friend.
Maxwell Davies's short piano piece Farewell to Stromness entered the Classic FM Hall of Fame in 2003, his first ever entry, and was at that time the fastest-rising new entry in the chart's history.
He also writes with particular affinity for young and non-professional performers; for example, his Fanfare: A salute to Dennis Brain is targeted for players of grade 6 standard or above,[9] and he has composed several children's operas including A Selkie Tale, The Great Bank Robbery and The Spider's Revenge.
[edit] Career highlights
- 1953-8 - studied in Manchester and Rome.
- 1967 - together with Harrison Birtwistle, founded the contemporary music touring ensemble the Pierrot Players (later renamed The Fires of London).
- 1971 - moved to Hoy in the Orkney Islands.
- 1987-96 - wrote the ten Strathclyde Concertos for the Scottish Chamber Orchestra.
- 2002 - embarked on a cycle of ten string quartets, commissioned by Naxos.
- 2004 - appointed Master of the Queen’s Music.
[edit] Selected compositions
- Fantasias on an In nomine of John Taverner (1962; For a large orchestra dividing into several chambers ensembles to be performed)
- Eight Songs for a Mad King (1968; for singer/narrator/actor and chamber ensemble)
- Missa super l'homme armé (1968, rev. 1971; for male or female speaker or singer and ensemble)
- Ave Maris Stella (1975; chamber ensemble)
- Symphony No. 1 (1976-77; orchestra)
- The Lighthouse (opera) (1979; chamber opera)
- Cinderella (1980; children’s opera)
- Image, Reflection, Shadow (1982; ensemble)
- Concerto for Violin and Orchestra (1985; dedicated to Isaac Stern who gave the first performance on June 21, 1986 at the St. Magnus Festival in the Orkney Islands)
- Caroline Mathilde (1991; ballet)
- A Spell for Green Corn: The MacDonald Dances (1993; violin, orchestra)
- Job (1997; singers, orchestra)
- Mr Emmet Takes a Walk (2000; chamber opera)
[edit] Selected recordings
- Naxos Quartets
- Missa parvula; two organ pieces; two motets - Hyperion CDA67454
- Magnificat and Nunc Dimittis and O Sacrum Convivium - Delphian DCD34037
- Symphonies 1 - 6 - BBC Philharmonic/composer - Collins Classics
- Ave Maris Stella; Image, Reflection, Shadow; Runes from a Holy Island - Fires of London/composer - Unicorn-Kanchana
[edit] Notable students
- Elisabetta Brusa
- Ronald Caltabiano
- Ross Edwards
- Philip Grange
- Edward Barnes
- Haflidi Hallgrímsson
- Hilda Paredes
- Gillian Whitehead
[edit] External links
- A portrait in words of the composer by Stephen Moss in The Guardian
- Sir Peter Maxwell Davies' homepage at Chester Music
- Maxwell Davies and the String Quartet CompositionToday article by Paul Driver
- Peter Maxwell Davies interview with Bruce Duffie
- On An Overgrown Path
[edit] References
- ^ Guardian profile
- ^ Husband of Peter Maxwell Davies's Manager Arrested in Connection with Disappearance of £500,000, Playbill Arts, May 2007
- ^ [1]
- ^ [2]
- ^ Orkney Council moves to quell civil partnerships row- from Pink News- all the latest gay news from the gay community - Pink News
- ^ Orkney composer cancels ceremony plans- from Pink News- all the latest gay news from the gay community - Pink News
- ^ Mavis in Las Vegas (CD liner notes), Collins Classics
- ^ Mr. Unstoppable, The Guardian, 2004
- ^ The Horn Player, magazine of the British Horn Society, April 2007
| Preceded by Malcolm Williamson |
Master of the Queen's Music 2004–2014 |
Succeeded by Current Incumbent |
