Down in the Groove
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Down in the Groove | |||||
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Studio album by Bob Dylan | |||||
Released | May 30, 1988 | ||||
Recorded | 1983–1987 | ||||
Genre | Rock | ||||
Length | 32:10 | ||||
Label | Columbia | ||||
Producer | unlisted | ||||
Professional reviews | |||||
Bob Dylan chronology | |||||
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Down in the Groove is Bob Dylan's 25th studio album, released in 1988 by Columbia Records.
A highly collaborative effort, it was Dylan's second consecutive album to receive almost unanimous negative reviews. Released during a period when his recording career was experiencing a slump, sales were disappointing, reaching only #61 in the US and #32 in the UK.
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[edit] Recording and reception
"Even by Dylan standards, this album has had a strange, difficult birth," wrote Rolling Stone critic David Fricke. "Its release was delayed for more than half a year, and the track listing was altered at least three times. If the musician credits are any indication, the songs that made the final cut come from half a dozen different recording sessions spread out over six years." Like its predecessor Knocked Out Loaded, Dylan once again used more collaborators than normal.
In a review published in his "Consumer Guide" column, Robert Christgau wrote, "Where Self Portrait was at least weird, splitting the difference between horrible and hilarious, [Dylan is now] forever professional - not a single remake honors or desecrates the original. All he can do to a song is Dylanize it, and thus his Danny Kortchmar band and his Steve Jones-Paul Simonon band are indistinguishable, immersed in that patented and by now meaningless one-take sound." Christgau would later call Down in the Groove a "horrendous product."
Christgau was not alone in his disappointment regarding Dylan's collaborations. In his review for Rolling Stone Magazine, Fricke noted that "a highly anticipated – if somewhat unlikely – collaboration with Full Force, the top Brooklyn hip-hop posse, turned out to be an old Infidels outtake, 'Death Is Not the End,' newly garnished with some tasty but rather superfluous Full Force vocal harmonies." In 2007, Rolling Stone Magazine would go on to label Down in the Groove as Bob Dylan's worst album [1]
However, one song, a Grateful Dead collaboration titled "Silvio," had some success as a single, and Dylan would regularly feature it in his subsequent tours. "Silvio" would also be included on 1994's Bob Dylan's Greatest Hits Volume 3.
[edit] The summer tour of 1988
Soon after Down in the Groove's release, Dylan embarked on a summer tour of North America, presumably in support of Down in the Groove. The first show was on June 7th, 1988, at Concord Pavilion in Concord, California, and it was a dramatic shift from previous tours. In recent years, Dylan had relied on larger ensembles, often staffed with high-profile artists like Mick Taylor, Ian McLagan, The Grateful Dead, and Tom Petty and the Heartbreakers. This time, Dylan organized his concerts around a small, 'garage rock'-type combo, consisting of Dylan, guitarist G.E. Smith (of Saturday Night Live fame), bassist Kenny Aaronson, and drummer Christopher Parker. (There was a notable exception in the early June shows; those concerts featured a second, lead guitarist in Neil Young, whose own career was also in a downturn at the time.)
Song selection also became more adventurous, with setlists from different nights offering little resemblance to one another. The concerts would also alternate between full-band, electric sets and smaller, acoustic sets (with Smith providing Dylan's only accompaniment); it was during the acoustic sets that Dylan incorporated an endless variety of traditional cover songs, a marked departure from previous shows that depended heavily on his own compositions.
The concerts initially received modest attention, but they would soon receive a generous amount of praise. The tour schedule was also surprising for a man of Dylan's age, as Dylan was spending most of his time on the road. Just as one leg of the tour would end, Dylan would schedule another leg soon after, and this would continue for many years to come. As a result, Dylan's shows are now often referred to as the "Never Ending Tour". Though the supporting personnel would undergo a number of changes for years to come, the basic format begun in the summer of 1988 would continue to this day.
[edit] Outtakes
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In February 2007, a reel went up for sale on eBay that contained 4 takes of the 1979 Solomon Burke song "Sidewalk, Fences, and Walls" for 12,500 dollars. The four takes are all finished and of releasable quality. The famous rock producer David Briggs, who also worked on several of Neil Young's albums in the 1970s, supervised the sessions back in 1987, and after the sessions were finished gave them to a friend. The friend sat on them for twenty years, and then decided to put them up for sale to finance a business.
The song was recorded for possible inclusion to "Down on the Groove". All four takes are now circulating in collector circles.
Actually, the original Sidewalks, Fences, and Walls audio cassette was not sold for 12,500 USD. The seller also sold copies for 50 USD a piece on Ebay. A buyer who bought a copy began the circulation of the four takes on the Dylan Pool and on Expecting Rain in mp3 format.
[edit] Track listing
- "Let's Stick Together" (Wilbert Harrison) – 3:09
- "When Did You Leave Heaven?" (Walter Bullock, Richard Whiting) – 2:15
- "Sally Sue Brown" (Arthur June Alexander, Earl Montgomery, Tom Stafford) – 2:29
- "Death Is Not the End" (Bob Dylan) – 5:10
- "Had a Dream About You, Baby" (Bob Dylan) – 2:53
- "Ugliest Girl in the World" (Bob Dylan, Robert Hunter) – 3:32
- "Silvio" (Bob Dylan, Robert Hunter) – 3:05
- "Ninety Miles an Hour (Down a Dead End Street)" (Hal Blair, Dan Robertson) – 2:56
- "Shenandoah" (trad. arr. Bob Dylan) – 3:38
- "Rank Strangers to Me" (Albert E. Brumley) – 2:57
[edit] Alternate track listing one
Bob Dylan and Columbia Records had three different versions pressed to acetate for release. There are two additional track listings that predate the album's final configuration. Both these alternate configurations were pressed to promotional acetates, but scrapped at the last minute. The first configuration includes two songs later deleted from the album, "Got Love If You Want It" and the cover "Important Words". Important words was accidentally released on a promo version of Down released in Argentina. This configuration does not have "Had a Dream About You Baby" or the Infidels outtake "Death is Not the End".
- Let's Stick Together
- When Did You Leave Heaven?
- Got Love If You Want It
- Ninety Miles An Hour
- Sally Sue Brown.
- Ugliest Girl In The World
- Silvio
- Important Words
- Shenandoah
- Rank Strangers.
Total Running Time: 30:57
[edit] Alternate track listing two
The second album configuration included two songs later cut. Dylan retained "Got Love If You Want It" from the first configuration, deleted "Important Words" and replaced it with the John Hiatt cover "The Usual", which he recorded previously for the Hearts of Fire soundtrack. The Hearts of Fire soundtrack is notable for including three otherwise unreleased songs by Dylan: The Usual, Night after Night, and an alternate take of "Had a Dream About You Baby."
- Let's Stick Together
- When Did You Leave Heaven?
- Got Love If You Want It
- Ninety Miles An Hour
- Sally Sue Brown
- Ugliest Girl In The World
- Silvio
- The Usual
- Shenandoah
- Rank Strangers.
Total Running Time: 31:14
[edit] Outtakes
The following songs were recorded during the Down in the Goove sessions but omitted from the final album. Most of the tracks are not circulating, nor is anything really known of them. The tracks without writer credits may or may not be original Dylan compositions. “Sidewalks, Fences, and Walls”, the newest track to make it into collector circles, was formerly known only as “Sidewalks”.
- "Almost Endless Sleep"
- "Branded Man" (Merle Haggard)
- "Bare Footin'"
- "Chain Gang" (Sam Cooke)
- "Darkness Before Dawn" (?)
- "Heaven"
- "If You Need Me" (Robert Bateman, Wilson Pickett, Sonny Sanders)
- "Important Words" (Gene Vincent) (circulating)
- "Just When I Needed You Most" (Randy Vanwarmer) (circulating)
- "Listen To Me" (Buddy Holly, Norman Petty)
- "Making Believe" (Jimmy Work)
- "My Prayer"
- "Pretty Boy Floyd" (Woody Guthrie)
- "Rock 'n' Roll Ruby" (Johnny Cash)
- "Sidewalks, Fences, and Walls" (circulating)
- "Shake Your Money Maker" (Elmore James)
- "Street People"
- "Sugaree" (Robert Hunter , Jerry Garcia)
- "Tioga Pass"
- "Twist And Shout" (Phil Medley, Bert Russell)
- "Willie And The Hand Jive" (Johnny Otis) (circulating)
- "Wool in Steel"
- "You Can't Judge A Book By The Cover" (Ellas McDaniel [aka Bo Diddley])
[edit] Personnel
- Michael Baird – drums
- Peggie Blu – background vocals
- Alexandra Brown – background vocals
- Eric Clapton – guitar
- Alan Clarke – keyboards
- Carolyn Dennis – background vocals
- Sly Dunbar – drums
- Bob Dylan – guitar, harmonica, keyboards, vocals
- Nathan East – bass
- Mitchell Froom – keyboards
- Full Force – background vocals
- Jerry Garcia – vocals
- Willie Green, Jr. – background vocals
- Beau Hill – keyboards
- Randy "The Emperor" Jackson – bass
- Coke Johnson – engineer
- Steve Jones – guitar
- Steve Jordan – drums
- Danny Kortchmar – guitar
- Bobby King – background vocals
- Clydie King – background vocals
- Larry Klein – bass
- Mike Kloster – assistant engineer
- Mark Knopfler – guitar
- Jeff Musel Assistant – engineer
- Brent Mydland – vocals
- Jim Preziosi – assistant engineer
- Madelyn Quebec – keyboards, background vocals
- Brian Saucy – assistant engineer
- Robbie Shakespeare – bass
- Stephen Shelton – drums, keyboards, engineer, mixing
- Paul Simonon – bass
- Henry Spinetti – drums
- Bob Weir – vocals
- Kip Winger – bass
- Ronnie Wood – bass
[edit] References
- ^ Rolling Stone’s 15 Worst Albums By Great Bands. Rolling Stone Magazine.
[edit] External links
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