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Bild:Daniel Huntington Philosophy and Christian Art.jpg – Wikipedia

Bild:Daniel Huntington Philosophy and Christian Art.jpg

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[edit] Summary

An engraving by W. Ridgway (published in 1878) after Daniel Huntington's 1868 painting Philosophy and Christian Art. A attractive young woman attempts to persuade a wizened natural philosopher of the virtue of Christian art (in the form of an adoration scene), while he resolutely points to his book, the pages of which read "SCIENTIA" and "MECHANICA", in answer. In addition to youth and beauty, the young woman has nature itself, seen through the window, on her side. (In the original painting, the landscape is somewhat wilder Romantic scene, meant to emphasize the power of nature.)[1]

[edit] Reference

  1. Wendy Greenhouse, "Daniel Huntington and the Ideal of Christian Art", Winterthur Portfolio, Vol. 31, No. 2/3. (Summer - Autumn, 1996), pp. 103-140. pp. 115, 118.

[edit] Licensing

Public domain This image (or other media file) is in the public domain because its copyright has expired.

This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years.


Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement that rule of the shorter term.


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aktuell02:55, 20. Nov. 20062.784×2.439 (3,36 MB)Ragesoss (An engraving by W. Ridgway (published in 1878) after Daniel Huntington's 1868 painting ''Philosophy and Christian Art''. A attractive young woman attempts to persuade a wizened natural philosopher of the virtue of Christian art (in the form of an ado)

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