Avraham Shlonsky
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Avraham Shlonsky (March 6, 1900 – May 18, 1973), Hebrew: אברהם שלונסקי, Russian: Аврам Шлёнский, was a significant and dynamic Israeli poet and editor born in the Ukraine. He was influential in the development of modern Hebrew and its literature in Israel through his many acclaimed translations of literary classics, particularly from Russian, as well as his own original Hebrew children's classics. Known for his humor, Avraham Shlonsky earned the nickname "Lashonsky" from the wisecrackers of his generation (lashon means "tongue", i.e. "language") for his unusually clever and astute innovations in the newly evolving Hebrew language.
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[edit] Life
He was born in a Hasidic family in Karyokov, Poltava guberniya. His younger sister was composer and pianist Verdina Shlonsky. When he was 13 (1913), he was sent to Israel to study at the prestigious Herzliya Hebrew High School in Tel Aviv. When the First World War broke out, he returned to Russia.
Shlonsky published his first poem in 1919 in the newspaper Ha-Shiluah. In 1921 he relocated to the Land of Israel as a development worker, paving roads and working in construction. At the same time, he contributed to Jewish cultural life with songs for the satirical stage productions of the time, as well as the Purim holiday costume balls that were a tradition in early Tel Aviv. Even then, he showed a tendency for witty writing, incorporating linguistic innovations. During this period, he edited the literary columns of several newspapers.
Gradually he became the representative of the "rebel" group against the poetry of Bialik and his generation, expressing a particular aversion to their characteristic clichés. His group tried to create a new, youthful, lively poetry, not a hand-me-down from the literary establishment. For years, perhaps as a result of this stance, Shlonsky's poetry was not taught in schools alongside the classic poems of Bialik, Shaul Tchernichovsky, David Shimoni, and others.
In 1933 Shlonsky founded the literary weekly Turim, which was identified with the "Yachdav" society in which major poets Natan Alterman and Leah Goldberg were also members. As an editor, Shlonsky gave beginning poets an opportunity to publish their poems. Dalia Rabikovich merited one such opportunity when her first poem was published in the literary quarterly Orlogin that Shlonsky edited.
His sensitive activism on behalf of Boris Gaponov is especially remembered to his credit. Gaponov, as editor of the Communist Party daily in an auto plant in Soviet Georgia, translated the Georgian epic The Knight in the Panther's Skin by Shota Rustaveli into Hebrew. (Shneiderman 1970) Shlonsky orchestrated the publication of this translation in Israel, and was among those who worked to enable Gaponov to immigrate to Israel. When Gaponov, who had learned Hebrew by listening to Israel Radio broadcasts, finally immigrated to Israel he was already very ill and near the end of his days. Israeli television viewers of the time remember the image of Shlonsky stroking Gaponov's head in a loving, fatherly manner, as the latter lay on his sickbed.
Despite his reputation for comic wit, Shlonsky did not shrink from the tragic situation around him, but rather expressed it in his works. In the poem "Distress" he laments the fate of the victims of the First World War and of the Jews who suffered from pogroms in Ukraine during the Bolshevik revolution.
During the Holocaust, he published a collection of verse titled ממחשכים (from concealing shadows) in which he expressed his feelings from that darkest period in human history. He particularly lamented the fate of the Jews in a diseased Europe.
In 1967 Shlonsky won the Israel Prize for literature.
Avraham Shlonsky died in Tel Aviv in 1973.
[edit] Works
His collection of verse Rough Stones exemplifies his work as a mature poet. Poems from the Long Corridor is a collection of reflections on the nature of life and death.
Shlonsky is also considered among the finest Hebrew children's poets, for books such as Mickey Who? and Me and Tali in Lhama Country.
The play Utzli-Gutzli, about the dwarf Rumpelstiltskin of German legend, became a classic among Hebrew children's plays. In Shlonsky's translation for the stage, all of the monologues and dialogues are spoken in rhyme. They incorporate sophisticated wordplay using the Hebrew language at a high level. The following example from Utzli-Gutzli is presented with a transliteration, placing accents on stressed syllables. An unauthorized translation follows.
| yed`ú kol ir, kol kfar vapélekh: | ידעו כל עיר, כל כפר ופלך: |
| reishít chokhmá - misím lamélekh! | ראשית חוכמה - מסים למלך! |
| misím, misím, ve`ód misím - | מסים, מסים, ועוד מסים - |
| veló chasím al hakisím! | ולא חסים על הכיסים! |
- Every city, province, town, learn the first rule: pay the crown!
- Tax and tariff, fee and fare, not a pocket shall you spare!
In the translation of foreign-language works, Shlonsky's uniqueness is evident. The characteristic Shlonskian style is recognizable from the very first lines of each work and continues to be greatly admired by writers and readers of Hebrew literature. Shlonsky translated many of the world's best known classics: William Shakespeare, Anton Chekhov, Nikolai Gogol, Romain Rolland, and others.
In his distinguished translation of Hamlet, which a score of Hebrew translators had already tackled, Shlonsky's distinctive language is again evident. He translated Shakespeare from Russian, as he was not a master of English. Yet translating at second hand did not mar the quality of his result. When Hamlet tells his mother Gertrude not to sleep with his uncle Claudius, who murdered his father, Shlonsky uses the consonance min`i dodayikh midodi: "withhold your love from my uncle", where the unusual word dodayikh (your love) evokes the Song of Solomon. The conventional translation is al ta`ali al yetzu`ei dodi (do not go upon my uncle's couch).
[edit] Selected puns attributed
- When some firm-breasted young women passed by, he let slip, "Here's the latest, leading with the top story" (in literal translation, here's the news / new women, chief part foremost).
- On the Matate Theater: "the bit of tea (me`at ha-te) left over from the kettle" (kumkum, the name of the previous theater).
- To a lass who wanted to present him with a flower (perach): "I'll gladly accept your soft mouth (pe rakh)!" When she tried to explain that she meant -rach with a chet (the letter of the Hebrew alphabet), he replied "I'll take the sin (the word chet) upon myself!" (an allusion to Romeo and Juliet, Act I, Scene 5).
[edit] Selected coinages attributed
- derekh-agav (intentional misspelling of the original phrase, meaning 'by the way'; in Shlonsky's version, it means 'the way of longing'): flirt.
- someone who goes around with a transistor radio glued to one ear: radiot.
- being cheated on by a woman for the first time: keren hayesod. The phrase, literally "The Foundation Fund", is the Hebrew name of the United Israel Appeal. But the word keren (fund) can also mean "horn" as in cuckoldry—or as in the horned Moses of art history.
- being cheated on by a woman habitually: keren kayemet (the Jewish National Fund, where kayemet means "enduring").
- the Ararat (אררט) café in early Tel Aviv, where penniless writers gathered: It's an acronym for "Ani Rotze Rak Te (אני רוצה רק תה, I only want tea)." (Misspelled)
- the eagerness of literary folk for prizes: prize-titution (prastitutzia).
[edit] References
- אברהם שלונסקי (Avraham Shlonsky) in the Hebrew-language Wikipedia. Retrieved March 28, 2005.
- Shneiderman, S.L. "Yiddish in the U.S.S.R." New York Times Book Review, November 15, 1970. p. 71. Includes a report of Boris Gaponov's publication of his Hebrew version of "The Knight in the Panther's Skin", in Soviet Georgia.
- The Modern Hebrew Poem Itself, (2003) ISBN 0-8143-2485-1
[edit] External links
- "Avraham Shlonsky", capsule biography and bibliography at Institute for Translation of Hebrew Literature
- [1] - a photo
