Sephardic music
From Wikipedia, the free encyclopedia
Jewish and Israeli
  Music |
| Religious music: |
|---|
| Historical • Contemporary Piyyut • Zemirot • Nigun Pizmonim • Baqashot |
| Secular music: |
| Israeli • Israeli Folk Klezmer • Sephardic • Mizrahi |
| Not Jewish in Form: Classical • Mainstream and Jazz |
| Dance: |
| Israeli Folk Dancing • Ballet Horah • Hava Nagila • Yemenite dance |
| Israel |
| Hatikvah • Jerusalem of Gold |
| Piyyutim |
| Adon Olam • Geshem • Lekhah Dodi Ma'oz Tzur • Yedid Nefesh • Yigdal |
| Music for Holidays |
| Hanukkah • Passover • Shabbat |
| Music of the Haggadah |
| Ma Nishtana • Dayenu • Adir Hu Chad Gadya • Echad Mi Yodea |
| Music of Hanukkah |
| Blessings • Oh Chanukah • Dreidel Song |
| Al Hanisim • Mi Y'malel • Ner Li |
- This article is about the music of the Sephardic Jews. For the main article on secular Jewish music, see Secular Jewish music.
Sephardic music was born in medieval Spain, with cantigas being performed at the royal courts. Since then, it has picked up influences from across Spain, Morocco, Argentina, Turkey, Greece and various popular tunes from Spain and further abroad. There are three types of Sephardic songs -- topical and entertainment songs, romance songs and spiritual or ceremonial songs. Lyrics can be in several languages, including Hebrew for religious songs, and Ladino.
These song traditions spread from Spain to Morocco (the Western Tradition) and several parts of the Ottoman Empire (the Eastern Tradition) including Greece, Jerusalem, the Balkans and Egypt. Sephardic music adapted to each of these locales, assimilating North African high-pitched, extended ululations; Balkan rhythms, for instance in 9/8 time; and the Turkish maqam mode.
Songs which are song by women are traditionally sung while preforming household tasks, without accompaniment or harmony. Tambourines and other percussion instruments are sometimes used, especially in wedding songs. Men have added oud and qanún to the instrumentation, and more modern performers incorporate countless other imported instruments.
The early 20th century saw some popular commercial recordings of Sephardic music come out of Greece and Turkey, followed by Jerusalem and other parts of the Eastern Tradition. The first performers were mostly men, including the Turks Jack Mayesh, Haim Efendi and Yitzhak Algazi. Later, a new generation of singers arose, many of whom were not themselves Sephardic. Gloria Levy, Pasharos Sefardíes and Flory Jagoda are popular Eastern Tradition performers of this period. Gerard Edery, Stevani Valadez, Françoise Atlan and Yasmin Levy are among the new generation of singers bringing a new interpretation to the Ladino/Judeo-Spanish heritage and, in the case of Levy and Edery, mixing it with Andalusian Flamenco.
[edit] References
- Cohen, Judith. "Ladino Romance". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 370-379. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
[edit] External links
- Article on Sephardic Music today
- DesiretoShare Music - Beautiful Sephardic/Mizrachi Jewish Music - Listen Online
- Zemerl, the Jewish music database
- The Sabras Band
- Middle Eastern Sephardic Pizmonim (songs)
- Balkan Sephardic music
- Voice of the Turtle- 30 years performing Sephardic music, 12 recordings, available online
- Sefarad Records, Sephardic Singer/Guitarist, Gerard Edery
- Kikar-Israel.com - Israeli Artists >> Latest News, Bio- & Discographies In English
- Folk Literature of the Sephardic Jews Collection of mp3's and searchable transcriptions representing hundreds of hours of field research conducted by Professors Samuel Armistead, Joseph Silverman, and Israel Katz. (Site has been down for a while and still experiences some glitches which a page reload can often fix.)
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