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In the Court of the Crimson King - Wikipedia, the free encyclopedia

In the Court of the Crimson King

From Wikipedia, the free encyclopedia

In the Court of the Crimson King
In the Court of the Crimson King cover
Studio album by King Crimson
Released October 12, 1969
Recorded June-August 1969, Wessex Sound Studios, London
Genre Progressive rock, symphonic rock, psychedelic rock, experimental rock
Length 43:54
Label Island Records (U.K.)
Atlantic Records (U.S.)
Polydor Records
E.G. Records
Discipline Global Mobile
Producer King Crimson
Professional reviews
King Crimson chronology
In the Court of the Crimson King
(1969)
In the Wake of Poseidon
(1970)
Singles from In the Court of the Crimson King
  1. "The Court of the Crimson King"
    Released: 1969

In the Court of the Crimson King (an observation by King Crimson) is the influential 1969 debut album by the British progressive rock group King Crimson. The album reached #3 on the British charts. The album is certified gold in the United States.[1]

The album is generally considered by many to be the launching point of progressive rock where blues-oriented rock was mixed together with jazzy and European symphonic elements. The Who's Pete Townshend was quoted as calling the album "an uncanny masterpiece".[2]

The album was remastered and re-released on vinyl and CD several times during the 1980s and 1990s. The original stereo master tapes were finally located in a Virgin Records storage vault in 2003, leading to a much improved remastered CD version released in 2004.

Contents

[edit] Album cover

Barry Godber (1946–1970), an artist and computer programmer, painted the album cover. Godber died in February 1970 of a heart attack, shortly after the album's release. It would be his only painting, and is now owned by Robert Fripp.[3][4] Fripp had this to say about Godber:

Barry Godber was not a painter but a computer programmer. That painting was the only one he ever did. He was a friend of Peter Sinfield, and died in 1970 of a heart attack at age 24. Peter brought this painting in and the band loved it. I recently recovered the original from EG's offices because they kept it exposed to bright light, at the risk of ruining it, so I ended up removing it. The face on the outside is the Schizoid Man, and on the inside it's the Crimson King. If you cover the smiling face, the eyes reveal an incredible sadness. What can one add? It reflects the music.[5]

[edit] CD editions

The most recent CD version (described as the "Original Master Edition", DGM0501) was released in 2004 on Robert Fripp's Discipline Global Mobile label. This release has greatly improved sound over previous CD editions. Previous CD's released by Polydor and EG Records used copies several generations removed from the original stereo master causing a lack of clarity and excessive tape hiss. The stereo master tapes were finally rediscovered in the archives of Virgin Records in 2003 after they had been misplaced for over 30 years. 24 bit mastering was also utilized to enhance the sound. This latest edition also has a twelve-page booklet that includes pictures and press clippings from the period.

[edit] Track listing

[edit] Side one

  1. "21st Century Schizoid Man" (Fripp, McDonald, Lake, Giles, Sinfield) – 7:21
    • "Mirrors"
  2. "I Talk to the Wind" (McDonald, Sinfield) – 6:05
  3. "Epitaph" (Fripp, McDonald, Lake, Giles, Sinfield) – 8:47
    • "March for No Reason"
    • "Tomorrow and Tomorrow"

[edit] Side two

  1. "Moonchild" (Fripp, McDonald, Lake, Giles, Sinfield) – 12:13
    • "The Dream"
    • "The Illusion"
  2. "The Court of the Crimson King" (McDonald, Sinfield) – 9:25
    • "The Return of the Fire Witch"
    • "The Dance of the Puppets"

[edit] Personnel

[edit] Cultural References

[edit] References


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