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Vexille - Wikipedia, the free encyclopedia

Vexille

From Wikipedia, the free encyclopedia

Vexille

Vexille Japanese promotional poster
Directed by Fumihiko Sori
Produced by Kazuya Hamana
Written by Haruka Handa
Fumihiko Sori
Starring Yasuko Matsuyuki
Meisa Kuroki
Shosuke Tanihara
Music by Paul Oakenfold
Editing by Fumihiko Sori
Distributed by Flag of Japan Shochiku
Flag of the United States FUNimation
Release date(s) Flag of Japan August 18, 2007
Flag of the United States 2008
Running time 109 min.
Country Japan
Language Japanese
Budget $10,000,000 US
Official website

Vexille (ベクシル 2077日本鎖国 Bekushiru 2077 Nihon sakoku?, full Japanese title literally "Vexille: 2077 Japanese Isolation") is a 2007 Japanese CGI anime film, written, directed, and edited by famed Ping Pong director Fumihiko Sori, and features the voices of Meisa Kuroki, Shosuke Tanihara, and Yasuko Matsuyuki.

At the 60th Locarno International Film Festival, where Vexille made its world premiere, the film was sold to 75 countries, including the United States-based distributor, FUNimation; however since that time the number increased to 129 countries.[1]

Contents

[edit] Plot

By the 2060s, robotics technology has advanced to the point that cybernetics have become plausible. World opinion begins to turn against robotics, leading to the U.N. declaring a unilateral ban on further research and development in 2067. Japan, being home to robotics pioneer Daiwa Heavy Industries, strongly protests this ban, but is unable to prevent its passage.

In protest, Japan withdraws from international politics. All foreigners are deported, and further immigration is prohibited. In addition, the R.A.C.E. network is constructed - a series of 270 off-shore installations that cover Japan with an energy field that distorts the entire electromagnetic spectrum, nullifying all communication between Japan and the outside world and making even satellite surveillance impossible. Trade continues, but for all intents and purposes, Japan vanishes from the world scene.

2077: A series of bizarre incidents lead the American technology police agency "SWORD" to believe that Japan has used the R.A.C.E network to conceal extensive development of banned technologies. They thus embark on an unapproved scheme to infiltrate Japan and determine the distortion frequency of the R.A.C.E. network, enabling SWORD to gather intelligence on the country . Among those chosen to make the attempt is a veteran agent named Vexille.

Although the agents successfully enter Japan, they are detected by security forces before they can transmit the distortion frequency. Vexille is the sole SWORD agent to evade capture, and only her lover Leon survives to be taken to Daiwa's headquarters.

Vexille awakens without her powered armor suit to find that Tokyo is now a shanty town ruled by Daiwa. A small resistance movement opposes the company, and uses Vexille's backup transmitter to successfully transmit the distortion frequency. Maria, the head of the resistance, details the ten years of secrecy while SWORD studies the Japanese archipelago in shocked horror - the islands are a wasteland devoid of life.

In 2067, an unknown disease struck the Japanese populace, and was countered by an experimental vaccine. In truth, the disease - or more precisely the "vaccine" - was merely an excuse for Daiwa to begin mass testing of experimental nanotechnology. Every Japanese citizen was thus converted into a form of synthetic life. And like any experimental technology, there were unforeseen side effects.

The conversion is imperfect, ultimately resulting in the infected humans entirely losing their free will and becoming merely lifelike machines. In addition, some of the nanotech went amok, resulting in the "Jags", giant whirling constructs of semisentient metal that prowl the wilderness like metallic sandworms. The Jags have destroyed all of Japan save Tokyo, which is protected by an inedible wall of ceramic.

The Resistance plans to draw the Jags along a service bridge to Daiwa's corporate headquarters, which now stands in the middle of Tokyo Bay. Despite a tense moment when she discovers that Maria was once Leon's lover, Vexille volunteers her assistance (and that of her flight-capable armor) in this effort.

However, though Vexille and Maria succeed in drawing the Jags to the end of the service bridge, they are betrayed by the fearful town council, which wishes simply to be peacefully taken by the nanotech. The bridge has been detached from the headquarters, the Jags fall into the sea, and Vexille and Maria are captured.

The two rebels are taken to Kisaragi, the master of Daiwa, who boasts that his research is nearly complete. And as needs more test subjects than just Vexille and Leon, he is going to invade America to get them. Vexille attacks him with a hidden knife, revealing that his blood is still human - he has not used the process himself due to its shortcomings. Saito, his henchman, then strangles him.

At this point, the town council forces the ceramic gates open out of guilt for betraying the resistance, destroying Tokyo and enabling the Jags to use the primary cargo bridge to enter Daiwa's headquarters. Kisaragi, having somehow survived, attacks Saito and escapes with his research. The underling then releases Vexille and Maria before succumbing to his wounds.

Vexille pursues Kisaragi while Maria frees Leon. The lover's reunion is a poignant one, as though he did not abandon her as she always assumed, he has moved on - his concern for Vexille is evident. Thus when Vexille prevents Kisaragi's escape in a helicopter, Maria grapples him and smiles as her cybernetic body draws a Jag to devour them both. Vexille and Leon are rescued by a SWORD helicopter just as Daiwa headquarters collapses into the bay.

As Vexille and Leon are flown from a now completely lifeless Japan, Vexille comments that true immortality can be found simply by encouraging others to embrace life.

[edit] Cast

[edit] Japanese

[edit] English


[edit] Music

The original soundtrack and music to the series features an electronic, techno and trance theme, and features Basement Jaxx, Boom Boom Satellites, Asian Dub Foundation, Dead Can Dance, Carl Craig, The Prodigy, DJ Shadow, M.I.A, with singer Mink providing the theme song Together again and Paul Oakenfold handling the music.

[edit] Trivia

  • A butterfly is seen several times throughout the film and other advertised Vexille media. It may symbolize a personification of a person's soul, living, dying or dead, and has some importance in the overall theme on humanity in Vexille. Some examples are when Ryo catches a purple butterfly and later lets it go, and (most likely) the same butterfly flying away at the ending scene. Butterflies can be spotted in the official Japanese Vexille website, as well as mink's "Together again" music video.
  • Before Vexille unintentionally reveals Kisaragi as a human, there are three scenes that hints at Kisaragi's deception; one can see satellite's read – there are three red dots among beings in Japan: one is Vexille in Tokyo, two other are in Daiwa's base, one being Leon; there's also a scene with Kisaragi and Saito having a discussion while he is feeding bits of scrap metal to a snake-sized Jag in a glass tank, and also stroking it like a pet. If he was an android, he would have been torn apart by the Jag since bio-metal also attracts it. The third occurs right before Kisaragi is revealed to still be human: His pupils, seen through semi-transparent shades, are still normal. Those fully android have all-black pupils. However, earlier in the movie it is mentioned by a SWORD member that Saitos' bio-signature was "confirmed" which would have also shown up on the satellite display if correct. This might be a translation error (the contributer watched a subbed version), a plot error or an error on SWORDS behalf, more likely the former due to the nature of SWORD and their technological capacities.

[edit] See also

[edit] References

[edit] External links


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