Straight Up (album)

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Straight Up
Studio album by Badfinger
Released	December 13, 1971
Recorded	1971
Genre	Power pop
Length	42:11
Label	Apple SAPCOR 19
Producer	Todd Rundgren George Harrison
Professional reviews
All Music Guide link
Badfinger chronology
No Dice (1970) Straight Up (1971) Ass (1973) Front side Actual front cover, without captions

Straight Up is the third album by power pop band Badfinger, released on December 13, 1971. It is widely regarded as Badfinger's best album, spawning two Top 20 singles in the U.S. and being commercially successful in its own right. However, because the album was released on the faltering Apple Records label, it has been unavailable for most of the period since its initial release.

Contents 1 History 2 Reaction 3 Track listing 3.1 CD Bonus tracks 4 Personnel 4.1 Badfinger 4.2 Others 4.3 CD Reissue Credits 5 Notes

[edit] History

Recordings for Straight Up began in early 1971 under the direction of producer Geoff Emerick, who produced the bulk of Badfinger's preceding album No Dice. Although these early recordings were completed and both the album and a single, "Name of the Game", were ready to be released, Apple Records co-president George Harrison decided the album could be improved under his personal direction, which led the single to be canceled. Harrison recorded a couple new tracks with the band in the summer of 1971, as well as re-recording a couple of the original tracks. He can be heard playing a slide-guitar duet with Pete Ham on the song "Day After Day", with Leon Russell featured on piano. Additionally, Harrison and Phil Spector planned a different string arrangement for "Name of the Game", but this apparently never came to pass.

Due to a hurriedly-assembled benefit concert that summer, The Concert for Bangladesh (which Badfinger performed in), Harrison lost interest in the Straight Up project and did not return to it after the concert. Apple retained Todd Rundgren to finish the album. Rundgren utilised recordings begun by both Emerick and Harrison, re-recorded some of them, and also recorded several new tracks with the band (notably "Baby Blue") in less than a month. Although production credit for individual songs on the album is given to both Rundgren and Harrison, Rundgren did the final mix of the entire album (and was upset that he was given neither a co-production nor a mixing credit for any of the Harrison songs).

Consistently with the title of the album, the front cover featured a "straight up" picture of Badfinger, with no credits or titles marring the image. The title was instead shown on the back cover.

[edit] Reaction

Despite the album's subsequent popularity with both fans and music critics, the album was viciously panned by a critic in Rolling Stone (who gave it a "no-star" rating and called it "a barely decent album, one which is the poorest of Badfinger's three LPs and by far the least likeable")^[1], and Badfinger became vocal in expressing reservations with Rundgren's production technique. Ham complained about the band losing production input, and Joey Molland claimed that the album had lost energy compared to No Dice. Although Apple had chosen Rundgren to return as the original producer of the next Badfinger album, he departed the project after just four days, about the same time as the publication of the Rolling Stone pan of Straight Up.

Also, the last thing the band wanted to hear at that time was that the record sounded like The Beatles, which the group had heard ever since Maybe Tomorrow, and the fact that ex-Beatle Harrison and noted Beatles imitator Rundgren had produced it didn't help their ability to deny that charge.

Straight Up peaked at number 31 on Billboard's Pop Albums chart. The singles "Day After Day" and "Baby Blue" peaked at number 4 and number 14, respectively, on the U.S. Pop Singles chart. However, due to the turmoil within Apple, "Baby Blue" was not released as a single in the U.K.

When Straight Up was finally issued on CD in 1995, five of the original Emerick-produced recordings, including the canceled single version of "Name of the Game", were included as bonus tracks.

"Baby Blue" was later featured in the soundtrack for the academy award-winning 2006 Martin Scorsese film The Departed.

[edit] Track listing

1. "Take It All" (Ham) – 4:25
2. "Baby Blue" (Ham) – 3:37
3. "Money" (Evans) – 3:29
4. "Flying" (Evans/Molland) – 2:38
5. +"I'd Die Babe" (Molland) – 2:33
6. +"Name of the Game" (Ham) – 5:19
7. +"Suitcase" (Molland) – 2:53
8. "Sweet Tuesday Morning" (Molland) – 2:31
9. +"Day After Day" (Ham) – 3:09
10. "Sometimes" (Molland) – 2:56
11. "Perfection" (Ham) – 5:07
12. "It's Over" (Evans) – 3:34

[edit] CD Bonus tracks

1. ++"Money" (Evans) - 4:20
2. ++"Flying" (Evans/Molland) - 2:25
3. ++"Name of the Game" (Ham) - 4:27
4. ++"Suitcase" (Molland) - 3:20
5. ++"Perfection" (Ham) - 4:41
6. "Baby Blue" [US Single Mix] (Ham) - 3:35

[edit] Personnel

[edit] Badfinger

• Pete Ham – Guitar, Piano, Vocals
• Tom Evans – Bass, Vocals
• Joey Molland – Guitar, Vocals
• Mike Gibbins – Drums

[edit] Others

• George Harrison – Slide Guitar on "Day After Day", Producer (+)
• Leon Russell – Piano on "Day After Day", Guitar on "Suitcase"
• Klaus Voorman - Electric Piano on "Suitcase"
• Todd Rundgren – Producer
• Bill Collins - Accordion on "Sweet Tuesday Morning"
• Geoff Emerick – Producer (++)

[edit] CD Reissue Credits

• Ron Furmanek – Research
• Peter Mew – Engineer (for CD release only)
• Mike Jarratt – Engineer (for CD release only)
• Marcia McGovern – Pre-Production Director (for CD release only)
• Roberta Ballard – Production Manager (for CD release only)
• Gene Mahon – Design (for CD release only)
• Richard DiLello – Design, Photography
• Andy Davis – Liner Notes (for CD release only)

[edit] Notes