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St. John Cantius in Chicago - Wikipedia, the free encyclopedia

St. John Cantius in Chicago

From Wikipedia, the free encyclopedia

St. John Cantius Catholic Church in Chicago.
St. John Cantius Catholic Church in Chicago.

Saint John Cantius in Chicago, (Polish: Kościół Świętego Jana Kantego), is a historic church of the Roman Catholic Archdiocese of Chicago located in, Chicago, Illinois. It is a prime example of the so-called 'Polish Cathedral style' of churches in both its opulence and grand scale. Along with such monumental religious edifices as St. Mary of the Angels, St. Hedwig's or St. Wenceslaus, it is one of the many Polish churches that dominate over the Kennedy Expressway.

Contents

[edit] History

Founded in 1893 by the Congregation of the Resurrection to relieve overcrowding at St. Stanislaus Kostka, the city's first Polish parish. The parish retained its Polish character for years, but the building of the Kennedy Expressway which cut through the heart of Chicago's Polonia began a period of decline for the parish as many longtime residents were forced to relocate. The parish was slated for closure as Chicago's inner city neighborhoods declined further through the 1960s and 70s. A revival of the parish began in the late 1980s when the parish became the focus of a renaissance of traditional Catholic rituals and devotions that had fallen out of favor after the Second Vatican Council, such as the Tridentine Mass in Latin as well as Vespers and Benediction, the Corpus Christi procession, the Stations of the Cross, Tenebrae as well as the St. Joseph and St. Anne Novenas. Today the parish has a rich program of sacred music supported by five parish choirs. The parish is presently administered by the Canons Regular of Saint John Cantius, a religious community founded at the parish in 1998.

St. John Cantius church has witnessed a number of famous visitors within its walls. In March of 1989, the parish hosted a visit by Tadeusz Mazowiecki, Prime Minister of the newly-democratic Poland, while in 1998, Jozef Cardinal Glemp, the Primate of Poland came to perform a mass of Thanksgiving and bless the church's new copper cupola.

[edit] St. John Cantius in literature and film

St. John Cantius church's majestic elegance has always drawn the attention of those who happened to pass by, making it an area landmark since its building over a hundred years ago. Authors and filmmakers have seen it natural to use the church both as a point marking familiarity as well as from the purely aesthetic pleasure of its beauty. Some of the more notable examples are:

St. John Cantius serves as the backdrop for Steffi Rostenkowski's great realization in Nelson Algren's work Never Come Morning where, night after night, she heard the iron rocking of the bells of Saint John Cantius. Each night they came nearer till the roar of the Loop was only a troubled whimper beneath the rocking of the bells. "Everyone lives in the same big room", she would tell herself, as they rocked. "But nobody's speakin' to anyone else, an' nobody got a key"[1].

St. John Cantius has also been featured in two films that were both shot in the summer and fall of 1990. The first was a made-for-television movie, entitled "Johnny Ryan." The second was a major Hollywood film entitled, "Only the Lonely," directed by John Hughes and starring Maureen O'Hara and John Candy.

[edit] Architecture

The Church building's design is by Adolphus Druiding. Work began on this grandiose structure in the spring of 1893 and was completed by 1898. The building has a façade of rusticated stone in the High Renaissance style which dictated the use of classical elements such as columns, capitals and arches. At the very top is a monumental pediment decorated with the coat of arms of Poland's failed January Uprising, under which is found the inscription "Boże Zbaw Polskę" (God Save Poland in Polish). Just below this on the entablature, is the Latin inscription "Ad maiorem Dei Gloriam", a text which proclaims that this building is for the Greater Glory of God, a Jesuit motto popular in many churches built around the turn of the century. Three Romanesque portals set in receding arches lead into the interior. Like St. Michael's, the entrance is flanked by two asymmetrical towers topped with copper cupolas, 129 feet (39 m) and 100 feet (30 m) in height, styled after St. Mary's Basilica in Kraków. The whole structure is 230 feet (70 m) long and 107 feet (33 m) wide and can easily accommodate 2,000 people.

The interior reflects the High Renaissance style of the exterior. Eight stone columns with Corinthian capitals support the vault. The present decoration is the result of several interior decorations within the first forty years of completion. The church's main altar, as well as its matching two side altars reputedly originate from the 1893 Columbian Exposition. In 1903 the interior was painted for the first time, and it was at this time that all the plaster and wood ornament were added and the church received the character it has today. The stained glass windows were made by Gawin Co. of Milwaukee, while the interior murals were painted by Lesiewicz around 1920. In addition to religious scenes, such as the Resurrection under the main altar, the artist decorated the side walls with paintings of Polish patron saints.

A new inlaid hardwood floor was installed in St. John Cantius Church in 1997 in a design by Jed Gibbons . Sixteen varieties of wood from around the world were used for the inlaid medallions. The floor is not only a beautiful contemporary work of sacred art but it is also designed as a teaching tool. The medallions inlaid into the main aisle tell the story of salvation: Star of DavidJesus was born as a Jew; Three Crowns—with the arrival of the Three Kings Jesus was made manifest to the world; Instruments of the Passion—Christ's suffering for our Salvation; Banner—the Resurrection; Star—Christ is the Light of the World. This floor, which is reputedly the only of its kind in the United States, has already won three national awards.

In 2003, work was completed on a replica of the Veit Stoss Altar. Carved by artist Michał Batkiewicz over an eight year period, this imposing one-third scale copy is the largest and most detailed of work of its kind, and was commissioned as a tribute to the Galician immigrants who founded the parish in 1893.

A permanent exhibit of sacred art, located in the church's north tower is open on Sundays, as well as on special request. The collection's centerpiece is an elaborate Neapolitan "praesepio" (Italian creche) from Rome. Among St. John Cantius's many other treasures are: a nineteenth century copy of the icon of Our Lady of Czestochowa adorned with jeweled crowns personally blessed by Pope John Paul II; a reproduction of the famous miraculous crucifix from Limpus, Portugal, a nineteenth-century Pieta from Bavaria, Germany as well as several hundred authenticated relics of saints.

[edit] St. John Cantius in architecture books

St. John Cantius is featured in a number of books on Chicago architecture, most notably "The AIA Guide to Chicago" by Alice Sinkevitch (Harvest Books 2004). St. John Cantius is also found in a number of books on church architecture, among them "Heavenly City: The Architectural Tradition of Catholic Chicago" by Denis R. McNamara (Liturgy Training Publications 2005), "Chicago Churches and Synagogues: An Architectural Pilgrimage" by George A. Lane (Loyola Press 1982), "Chicago Churches: A Photographic Essay" by Elizabeth Johnson (Uppercase Books Inc, 1999), and "The Archdiocese of Chicago: A Journey of Faith" by Edward R. Kantowicz (Booklink 2007).

[edit] Restoration

Ongoing restoration work has been underway at the parish since the fall of 1988. The following is a list of restoration projects already completed, in chronological order:

  • The cleaning and repairing of the painting of St. John Cantius above the High Altar.
  • The cleaning, varnishing and re-gilding of the two side altars.
  • The cleaning and reinforcing of the south bell tower, as well as, the re-electrification of the bells.
  • The cleaning and replacing of the wooden tracing of the north Rose window and two other windows in the nave.
  • The rebuilding of the parish garden and the addition of outdoor shrines to Saints Anne and John the Baptist.

[edit] See also

[edit] References

  1. ^ p.130, Literary Chicago by Holden Greg, Lake Claremont Press 2001

[edit] External links


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