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Sophie's Choice (film) - Wikipedia, the free encyclopedia

Sophie's Choice (film)

From Wikipedia, the free encyclopedia

Sophie's Choice
Directed by Alan J. Pakula
Produced by Alan J. Pakula
Keith Barish
William C.Gerrity
Martin Starger
Written by Alan J. Pakula
William Styron (novel)
Starring Meryl Streep
Kevin Kline
Peter MacNicol
Editing by Evan A. Lottman
Distributed by Universal Pictures
Artisan Entertainment
Release date(s) Flag of the United States December 8, 1982
Running time 150 min. (USA)
157 min (Canada)
Country USA
Language English
Polish
German
Allmovie profile
IMDb profile

Sophie's Choice is a 1982 American film that tells the story of a beautiful Polish immigrant, Sophie, and her tempestuous lover who share a boarding house with a young writer in Brooklyn. It stars Meryl Streep, Kevin Kline, and Peter MacNicol. Alan J. Pakula directed the movie and wrote the script from a novel by William Styron, also called Sophie's Choice.

The film won the Academy Award for Best Actress (Meryl Streep) and was nominated for Best Cinematography (Néstor Almendros), Costume Design (Albert Wolsky), Best Music (Marvin Hamlisch), and Best Writing, Screenplay Based on Material from Another Medium (Alan J. Pakula).

Contents

[edit] Plot

In 1947, the movie's narrator, Stingo (Peter MacNicol), a young writer from the American South, travels to post-World War II Brooklyn. He is befriended by Sophie Zawistowski (Streep), a beautiful Polish immigrant, and her lover, Nathan Landau (Kline). It is clear to Stingo from the serial number tattooed into Sophie's forearm that she is no stranger to pain.

One evening, Stingo talks with Sophie and learns some more about her past: that she was married but her husband and her father were killed in a German work camp. When Stingo notices scars on Sophie's wrists, Sophie explains that after being rescued from Auschwitz she was taken to a refugee camp in Sweden, but whilst there she went to a church, broke a glass, and cut her wrists. Sophie goes into another room where Nathan spends a lot of his time and finds another wine bottle. The walls are covered in images of the Holocaust, prompting Sophie to explain that it is Nathan's obsession.

Sophie and Nathan's relationship is endangered both by Sophie's ghosts and Nathan's obsession with the Holocaust, as well as his violent temper and increasingly apparent mental illness. When Stingo visits a man who knew Sophie's father, he discovers she's been lying to him. He learns that Sophie's father, a Polish college professor, hated Jews. Later, when Stingo talks to Sophie about this, she explains, with more about her past emerging through a series of harrowing flashbacks. Sophie reveals that in the winter of 1938, her father was working on a speech he called "Poland's Jewish Problem". In a flashback, Sophie listens to a recording of a man speaking in both German and Polish, whilst she is typing a speech for her father. While typing, she hears a word repeated several times that she has never heard before. She goes back a bit, and hears the voice say that the solution for "Poland's Jewish Problem" is "extermination".

Sophie later goes to the Jewish ghetto, where she spends ages watching all the people her father has condemned to die. She suddenly remembers that her father is waiting for his speech and hurries home to finish the typing. In her haste, Sophie makes a lot of mistakes and hurries to university. Her father reads the speech in front of a large crowd of people and becomes very angry.

Later, Sophie has a lover, Józef, who lives with his half-sister, Wanda, a leader in the Resistance. Wanda tries to convince Sophie to translate some stolen Gestapo documents, but fearing she may endanger her children, she declines. Two weeks later, Józef is murdered by the Gestapo, and a short time later Sophie is arrested and sent to Auschwitz with her children. Upon arrival, the Germans decide who will live and who will die. Jan, Sophie's son, is sent to the children's camp, and her daughter, Eva, is sent to her death in Crematorium Two.

Sophie later learns of an epidemic in the children's camp, and becomes concerned for her son's well-being. She convinces the Commandant to let him into the Lebensborn programme. He relents and tells Sophie she will see him the next day. However, when she tries to steal a radio belonging to the Commandant's daughter at the behest of another prisoner, she is caught red-handed. The Commandant breaks his promise about letting Sophie see her son, leaving her never knowing what happened to him. Back in the present, Nathan asks Sophie to marry him and she accepts. Stingo feels betrayed, as he is falling in love with Sophie, but agrees to be Nathan's best man. When Nathan goes into another of his violent moods, Sophie runs to Stingo. At this point, Nathan makes a threatening phone-call which ends with the sound of a gun firing, and Nathan making more threats.

Stingo and Sophie flee and check into a hotel. Stingo insists that they start a family, but Sophie has yet to tell him her final secret - her choice. She recounts the night she arrived at Auschwitz with her children, and of how a Nazi officer forced her to choose life for one child, and death for the other.

Despite her plea of "Don't make me choose. I can't choose", Sophie's words fall on deaf ears. When a young Nazi is told to take both children away, she releases her daughter, shouting "Take my little girl!". Sophie can only watch as the screaming little girl is carried away to die, her guilt and despair all too clear. Once she has told him, Sophie asks Stingo not to talk about marriage and children.

They sleep together that night, but Stingo wakes up alone. Sophie has left him a note, saying she has gone back to Nathan, but that he is a great lover. Stingo later goes back to the building where he met Sophie and Nathan, only to find everybody in a state of shock. Stingo is led up to Sophie and Nathan's room where he finds they have committed suicide by cyanide poisoning. Picking up Nathan's book of Emily Dickinson poems, Stingo recites "Ample Make This Bed", as if he were delivering a eulogy at a funeral.

The film ends with Stingo leaving Brooklyn, the screen going misty, and an image of Sophie's face fading into view.

[edit] Trivia

  • The serial number tattooed into Sophie's forearm (seen twice in the movie; the first time when Sophie brings Stingo his dinner, and again during the first flashback sequence which reveals how Sophie met Nathan) is 111379.
  • Meryl Streep was very determined to get the role of Sophie. After she obtained a pirated copy of the script, she went to Alan J. Pakula and threw herself on the ground begging him to give her the part.[1]
  • In preparation for the role, Meryl Streep not only learned a Polish accent, she also learned to speak Polish and German.
  • William Styron wrote the novel with Ursula Andress in mind for the part of Sophie.
  • Meryl Streep did the "choice" scene in one take. Being a mother herself, she found shooting the scene extremely painful and emotionally draining, and she refused to do it again.
  • Sophie's Choice was among the items chosen for Room 101 by Frank Skinner, mainly for his embarrassment at the sexual content while watching it with his parents.
  • Sophie's Choice is the favorite movie of Tippy Tom, a homeless man who makes many appearances on the Opie & Anthony radio show.

[edit] Cast

[edit] Reception

Sophie's Choice won the Academy Award for Best Actress (Meryl Streep) and was nominated for Best Cinematography (Néstor Almendros), Costume Design (Albert Wolsky), Best Music (Marvin Hamlisch), and Best Writing, Screenplay Based on Material from Another Medium (Alan J. Pakula). The film was also ranked #1 in the Roger Ebert's Top Ten List for 1982 and was listed on AFI's 100 Years... 100 Movies.

[edit] See also

[edit] Citations

  1. ^ What Makes Meryl Magic. Time (1981-09-07). Retrieved on 2007-03-28.
  2. ^ "Professor Rubenstein's writings have also been cited as a key inspiration for the Academy Award winning film Sophie's Choice." [1]

[edit] External links

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