Roy D'Arcy
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| Roy D'Arcy | |
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| Born | Roy Giusti 1894 San Francisco, U.S. |
| Died | 1969 |
Roy D'Arcy (1894 - 1969) was an American film actor of the silent film and early sound period of the 1930s noted for his portrayal of flamboyant villains. He appeared in films such as The Temptress in 1926 with actresses such as Greta Garbo.
He appeared in some 50 different films between 1925 and 1939.
[edit] Biography
Roy D'Arcy was born Roy Giusti in San Francisco in 1894 but educated in Europe. For a while he traveled with a band of gypsies throughout the Continent, but left to study art and painting in Paris. After several years of traveling and various business ventures in South America and Asia he returned to the US and decided to become involved in the theater. He was hired as a singer in several touring theatrical companies, and in 1919 made his brief film debut in Oh Boy! (1919) in a role he played on the stage. He spent some time in vaudeville as a monologist, and took his act to Europe and Asia.
When he returned to the US he was performing his show on a Los Angeles stage when he was spotted by director Erich von Stroheim, who though D'Arcy was just right for the part of the villainous, arrogant Prince Mirko in The Merry Widow (1925 film) (Von Stroheim had wanted to play the part himself, but was forbidden from doing so by MGM production head Irving Thalberg). It was a troubled production - from which Von Stroheim was fired, brought back, then fired again - but the film was a great critical and financial success, and D'Arcy received wide acclaim for his portrayal of the dissolute Mirko. With the success of film he was cast in several other MGM productions as the head villain, such as Graustark (1925), La Boheme (1926) and The Temptress (1926) alongside Greta Garbo, but he soon appeared in such comedies as Adam and Evil (1927) and On Ze Boulevard (1927). He developed a revue he took to Broadway in 1928, called "The Greatest Array of Talent Ever Assembled on Any Bill in This Country", which consisted of singers, dancers, and D'Arcy himself walking out into the audience and telling stories of his travels around the world.
D'Arcy made the transition from silent film very well, and played a succession of foreigners, both villainous and otherwise in films of the early 1930s. However, as acting styles changed because of the introduction of sound, D'Arcy's unique florid style went out of fashion, and in a few years he was reduced to doing small, low-budget pictures for lower independent studios, such as Broadway to Cheyenne (1932) for Monogram and Discarded Lovers (1932) for Tower Pictures. He did though have noted roles in a serial for Mascot, The Shadow of the Eagle (1932), starring a young John Wayne, and in his second serial, The Whispering Shadow (1933) with Bela Lugosi.
By the mid 30s he continued playing villainous roles in a number of low-budget productions inclusing Revolt of the Zombies (1936), Captain Calamity (1936) and Under Strange Flags (1937)). His final film was to be a major one, in the Ginger Rogers/Fred Astaire musical The Story of Vernon and Irene Castle in 1939 which received widespread acclaim.
Finishing his film career around the age of 45 , he retired to his own real estate business. He died in 1969.
[edit] External links
| Persondata | |
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| NAME | D'Arcy, Roy |
| ALTERNATIVE NAMES | Giusti, Roy |
| SHORT DESCRIPTION | Actor |
| DATE OF BIRTH | 1894 |
| PLACE OF BIRTH | San Francisco, U.S. |
| DATE OF DEATH | 1969 |
| PLACE OF DEATH | |
