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Prozac Nation (book) - Wikipedia, the free encyclopedia

Prozac Nation (book)

From Wikipedia, the free encyclopedia

This article is about the book. For the film, see Prozac Nation (film).
Prozac Nation
Author Elizabeth Wurtzel
Country Flag of the United States United States
Language English
Publisher Riverhead Trade
Publication date 1994
Pages 384 pages

Prozac Nation (sub-titled Young and Depressed in America: A Memoir), an autobiography published in 1994 and written by Elizabeth Wurtzel, describes the author's experiences with clinical depression. The book was adapted into an independent film of the same name. The title is a reference to Prozac, the name of an Eli Lilly and Company manufactured antidepressant prescribed for Wurtzel.

[edit] Book

In the book (1997 edition: ISBN 1-57322-512-6), Wurtzel describes her experience with the depths of a mental illness, her own character failings and how she managed to live through particularly difficult periods while completing college and working as a writer.

Her honesty in relating episodes which often do not reflect well on her is a striking aspect of the book. This has polarized many readers and critics, with some denouncing Wurtzel as self-obsessed, indulgent and unlikeable, with others praising her for producing a frank and accessible account of an often stigmatized illness.

As an autobiographical account of experiences with mental illness, it can be seen as the successor to books such as Sylvia Plath's The Bell Jar and Joanne Greenberg's I Never Promised You a Rose Garden. Prozac Nation is also similar to Susanna Kaysen's Girl, Interrupted, a book published in the same year: both were written by articulate young women describing their experiences of mental illness. Wurtzel's mental illness is known as atypical depression, which has not often been written about in the first person narrative.

Some reviews, including one published in The Guardian ten years after its initial publication, suggest that comparisons to The Bell Jar are superficial:

The endless comparisons to The Bell Jar are, it has to be said, rather misplaced. Whereas Plath wrote with a kind of dispassionate economy, beautifully reflecting the numbness that came with her condition, Wurtzel's voice is brattish and splenetic, capturing the almost sociopathic side of depression that underpins the book's more unpalatable moments.

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