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Patrick W. Welch - Wikipedia, the free encyclopedia

Patrick W. Welch

From Wikipedia, the free encyclopedia

Patrick W. Welch is a visual artist and art professor who currently lives in Chicago, Illinois United States.

Contents

[edit] Career

His career has spanned the applied arts (he worked in animation and illustration), the fine arts (he is most noted as a painter of miniature paintings), and publishing (he has produced a large body of printed works and ephemera).

He is currently a professor of Media Arts and Animation at the Illinois Institute of Art in Chicago, and was chair of the Sequential Art department at the Savannah College of Art and Design in the 1990s.

Welch is represented by the Gallery Gescheidle in Chicago. He has had a number of solo exhibitions with this gallery (most recently "Art Destroys"), and has been shown at a number of major art fairs (Art Chicago, Art LA and Scope).

He recently had a number of works in a travelling exhibition with the Illinois State Museums, called "Think Small!".

Welch is perhaps best known for his "Miniature Hate Paintings" which evoke a strange combination of childhood nightmare and adult neurosis, drawing on references from contemporary fine art, comic books, and science fiction. More recently his "Miniature Insult Blocks," painted on 1" x 2" blocks, detail English playground childhood insults in the saccahrine colours of boiled sweets.

Commenting in Chicago's Newcity critic Michael Workman writes:

"Welch has been on a ride into the infinite regress of his distaste for human existence for years now, and it's a testament to his obduration that he's managed to keep lively each self-reference as the fecal discharge of famous mainstream artists. Most successful, however, are the grid of even tinier acrylic panels, "Mini Insult Blocks" as he calls them, each emblazoned with an insulting word such as "plonker" or "bumbandit." Every time I encounter these paintings, it's never the frothy sense of loathing that wins me over, but the undeniable, laugh-out-loud funny humor of them all, an aspect of the work that no doubt has the capacity to elevate them even further into that stratosphere of the imaginary world beyond."

Welch is also known for his work with Carrie Golus in creating a number of non-fiction political/social comics for such publications as New City and UR Chicago.

[edit] Micromentalists

In 2006, Welch started an art movement collectively known as the micromentalists. The general philosophy of the group is that art need not be "monumental" in scale to be important, and has been described as "pseudo-Marxist".[1] Welch's purpose in putting together the Micromentalists was to start an art movement based on this philosophy.[2] Their founding members included artists Bill Drummond, Steve Keene, Paul Nudd, Patrick W. Welch, James J. Peterson and Eric Doeringer.

The group is known not only for its premise of small art, but also for its commercial practice of selling art at lower prices, adjusted for the income of the buyer. Their first shows were mentioned in Chicago and national art media for these reasons and for the participation of notable artists such as Drummond and Keene.[3][4][2]

[edit] Publications/reviews

[edit] 2006

  • Artner, Alan. Opportunity to see Puryear's Refined Work is not to be Missed, Chicago Tribune, January 13

[edit] 2005

  • Workman, Michael. Eye Exam, Border Patrol, New City, December
  • The Basil H. Balkazzi Foundation: a celebration of twenty years association between the Foundation and the Royal College of Art, Royal College of Art Press, illustrations pages 60 and 61

[edit] 2004

  • Sill, Robert. think small!, Illinois State Museum Society, (catalogue), page 17, 64, illustration page 52

[edit] 2002

  • Camper, Fred. Hated/ Liberated, The Chicago Reader, Section 1, page 26, September 20
  • Sanders, Seth. An Artist's Revenge, The Chicago Reader, Section 1, page 9, September 13
  • New American Paintings, Open Studios Press, Boston, MA

Smith, Ulysses. Chicago Reader, interview, Section 1, page 30, January 18

[edit] 2001

  • Keller, Julia. 9/11 adds new urgency to strips, Chicago Tribune, review/interview with illustrations, Tempo, Section 5, December 27

Crouse, Charity. Exhibit Explores America's Fascination with Guns, Streetwise, Street Scene, December 17

  • Hawkins, Margaret. Gallery Glance, Chicago Sun Times, Section N5, June 15
  • Keller, Julia, Sketchy Reports, Chicago Tribune, review/interview with illustrations, Tempo, Section 5, pages 8-9, June 20
  • Green, Nick. For the Love of Comics, Chicago Social, interview with illustration, page 30, June

[edit] 2000

  • Mason, Robert. A Digital Dolly?, Norwich: Norwich School of Art and Design Press, Norwich, Eng., pp. 44-45, 54; illustration 22

[edit] 1998

  • Vengas, Margarita. Georgia Guardian, review/interview with illustration, May 21

[edit] References

  1. ^ Austen, Jake (February 21, 2007). Let's get small. Chicago Journal. Retrieved on 2007-04-20.
  2. ^ a b Micromentalist Exhibition. Style Chicago. Retrieved on 2007-04-20.
  3. ^ Critic's Picks. Artforum.com. Retrieved on 2007-04-20.
  4. ^ Stabler, Bert (March 23, 2007). Giving it all away. Chicago Reader. Retrieved on 2007-04-20.

http://www.gescheidle.com/view_artist.php?aid=12 http://dnr.state.il.us/pubaffairs/2005/March/thinksmall.htm http://www.newcitychicago.com/chicago/4942.html http://www.eichgallery.dabsol.co.uk/04robmason/pw1.html http://www.mydeath.net:8080/users.php3?uid=92a045706a39a9e6c686b0402e9fa535 http://www.findarticles.com/p/articles/mi_m1248/is_7_92/ai_n6183875/pg_10


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