Norman McLaren
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| Norman McLaren | |||||||||||
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 Norman McLaren drawing directly on film (1944) |
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| Born | April 11, 1914 Stirling |
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| Died | January 27, 1987 Montreal |
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| Occupation | animator | ||||||||||
| Years active | 1933-1987 | ||||||||||
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Norman McLaren, C. C., C. Q. (b. April 11, 1914 - d. January 27, 1987) was a Scottish-born Canadian animator and film director known for his work for the National Film Board of Canada (NFB).
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[edit] Early life
McLaren was born in Stirling, Scotland, where he studied set design at Glasgow School of Art. His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude. McLaren's next film, Camera Makes Whoopee (1935) was a more elaborate take on the themes explored in Seven Till Five, inspired by his acquisition of a Ciné-Kodak camera, which enabled him to execute a number of 'trick' shots. McLaren used pixillation effects, superimpositions and animation not only to display the staging of an art school ball, but also to tap into the aesthetic sensations supposedly produced by this event.
[edit] Professional career
After finishing his studies in Glasgow and making a few films in London, McLaren moved to New York City in 1939, just when World War II was about to begin.
At the invitation of John Grierson, he moved to Canada in 1941 to work for the National Film Board, to open an animation studio and to train Canadian animators. During his work for the NFB, McLaren created his most famous film, Neighbours (1952), which has won various awards around the world, including the Canadian Film Award and the Academy Award. Besides the brilliant combination of visuals and sound, the film has a very strong social message against violence and war. In addition to film, McLaren worked with UNESCO in the 1950s and 1960s on programs to teach film and animation techniques in China and India. His five part "Animated Motion" shorts, produced in the late 1970s, are an excellent example of instruction on the basics of film animation.
[edit] Personal life
McLaren was gay. His longtime companion was Guy Glover, whom he met at the ballet in London in 1937. The two were together until McLaren’s death.[1]
[edit] Awards and achievements
McLaren is famous for his experiments with image and sound as he developed a number of groundbreaking techniques for combining and synchronizing animation with music.
The National Film Board honoured McLaren's genius by naming its Montreal head office building the Norman McLaren Building. The Montreal borough of Saint-Laurent, which is home to the NFB, has also honoured McLaren by naming a borough district after him.
- Lifetime achievement awards
In 1968 he was made an Officer of the Order of Canada and promoted to Companion in 1973. In 1982, he was the first anglophone to receive the Prix Albert-Tessier, given to persons for an outstanding career in Québec cinema.
- 2006 retrospective
In 2006, the Film Board marked the 65th anniversary of NFB animation with an international retrospective of McLaren's restored classics and a new DVD box set of his complete works.
[edit] Awards for McLaren's films
- Academy Awards (USA)
- (1953) Oscar - Best Documentary, Short Subjects for Neighbours (1952)
- Annie Awards (USA)
- (1975) Annie Award: Winsor McCay Award
- BAFTA Awards (England)
- (1969) BAFTA Film Award Best Animated Film for Pas de Deux (1968)[2]
- Canadian Film Awards (Canada)
- (1949) Special Award for Dots
- (1950) Special Award for Begone Dull Care
- (1952) Special Award for Around is Around
- (1952) Special Award for Now is the Time
- (1952) Special Award for After the Storm
- (1953) Special Award for A Phantasy
- (1953) Special Award for Neighbours
- (1958) Arts and Experimental for A Chairy Tale
- Shared with Claude Jutra
- (1962) Arts and Experimental for Lines Horizontal
- (1965) Arts and Experimental for Canon
- Shared with Grant Munro
- (1968) Special Award for Pas de Deux
- Columbus International Film and Video Festival (USA)
- (1984) Honorable Mention for Narcissus
- Dance on Camera Festival (USA)
- (1984) Gold Star Award for Narcissus
- Festival international de cinéma de court métrage (France)
- (1985) Special Mention for Narcissus
- Festival international du film romantique
- (1985) First Prize - Madame de Stael Prize, (France, May 1985) for Narcissus
- Genie Awards (Canada)
- (1984) Special Achievement Genie
- Golden Sheaf Awards / Short Film and Video Festival (Canada)
- (1984) Golden Sheaf Award - Best Experimental Film for Narcissus, Short Film and Video Festival (Canada, October-November 1984)
- International Film Festival (India)
- (1984) Golden Peacock for the Best Short Film of the Festival for Narcissus
- Itinerant - American Film and Video Festival (USA)
- (1984) Honorable Mention - Visual Essays for Narcissus
[edit] Award nominations
- Academy Awards (USA)
- 1953 Academy Award (Oscar) Best Short Subject, One-reel for Neighbours (1952)
- 1958 Academy Award Best Short Subject, Live Action Subjects for A Chairy Tale (1957)
- BAFTA Awards (UK)
- 1960 BAFTA Film Award Best Animated Film for Short and Suite (Shared with Evelyn Lambart)
[edit] References
- ^ McWilliams, Donald (1990). Creative Process: Norman McLaren.
- ^ NFB - Collection - Pas de deux.
[edit] See also
[edit] External links
- Canadian Film Encyclopedia
- Norman McLaren at the Internet Movie Database
- New National Film Board of Canada Web site for Norman McLaren
- Order of Canada Citation
- Official UK Myspace for 'Norman McLaren: The Master's Edition'
- Short NFB film, Pen Point Percussion about McLaren's use of hand drawn sound (1951
- Norman McLaren on screenonline
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