Nathan Schiff
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Nathan Schiff is a Long Island, New York filmmaker best known for receiving a major DVD release of low-budget features he shot in Super 8mm while in his teens. Image Entertainment, a leading DVD distributor, held these films in such high regard that they gave them restoration work, followed by wide DVD releases in 2004.
Born in Forest Hills, New York, Schiff grew up in Baldwin Harbor, Long Island where he began making films at the age of 11. Between the ages of 11 and 16, he made over 20 short films. At age 16, he embarked on his first feature, Weasels Rip My Flesh (1979), made on a $400 budget. The storyline follows a detective (John Smihula) investigating deaths caused by a giant mutated weasel. The weasel is captured by a mad scientist (Fred Borges) who plans to conquer the Earth with a monster army created by using the creature's regenerative blood (actually a mix of Karo syrup, cranberry sauce and ketchup).
In Long Island Cannibal Massacre (1980) power lawnmowers and chainsaws spew guts and grue across the suburban landscape. They Don't Cut the Grass Anymore (1985) follows two psycho hillbilly gardeners who slice up Yuppies instead of cutting the grass. When these three films were released on DVD, film director Wes Craven commented, "Schiff knows Long Island the way Dante knew Hell."
Schiff's fourth feature (unavailable on DVD) is Vermilion Eyes [1] (1991), about the odyssey of a self-destructive man (John Smihula) into a dreamscape of prophetic nightmares where the border between fantasy and reality has blurred. Critic Ray Young reviewed, "Unique and personal, it grieves over the loss of innocence, as if tapped directly from the id. Vermilion Eyes makes no concessions to anyone or any genre and works out of bruised, frazzled emotion. The poetic, whirling, free style of its imagery is remarkably close in spirit to James Joyce."
Schiff recently returned to filmmaking with the horror short Abracadaver! (2008) for British producer David McGillivray. Promoted as "a gruesome tale of magic and mutilation," the film is part of McGillivray's Worst Fears series. [2]
