Morris Lapidus
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Morris Lapidus (November 25, 1902 – January 18, 2001) was the architect of curvy, flamboyant Neo-baroque moderne hotels that defined the 1950s 'Miami Beach' resort hotel style.
Born in Odessa, Russian Empire, his family Orthodox Jews, fled Russian pogroms to New York when he was an infant. As a young man, Lapidus toyed with theatrical set design and studied architecture at Columbia University. Lapidus worked for the prominent Beaux Arts firm of Warren and Wetmore. He then worked independently for 20 years as a retail architect before being approached to design vacation hotels on Miami Beach.
After a career in innovative retail interior design, his first large commission was the Miami Beach Sans Souci Hotel, followed closely by the Nautilus, the Di Lido, the Biltmore Terrace, and the Algiers, all along Collins Avenue, and amounting to the single-handed redesign of an entire district. The hotels were an immediate popular success. Then in 1952 he landed the job of the largest luxury hotel in Miami Beach, the property he is most associated with, the Fontainebleau Hotel, which was followed the next year by the equally successful Eden Roc and the Americana (now the Sheraton Bal Harbour) in 1956. The Sheraton was imploded shortly after dawn on Sunday, November 18, 2007.[1]
The Lapidus style is idiosyncratic and immediately recognizable in photographs, derived as it was from the attention-getting techniques of commercial store design: sweeping curves, theatrically backlit floating ceilings, 'beanpoles', and the ameboid shapes that he called 'woggles', 'cheeseholes', and painter's palette shapes. His many smaller projects give Miami Beach's Collins Avenue its style, anticipating post-modernism. Beyond visual style, there is some degree of functionalism at work. His curving walls caught the prevailing ocean breezes in the era before central air-conditioning, and the sequence of his interior spaces were the result of careful attention to user experience.
The Fountainbleau was built, significantly for the future, on the site of the Harvey Firestone estate and defining the new Gold Coast of Miami Beach. The hotel provided locations for the 1960 Jerry Lewis film The Bellboy, a success for both Lewis and Lapidus, and the James Bond thriller Goldfinger (1964). Its most famous feature is the 'Staircase to Nowhere' that merely led to a coat check, but offered the opportunity to make a glittering descent into the lobby.
- "My whole success is I've always been designing for people, first because I wanted to sell them merchandise. Then when I got into hotels, I had to rethink, what am I selling now? You're selling a good time."
His son, architect Alan Lapidus, who worked with his father for 18 years, said, "His theory was if you create the stage setting and it's grand, everyone who enters will play their part."
Lapidus' wife of 63 years, Beatrice, died in 1992. He died nine years later, at the age of 98 in Miami Beach, Florida.
[edit] Critical Reception
Lapidus designed 1,200 buildings, including 250 hotels worldwide. The architectural establishment, wedded to its doctrinaire expressions of International Modernism, tried to ignore his work, then characterized it as gaudy kitsch. This abusive critical reception culminated in a 1963 American Institute of Architects (AIA) meeting held at the Americana, where a variety of well-known architects insulted Lapidus to his face, in one of his own hotels.
A 1970 Architectural League exhibit in New York began the serious appraisal of his work. Lapidus tried to ignore the critical panning and was admired by his public response, but it had an effect on his career and reputation. He burned 50 years' worth of his drawings when he retired in 1984 and remained personally bitter about some aspects of his career. But he was rediscovered in the post-modernist era: his autobiography Too Much is Never Enough, 1996, takes a shot at modernist guru Ludwig Mies van der Rohe's dictum 'Less is more.' According to his German biographer Martina Duttmann, he has always been more highly regarded in Europe than in the U.S., where the comparable jet-set futurism is designated "Googie". Today, books publihsed by the AIA such as 'Architect's Essentials of Starting a Design Firm' 2003, refer positively to Morris Lapidus' works.
some of his direct reletives reside all over the country. he has a nephew named les lapidus in tulsa oklahoma and great newphews named seth and keith who are the fathers of lydia and emily and ben and joe lapidus.
[edit] Projects
List adapted from Works in Lapidus autobiography.
- Martin's Department Store, Brooklyn, 1944
- Fontainebleau Hotel, Miami, 1954
- Eden Roc, Miami, 1955
- Shelbourne Hotel, Miami Beach, 1957
- Golden Triangle Motor Hotel, Norfolk, 1959-60
- Lincoln Road, Miami, 1960
- Sheraton Motor Inn, New York, 1960
- Richmond Motel, Virginia, 1961
- 1800 G Street NW, Washington, D.C., 1962
- 1100 L Street NW, Washington, D.C., 1967
- 1425 K Street NW, Washington, D.C., 1970 since remodeled
- Portman Square Hotel, London, 1967
- TSS Mardi Gras, 1975
- TSS Carnival, 1975
- Carnival Cruise Lines Terminal Building, Dodge Island, Florida, 1975
- International Inn, Washington, D.C., 1975
- International Inn, now Washington Plaza Hotel, Washington, D.C., 1962
- Capitol Skyline Hotel, currently Best Western, Washington, D.C., 1962
- Lausanne Apartments, Naples, Florida, 1978
- Grandview at Emerald Hills, Hollywood, Florida, 1981
