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Mildred Pierce (film) - Wikipedia, the free encyclopedia

Mildred Pierce (film)

From Wikipedia, the free encyclopedia

Mildred Pierce

Theatrical poster
Directed by Michael Curtiz
Produced by Executive Producer:
Jack L. Warner
Producer:
Jerry Wald
Written by Story:
James M. Cain
Screenplay:
Ranald MacDougall
William Faulkner
Catherine Turney
Narrated by Joan Crawford
Starring Joan Crawford
Ann Blyth
Jack Carson
Zachary Scott
Eve Arden
Music by Max Steiner
Cinematography Ernest Haller
Editing by David Weisbart
Distributed by Warner Bros.
Release date(s) September 24, 1945
(U.S.A.)
Running time 111 minutes
Country United States
Language English
Allmovie profile
IMDb profile

Mildred Pierce (1945) is an American drama with elements of film noir directed by Michael Curtiz. The picture is based on the 1941 novel Mildred Pierce, written by James M. Cain. The film features Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott and Eve Arden.[1]

The drama was Crawford's first starring role for Warner Brothers after leaving Metro-Goldwyn-Mayer and won her the Academy Award for Best Actress.

While the novel is told by a third-person narrator in strict chronological order, the film uses voice-over narration (the voice of Mildred). The story is framed by the questioning of Mildred Pierce at the local police station after the police discover the body of her second husband, Monte Beragon.

Contents

[edit] Plot

Mildred Pierce (Crawford) and her 2nd husband Monte Beragon (Scott).
Mildred Pierce (Crawford) and her 2nd husband Monte Beragon (Scott).

The film in noir fashion opens with Monte Beragon (Zachary Scott) being shot. He murmurs the name "Mildred" as he collapses and dies. The police are led to believe that the murderer is restaurant owner Mildred Pierce (Joan Crawford), who under interrogation confesses to the crime. She then relates her life story in flashback.

We see housewife Mildred unhappily married to an unemployed Bert Pierce (Bruce Bennett). He was originally a real estate partner of Wally Fay (Jack Carson), who propositions Mildred after learning that she and Bert are about to divorce. Mildred keeps custody of her two daughters: Veda (Ann Blyth) and Kay (Jo Anne Marlowe).

Mildred's principal goal is to provide for eldest daughter Veda, who has promise as a singer though eventually longs for possessions the family cannot afford. Mildred needs a job and the best she can find is as a waitress -- a fact she hides from Veda. One day, Veda gives away Mildred's waitress uniform, thinking nothing of it, until Mildred admits that she is a waitress, infuriating Veda, who thinks it a lowly employ. With the help of her new friend and supervisor, Ida (Eve Arden), Mildred opens a restaurant of her own and turns it into a genuine money-maker. Real estate agent Wally helps her buy the property, and it grows into a chain of "Mildred's" throughout southern California. But Mildred's business success is overwhelmed for Mildred by a tragedy -- her younger daughter Kay contracts pneumonia and dies.

Mildred continues to smother Veda in affection and worldly goods. Veda is appalled by Mildred's common background and profession, however. Mildred goes as far as entering into a loveless marriage with the formerly wealthy Monte Beragon in order to improve her social standing. Beragon lives the life of a playboy but needs to sponge off her, much to Mildred's dismay and potential ruin. The behind-the-scenes manipulations of Monte and Wally and the greed of Veda end up costing Mildred her share of the business.

When her own daughter takes up with the scheming Monte, a showdown ensues at the beach house where the film began. We discover what really happened: that Veda, furious over Monte's unwillingness to take her seriously, is the one who shoots him. Mildred can cover for her daughter no more. Veda is led off to jail.

[edit] Cast

[edit] Critical reception

The staff at Variety magazine liked the film, especially the screenplay, and wrote, "At first reading James M. Cain's novel of the same title might not suggest screenable material, but the cleanup job has resulted in a class feature, showmanly produced by Jerry Wald and tellingly directed by Michael Curtiz...The dramatics are heavy but so skillfully handled that they never cloy. Joan Crawford reaches a peak of her acting career in this pic. Ann Blyth, as the daughter, scores dramatically in her first genuine acting assignment. Zachary Scott makes the most of his character as the Pasadena heel, a talented performance."[2]

Critic Jeremiah Kipp gave the film a mixed review: "Mildred Pierce is melodramatic trash, constructed like a reliable Aristotelian warhorse where characters have planted the seeds of their own doom in the first act, only to have grief-stricken revelations at the climax. Directed by studio favorite Michael Curtiz in German Expressionistic mode, which doesn't quite go with the California beaches and sunlight but sets the bleak tone of domestic film noir, and scored by Max Steiner with a sensational bombast that's rousing even when it doesn't match the quieter, pensive mood of individual scenes, Mildred Pierce is professionally executed and moves at a brisk clip."[3]

[edit] Comparison to novel

Ann Blyth as Mildred's selfish daughter Veda.
Ann Blyth as Mildred's selfish daughter Veda.

The adaptation was designed as a thriller and a murder was introduced into the plot.[4] The novel Mildred Pierce spans a period of nine years (from 1931 to 1940), whereas the action of the film is set in the 1940s and spans only four years. Accordingly, in the film, the characters do not really grow older: Mildred does not change her appearance, she does not put on weight and become matronly; Veda does grow older, but only four years, from around 13 to around 17. Generally speaking, Mildred is more of a tycoon in the film. Her restaurants are glamorous places, and she owns a whole chain ("Mildred's") rather than just three.

All references to the Depression and the Prohibition era were removed.

The plot is simplified and the number of characters reduced:

For example, the part of the action which revolves around Veda's training and success as a singer (including her performance at the Hollywood Bowl) was dropped altogether. In the movie version, Veda's music teachers are merely mentioned in passing.

Lucy Gessler, a key character in the novel, being a good friend of Mildred's and later working in the restaurants, is not present in the film version.

Mildred's numerous domestic servants are primarily represented by single young housemaid Butterfly McQueen (stereotyped as sweetly dumb and comical).

[edit] Awards

Wins

Nominations

Other honors

[edit] References

[edit] Notes

  1. ^ Mildred Pierce at the Internet Movie Database.
  2. ^ Variety. Film review, 1945. Last accessed: February 7, 2008.
  3. ^ Kipp, Jeremiah. Slant, magazine, film review, 2005. Last accessed: February 8, 2008.
  4. ^ Mildred Pierce at Allmovie.

[edit] External links



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