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Magical negro - Wikipedia, the free encyclopedia

Magical negro

From Wikipedia, the free encyclopedia

The magical negro (sometimes called the mystical negro, magic negro, or our Magical African-American Brother) a term generally used to describe a supporting, often mystical stock character in fiction who, by use of special insight or powers, helps the white protagonist get out of trouble. The word negro, now considered by many as archaic and offensive, is used intentionally to suggest that the archetype is a racist throwback, an update of the "Sambo" and "savage other" stereotypes.[1] Spike Lee popularized the term, deriding the archetype of the "super-duper magical negro" in 2001 while discussing films with students at Washington State University and at Yale University.[2][3]

Contents

[edit] The magical negro in fiction

The magical negro is typically "in some way outwardly or inwardly disabled, either by discrimination, disability or social constraint," often a janitor or prisoner.[4] He has no past; he simply appears one day to help the white protagonist.[5] He is the black stereotype, "prone to criminality and laziness."[6] To counterbalance this, he has some sort of magical power, "rather vaguely defined but not the sort of thing one typically encounters."[5] He is patient and wise, often dispensing various words of wisdom, and is "closer to the earth."[2]

The magical negro serves as a plot device to help the protagonist get out of trouble, typically through helping the white character recognize his own faults and overcome them.[2] Although he has magical powers, his "magic is ostensibly directed toward helping and enlightening a white male character."[4] It is this feature of the magical negro that some people find most troubling. Although the character seems to be showing African-Americans in a positive light, he is still ultimately subordinate to European-Americans. He is also regarded as an exception, allowing white America to "like individual black people but not black culture."[7]

To save the white protagonist, however, he would do anything, including sacrificing himself, as Sidney Poitier portrays in The Defiant Ones, the prototypical magical Negro movie.[2] Note that Poitier's character is also saved by the white protagonist.

The magical negro is a reoccurring theme in Chinese Literature from the Tang Dynasty.[8] Known as “Kun-lun” (崑崙, an ancient Chinese term that denoted all dark-skinned races), these African slaves were portrayed as having supernatural strength and the power to invade people’s dreams to reveal great knowledge. One tale known as the Kun-lun slave mentions a slave leaping over high walls while laden with the weight of two people in order to rescue his master’s lover.[9] Other tales mention them swimming to the bottom of raging rivers to retrieve heavenly treasures for their lord. The color of their skin was believed to be a medicinal balm that could be wiped off and used to cure a person’s illness.[8]

[edit] Examples

Examples of magical negroes as published by social commentators include:

[edit] Uses outside of fiction

Examples of the use of the term magical negro as published by commentators in non-fictional contexts include:

[edit] See also


[edit] References

  1. ^ Jones, D. Marvin (2005). Race, Sex, and Suspicion: The Myth of the Black Male. Westport, Conn.: Praeger Publishers, p. 35. ISBN 0275974626. OCLC 56095393. 
  2. ^ a b c d e f g h i Okorafor-Mbachu, Nnedi. "Stephen King's Super-Duper Magical Negroes", Strange Horizons, 2004-10-25. Retrieved on 2006-12-03. 
  3. ^ a b c Gonzalez, Susan. "Director Spike Lee slams 'same old' black stereotypes in today's films", Yale Bulletin & Calendar, Yale University, 2001-03-02. Retrieved on 2006-12-03. 
  4. ^ a b Hicks, Heather J. (2003-09-01). "Hoodoo Economics: White Men's Work and Black Men's Magic in Contemporary American Film". Camera Obscura 18 (2): 27-55. Camera Obscura. 
  5. ^ a b c d e f Colombe, Audrey (October 2002). "White Hollywood’s new Black boogeyman" (45). 
  6. ^ Persons, Georgia Anne (2005). Contemporary Patterns of Politics, Praxis, and Culture. New Brunswick, NJ: Transaction Publishers, p. 137. ISBN 141280468X. OCLC 56510401. 
  7. ^ Gabbard, Krin (2004). Black Magic: White Hollywood and African American Culture. New Brunswick, NJ: Rutgers University Press, p. 173. ISBN 081353383X. OCLC 53215708. 
  8. ^ a b Snow, Philip. The Star Raft: China's Encounter With Africa. Cornell Univ. Press, 1989 (ISBN 0801495830)
  9. ^ Liu, James J.Y. The Chinese Knight Errant. London: Routledge and Kegan Paul, 1967 (ISBN 0-2264-8688-5)
  10. ^ Killough, Patrick (1997-12-09). BRER RABBIT SEZ, SEZEE: THE WISDOM OF JOEL CHANDLER HARRIS. Retrieved on 2007-05-16.
  11. ^ Wood, Noel (2002-10-29). Exposing Hollywood’s Fascination with the Magic Negro. Retrieved on 2008-03-19.
  12. ^ Farley, Christopher John. "That Old Black Magic", Time, 2000-05-27. Retrieved on 2007-02-03. 
  13. ^ Thompson, Gary. "'Winn-Dixie' Gets No Place Fast", The Philadelphia Daily News, Philadelphia Media Holdings LLC, 2005-02-18. Retrieved on 2007-07-21. 
  14. ^ Plotz, David. "Just Say Noah", Slate, 2007-06-22. Retrieved on 2007-06-22. 
  15. ^ "'History X': Hate With a Passion", By Stephen Hunter, Washington Post Staff Writer. October 30, 1998
  16. ^ http://kylesmithonline.com/?p=1266
  17. ^ a b c d http://www.latimes.com/news/opinion/la-oe-ehrenstein19mar19,0,5335087.story?coll=la-opinion-center

[edit] External links


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