Long Live the Kane
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| Long Live the Kane | |||||
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| Studio album by Big Daddy Kane | |||||
| Released | June 21, 1988 | ||||
| Recorded | 1987 - 1988 | ||||
| Genre | Hip hop | ||||
| Length | 46:40 | ||||
| Label | Cold Chillin'/Warner Bros. Records 25731 |
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| Producer | Marley Marl | ||||
| Professional reviews | |||||
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| Big Daddy Kane chronology | |||||
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Long Live the Kane is the debut album by rapper Big Daddy Kane, released by Cold Chillin' Records in 1988. It is completely produced by Marley Marl and it established both him and Kane as premier artists during hip hop's golden age. Kane displays his unique rapping technique on his debut, while covering topics including love ("I'll Take You There"), Afrocentricity ("Word to the Mother(Land)") and his rapping prowess ("Set It Off"). Marley Marl displays a sparse production style--creating beats with fast-paced drums and lightly-utilized James Brown samples--in order to let Kane's vocals shine.
Four singles were released in promotion of Kane's first album: "Raw/Word to the Mother (Land)," "Ain't No Half-Steppin'/Get Into It," "I'll Take You There/Wrath of Kane" and "Set It Off/Get Into It." The most commercially successful of these singles were "Ain't No Half-Steppin'," which reached #53 on the Hot R&B/Hip-Hop Singles & Tracks chart and "I'll Take You There," which reached #73 on the same chart, but also peaked at #21 on the Hot Rap Singles chart. The other two singles did not chart, but "Raw" and "Set It Off" popularized Big Daddy Kane's high-speed style and abundant use of word play. "Raw" and "Ain't No Half Steppin'" are both described as "underground sensation[s]" and "classic[s]" by All Music Guide's Steve Huey.[2] It is important to note that "Raw" does not appear on Long Live the Kane, but a remix which utilizes the same beat does.
Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations. "Ain't No Half Steppin'" alone is featured on The Very Best of Big Daddy Kane, Marley Marl's House of Hits, two "best of" Cold Chillin' Records compilations and over five additional hip-hop hit compilations.[3] Nowithstanding "Ain't No Half Steppin'," The Very Best of Big Daddy Kane contains five songs from Kane's debut album. All Music Guide's Steve Huey regards "'Raw,' 'Set It Off,' and 'Ain't No Half-Steppin' [as] flawless bids for immortality [that] haven't lost an ounce of energy."[4]
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[edit] Influence
Big Daddy Kane's debut album is one of the most influential hip hop albums from the Golden Era. Kane's lyrics have been sampled and reused, his rapping style has been emulated and Marley Marl's beats have also been emulated. Nas' "Where Are They Now"--a tribute to hip hop's unknown legends--not only references Big Daddy Kane's group, the Juice Crew, but uses the same James Brown sample ("Get Up, Get Into It, Get Involved") that Marley Marl used on "Set It Off." In addition, lyrics from "Just Rhymin' with Biz" have been sampled by Pete Rock & CL Smooth ("I Get Physical," "The Main Ingredient," "In the Flesh" and "Get on the Mic"), AZ ("Rather Unique"), the Stieber Twins ("PBB Get's Physical"), Big L ("M.V.P."), Gang Starr ("Here Today, Gone Tomorrow"), the Beastie Boys ("So What'cha Want"), Real Live ("Real Live Shit (Remix)"), RZA ("Cameo Afro") and interpolated by Masta Ace ("Nostalgia" by Marco Polo). "Ain't No Half Steppin'" has also been sampled by various artists including Nice & Smooth ("No Delayin'"), Ed O.G. & Da Bulldogs ("I'm Different"), The Notorious B.I.G. ("Ready to Die"), Jeru the Damaja ("Frustrated Nigga"), the Hieroglyphics ("One Life, One Love"), K-Solo ("Letterman") and MF Doom ("Potholderz"). In addition, Gang Starr samples vocals from "Word to the Mother (Land)" on "Manifest."
On "The Listening," a 2002 song by Little Brother, rapper Phonte reminisces about the Golden Age and his influences stating:
- "Back when 'fresh' was the word, and 'Raw' was on prism/
- Marley on the boards, plus Kane was Long Livin'/
- G Rap and Ace spittin' murderous/
- Bought Long Live the Kane, sat down and learned every word of it/
- Sneakin' my Walkman in the homeroom, playin' it/
- Listen for punch lines, delivery and cadences"
[edit] Reception
In 1998, the album was selected as one of The Source 100 best Hip-Hop Albums of All Time.[1][5] In 1999, ego trip ranked it as the sixth best hip hop album released in 1988.[1] In 1989, Spin chose it as the twentieth best album of 1988.[1]
It was certified as gold by the Recording Industry Association of America in 1989, and it remains as one of only two Kane album's to have sold over 500,000 albums.[6] The other Big Daddy Kane album to reach gold status, It's a Big Daddy Thing, is the only album said to rival Long Live the Kane as the rapper's best album.[4] All Music Guide's Stanton Swihart contributes the positive reception of Long Live the Kane to Big Daddy Kane's versatility and personality:
| “ | Even though he spends a good 90% of the album boasting about his skills and abilities on the microphone, and cutting those of other MCs, Big Daddy Kane consistently proves himself a thrilling artist on his debut album, Long Live the Kane, one of the most appealing creations from the original new school of rap. This debut captures the Big Daddy Kane who rocked the house at hip-hop clubs and verbally cut up any and all comers in the late '80s with his articulate precision and locomotive power -- the Big Daddy Kane who became an underground legend, the Big Daddy Kane who had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who witnessed or heard him perform. There are missteps here, to be sure -- especially "The Day You're Mine," on which Kane casts himself as a loverman over a stilted drum machine and lackluster, cheesily seductive singing (offering a glimpse of the particular corner into which he would eventually paint himself). But there are also plenty of legitimate early hip-hop classics, none of which have lost an ounce of their power, and all of which serve as reminders of a time and era when hip-hop felt immediate, exciting, fresh, and a little bit dangerous (in the figurative, rather than literal, sense), and when hip-hop spawned commercial tastes of the moment rather than surrendering to them. Although his next album would be nearly the artistic equal of the debut -- and, in many ways, even bettered it -- Big Daddy Kane would never sound as compelling or as fresh as on this first effort.[7] | ” |
[edit] Track listing
| # | Title | Songwriters | Producer | Performers | Samples |
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| 1 | "Long Live the Kane" | A. Hardy (AKA Big Daddy Kane) | Marley Marl | Big Daddy Kane |
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| 2 | "Raw (Remix)" | A. Hardy | Marley Marl | Big Daddy Kane |
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| 3 | "Set It Off" | A. Hardy | Marley Marl | Big Daddy Kane |
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| 4 | "The Day You're Mine" | A. Hardy, A. Boothe | Marley Marl | Big Daddy Kane | |
| 5 | "On the Bugged Tip" | A. Hardy | Marley Marl | Big Daddy Kane, Scoob Lover |
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| 6 | "Ain't No Half Steppin'" | A. Hardy | Marley Marl | Big Daddy Kane |
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| 7 | "I'll Take You There" | A. Hardy | Marley Marl | Big Daddy Kane |
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| 8 | "Just Rhymin' with Biz" | A. Hardy | Marley Marl | Big Daddy Kane, Biz Markie |
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| 9 | "Mister Cee's Master Plan" | A. Hardy | Marley Marl | Big Daddy Kane, Mister Cee |
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| 10 | "Word to the Mother (Land)" | A. Hardy | Marley Marl | Big Daddy Kane |
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[edit] References
- ^ a b c d e f Long Live the Kane at AcclaimedMusic.net
- ^ Big Daddy Kane Biography at All Music Guide
- ^ Ain't No Half Steppin' at All Music Guide
- ^ a b The Very Best of Big Daddy Kane at All Music Guide
- ^ The top 100 Best Rap Albums list on Rocklist.net
- ^ RIAA Gold & Platinum Searchable Database at RIAA.com
- ^ Long Live the Kane at All Music Guide
