La Strada (musical)
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| La Strada | |
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| Original Broadway Windowcard | |
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| Music | Lionel Bart Elliot Lawrence |
| Lyrics | Lionel Bart Martin Charnin |
| Book | Charles K. Peck, Jr. |
| Based upon | Frederico Fellini film La Strada |
| Productions | 1969 Broadway |
La Strada is a musical with lyrics and music by Lionel Bart, with additional lyrics by Martin Charnin and additional music by Elliot Lawrence. It is based on the 1954 film of the same name by Federico Fellini. Bart wrote the score in 1967 and made a demonstration recording, although the musical was not produced until 1969.[1] The musical's book was written by Charles K. Peck, Jr., who also produced it on Broadway.[2]
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[edit] Plot summary
The play follows the story of the film of the same name. Gelsomina, a young girl, is sold by her impoverished mother to a brutish circus strongman, Zampanò, to be his assistant. She shows her abilities as a clown and soon becomes the star of the show. She falls in love with Zampanò, despite his abuse of her. But tragedy strikes when she befriends a circus clown (Mario), who gives her advice and friendship, and Zampanò kills him in a jealous fit. Zampanò eventually leaves Gelsomina, who still loves him, to die on the road.
[edit] Characters
- Gelsomina -- Bernadette Peters
- Zampano -- Stephen Pearlman
- Mother -- Anne Hegira
- Mario -- Larry Kert
- Elsa -- Lisa Belleran
- Eva -- Mary Ann Robbins
- Sophia -- Susan Goeppinger
- Castra -- Lucille Patton
[edit] Musical Numbers
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[edit] Productions
After 14 previews, La Strada opened on December 14, 1969 at the Lunt-Fontanne Theatre on Broadway. The show was directed by Alan Schneider, with choreography by Alvin Ailey and Joyce Trisler. The show closed the same night, losing $650,000.
There was a studio cast "concept album" produced in 1967 by Lionel Bart and Chris Curtis, with Madeline Bell in the Gelsomina role. In 1994, Bayview Records re-released this recording.[2] Only two or three songs remained in the final play as produced on Broadway. In discussing La Strada's problems, Steven Suskin wrote that Lionel Bart apparently did not go to the United States to assist during rehearsals, and neither the director (Alan Schneider) nor the choreographer (Alvin Ailey) had done a Broadway musical. [2] Peters confirms that Bart never worked on the show in New York in this interview: "The script really wasn't ready, and Lionel Bart was never coming over. Marty Charnin and his partner at the time [composer Elliot Lawrence] rewrote it." [3]
Ken Mandelbaum wrote about La Strada in his book, Not Since Carrie: Forty Years of Broadway Flops [4]. During try-outs, the original strongman, Vincent Beck as Zampano, was replaced; and he discusses the replacing of all but three of the original songs. Furthermore, "...it followed a relentlessly bleak, tragic screenplay, it emerged as one of the most depressing musicals ever... Bernadette Peters, in her first Broadway lead, did not let the show down...The score was not bad, particularly Peters haunting opening "Seagull, Starfish, Pebble" written by Lawrence and Charnin..."
[edit] Responses
In his review in the New York Times, Clive Barnes wrote that the book was superficial and the music bland and trite. However, he praised Bernadette Peters, writing "In a different show the birdlike and croaky Bernadette Peters would have become a star overnight." [5]
[edit] References
- ^ Information from Bayview Records
- ^ a b c Playbill.com "On the Record", Steven Suskin, August 8, 2004
- ^ Showmusic: The Musical Theatre Magazine, Songs of Bernadette, Eric Grode, Summer 1997, Volume Thirteen, Number Two, pp. 21 ff.
- ^ 1991, St. Martin's Press, ISBN 0-312-06428-4, p. 171
- ^ New York Times, December 15, 1969, p. 63
[edit] External links
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