L'Absinthe
From Wikipedia, the free encyclopedia
 |
| L'Absinthe |
| Edgar Degas, 1876 |
| Oil on canvas |
| 92 × 68 cm |
| Musée d'Orsay, Paris |
L'Absinthe—also known as The Absinthe Drinker or Glass of Absinthe—is a painting by Edgar Degas. Originally called A sketch of a French Café, then Figures at Café, the title was finally changed in 1893 to L’Absinthe (the name the piece is known by today). The work is now in the permanent collection of the Musée d'Orsay in Paris.
Contents |
[edit] Depiction
Painted in 1876, it depicts two figures, a woman and man, who sit in the center and right of this painting, respectively. The man, wearing a hat, looks right, off the canvas, while the woman, dressed formally and also wearing a hat, stares vacantly downward. A glass filled with the titular greenish liquid sits before her. The painting is a representation of the increasing social isolation in Paris during its stage of rapid growth.
[edit] Persons in the picture
The woman in the painting is the actress Ellen Andrée, the man Marcellin Desboutin, painter, engraver, and, at the same time, celebrated bohemian character. The café where they are taking their refreshment is the Café de la Nouvelle-Athènes in Paris.
[edit] Criticisms
In its first showing in 1876 it was panned by critics, who called it ugly and disgusting. It was put into storage until an 1892 exhibit where it was booed off the easel.
It was shown again in 1893 in England (this time titled “L'Absinthe”); there, it sparked controversy. The persons represented in the painting were considered by English critics to be shockingly degraded and uncouth. Many regarded the painting as a blow to morality; this was the general view of such Victorians as Sir William Blake Richmond and Walter Crane when shown this painting in London. The reaction is an instance of the deep suspicion with which Victorian England had regarded art in France since the early days of the Barbizon School and the need to find a morally uplifting lesson in works of art that was typical of the age. Many English critics viewed it as a warning lesson against absinthe and the French in general. George Moore described the woman in the painting: “What a whore!” He added, “the tale is not a pleasant one, but it is a lesson.”
[edit] See also
[edit] References
- Conrad III, Barnaby; (1988). Absinthe History in a Bottle. Chronicle books. ISBN 0-8118-1650-8 Pg. 43–50
- Phil Baker; (2001). The Book of Absinthe: A Cultural History. Grove Press books. ISBN 0-8021-3993-0 Pg. 121–24
[edit] Articles
- Green Fairy: The symbol of liberté — Examines L'Absinthe as a fitting example of the “nervous fear that the decadent ways of the Continent might reach the shores of the British Isles.”
