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John Lawrence Toole - Wikipedia, the free encyclopedia

John Lawrence Toole

From Wikipedia, the free encyclopedia

J. L. Toole

Toole in the title role in The Don, 1888
Born John Lawrence Toole
March 12, 1832(1832-03-12)
St Mary Axe, City of London
Died July 30, 1906 (aged 74)
Brighton, Sussex
Years active 18521893

John Lawrence (J. L.) Toole (12 March 183030 July 1906) was an English comic actor and theatrical producer. He was famous for his roles in farce and in serio-comic melodramas. He was so famous in his day that he was the first actor to have a West End theatre named after him.

Contents

[edit] Life and career

Toole was born in London, the younger son of James Toole and his wife, Elizabeth. His father was was a messenger for the East India Company and for some years an usher at the Old Bailey, who for many years in the 1840s acted as toastmaster in the City of London.[1][2]

He was educated at the City of London School from 1841–45, and started life as a clerk in a wine merchant's office. In 1854, Toole married Susan Hale (née Caslake), a widow five years older than he. They had a son, Frank Lawrence, and a daughter, Florence Mabel, but both children died in their 20s.[3]

[edit] Early career

Toole began his acting career by training as an amateur with the City Histrionic Club, beginning in 1850 and by performing in other amateur theatricals and in comic sketches. He earned good notices and soon met Charles Dickens, who had heard of him and came to see him act.[4] His last amateur role was as Simmons in The Spitalfields Weaver at the Haymarket Theatre. He made his professional stage debut in 1852 at the Queen's Theatre in Dublin, under the management of Charles Dillon and by 1853 became the principal "low comedian" at the Theatre Royale in Edinburgh. His older brother, Francis, acted as his manager throughout his early career.[2] During the next two years, he performed widely in Ireland and Scotland, gaining a reputation for sunny extemporaneous comedy, humorous expressions and a uniquely comic voice, freedom with his texts, and an engaging rapport with audiences.[1]

In 1854, Toole made his first professional appearance in London at the St. James's Theatre, acting as Samuel Pepys in The King's Rival, by Tom Taylor and Charles Reade, and Weazel in My Friend the Major by Selby.[4] In 1857, having had a great success as Paul Pry in John Poole's farce of that name, he made his first of many successful provincial summer tours. During this first tour, he met and acted together with Henry Irving, and the two remained close friends over their long careers. He was engaged in London at the Lyceum Theatre from 1856–58, where he frequently performed with Marie Wilton.[4] In 1858, he scored a notable hit creating the role of Tom Cranky in John Hollingshead's farce The Birthplace of Podgers.[1]

Toole around 1874
Toole around 1874

In 1858, at the suggestion of Dickens,[4] Toole joined Benjamin Webster at the Adelphi Theatre and established his popularity as a farceur, creating, among other parts, Joe Spriggins in Ici on parle français. He remained at the Adelphi as principal low comedian for nine years, frequently partnering with Paul Bedford, whose sedate comic style complemented his own contrasting energetic style.[1] He played a season with the impressive new company at Queen's Theatre that included Irving, Henrietta Hodson and Charles Wyndham, where he appeared in such works a H. J. Byron's Dearer Than Life. Toole was then engaged in 1868 at the Gaiety Theatre by Hollingshead, appearing in many pieces including Thespis, the first Gilbert and Sullivan collaboration. In 1873–74, among other successes, he portrayed the Irishman Brulgruddery in John Bull by the younger Colman; Bob Acres in The Rivals by Richard Brinsley Sheridan, together with Charles James Mathews and Samuel Phelps; and created the role of the barrister Hammond Coote in Wig and Gown by James Albery.[1] Toole's fame was at its height in 1874, when he went on tour to America, but he failed to reproduce there the success he had found in England. He remained based mostly at the Gaiety until the end of 1877, when he moved to the Globe Theatre under his own management for two years.[5]

In 1878, he created the role of Charles Liquorpond in A Fool and his Money by H. J. Byron. Liquorpond was a retired footman unexpectedly overtaken by wealth, and Toole's affectedly superior pronunciation, particularly of his own name, was a tremendous success. In his prime, Toole achieved wide popularity as a comic actor, being noted for his comic delivery of words. He excelled in domestic melodramas (adaptations by Dion Boucicault and others of Charles Dickens and similar writers), playing "tender-hearted victims of fate", where he was famously able to combine humour and pathos. His genial and sympathetic nature was conspicuous off the stage as well as on it, and he was known as a great practical joker.[1]

[edit] Later years

Toole in the title role in Poor Claudian
Toole in the title role in Poor Claudian

In 1879, Toole realized a lifelong ambition by taking over the management of the Folly Theatre in London. This triumph was offset by the death of his son in the same year, after a football injury.[3] He renamed the theatre "Toole's Theatre" in 1882, becoming the first actor to have a West End theatre named after him.[1] He was often away in the provinces, but he produced here a number of plays:

  • H. J. Byron's A Fool and His Money (1879)[6]
  • Arthur Wing Pinero's Hester's Mystery (1880)
  • Byron's Upper Crust and Auntie (1880)[7]
  • F. C. Burnand's Stage Dora; or, Who Killed Cock Robin (1883), a burlesque of Sardou's Fédora, starring Toole
  • Burnand's Poor Claudian (1884), a burlesque of the 1883 costume (Byzantine) drama 'Claudian' by Henry Herman and W. G. Wills
  • Pinero's Girls and Boys (1885)
  • Mr. Guffin’s Elopement and The Great Tay-Kin both with words by Arthur Law and music by George Grossmith, starring Toole (1885)[8]
  • A revival of Billee Taylor (1886)
  • The Butler, by Herman Charles Merivale, starring Toole (1886)
  • Pepita, an operetta by Charles Lecocq (1888)
  • The Don, by Merivale, starring Toole (1888).[9]
  • The Bungalow, by Fred Horner (1890)[10]
  • J. M. Barrie's Ibsen's Ghost, or, Toole up to Date, a one-act satire on London productions of Ibsen, including Hedda Gabler, starring Irene Vanbrugh and Toole (1891)
  • Barrie's Walker, London, a highly successful farce, directed by Toole (1892)[11]

Toole began to be troubled by gout in 1886. After his daughter died in 1888, followed by his wife in 1889, Toole was desolate, and his health deteriorated further.[1] Nevertheless, he toured Australia and New Zealand in 1890.[4] After this, his stage appearances gradually became fewer. The gout left him sometimes unable to walk, and after an 1893 illness during Thoroughbred by Ralph Lumley, he retired from the London stage, although he made occasional appearances in the provinces until about 1896. His theatre was pulled down in 1885 for an extension of Charing Cross Hospital, and he dissolved his theatre company after an 1886 tour.

Toole published his reminiscences in 1888. Ultimately he retired to Brighton, where after a long struggle with Bright's disease and a degenerative spinal illness, he died at the age of 76. He is buried at Kensal Green cemetery in London, next to his wife and children. Poole was a good businessman and left a considerable fortune of over £81,000, out of which he made a number of bequests to charity, to needy actors and to his friends.[1]

[edit] See also

[edit] Notes

  1. ^ a b c d e f g h i Read, Michael. "Toole, John Lawrence (1830–1906)", Oxford Dictionary of National Biography (2004), Oxford University Press online edn, 2008, accessed 9 June 2008 (requires subscription)
  2. ^ a b "John Lawrence Toole Papers" – 1850-1907, University of Rochester libraries
  3. ^ a b Clipping about the death of Toole's son in 1879
  4. ^ a b c d e Obituary, The Times, 31 July 1906, p. 5
  5. ^ Hollingshead, John. Good Old Gaiety (1903) London, p. 39
  6. ^ MacMichael, J. Holden. The Story of Charing Cross and Its Immediate Neighbourhood (1906) Chatto & Windus, accessed 12 October 2007
  7. ^ NY Times review of The Upper Crust and Auntie April 26 1880 accessed 11 Oct 2007
  8. ^ Grossmith, George (1888). A Society Clown: Reminiscences. Bristol/London: Arrowsmith.  Chapter 8 Available online here
  9. ^ Adams, William Davenport. A Dictionary of the Drama (1904) 1904 Chatto & Windus, London
  10. ^ Notices and posters for Toole's Theatre pieces
  11. ^ Peter Pan exhibition site

[edit] References

  • This article incorporates text from the Encyclopædia Britannica Eleventh Edition, a publication now in the public domain.
  • Toole, John Lawrence and Joseph Hatton. Reminiscences of J. L. Toole (1889) Hurst and Blackett, limited (2 vols.)
  • Daily Telegraph, 31 July 1906, p. 2
  • The Times, 4 August 1906, p. 12
  • Goddard, A. Players of the period, 2 vols. (1891)
  • Hollingshead, John. Gaiety Chronicles (1898)
  • Forster, J. The life of Charles Dickens, 3 vols. (1872–4)
  • C. E. Pascoe, ed., The dramatic list, 2nd edn (1880)
  • Vanbrugh, I. To tell my story (1948)
  • Irving, L. Henry Irving: the actor and his world (1951)
  • R. Foulkes, ed., British theatre in the 1890s (1992)

[edit] External links


Persondata
NAME Toole, J. L.
ALTERNATIVE NAMES Toole, John Lawrence
SHORT DESCRIPTION
DATE OF BIRTH March 12, 1832(1832-03-12)
PLACE OF BIRTH St Mary Axe, City of London
DATE OF DEATH July 30, 1906 (aged 74)
PLACE OF DEATH Brighton, Sussex


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