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I'll Be Your Mirror - Wikipedia, the free encyclopedia

I'll Be Your Mirror

From Wikipedia, the free encyclopedia

“I'll Be Your Mirror”
“I'll Be Your Mirror” cover
Single by The Velvet Underground and Nico
Album The Velvet Underground and Nico
Released July 1966 (single)
March 1967 (album)
Recorded April 1966, Scepter Studios, New York City
Genre Avant-garde rock and roll
Length 2:14
Label Verve Records
Writer Lou Reed
Composer Lou Reed
Producer Andy Warhol
The Velvet Underground and Nico track listing
  1. "Sunday Morning"
  2. "I'm Waiting for the Man"
  3. "Femme Fatale"
  4. "Venus In Furs"
  5. "Run Run Run"
  6. "All Tomorrow's Parties"
  7. "Heroin"
  8. "There She Goes Again"
  9. "I'll Be Your Mirror"
  10. "The Black Angel's Death Song"
  11. "European Son"
The Velvet Underground singles chronology
"All Tomorrow's Parties / I'll Be Your Mirror'"
(1966)
"Sunday Morning / Femme Fatale"
(1966)

"I'll Be Your Mirror" is a song by The Velvet Underground. It appeared on their 1967 debut album The Velvet Underground and Nico. It also surfaced as a single a year earlier with "All Tomorrow's Parties" in 1966.

Lou Reed wrote the song for Nico, who provides lead vocals. Inspiration for the song apparently came about after Nico approached Reed after a show in 1965 saying, "Oh Lou, I'll be your mirror."[1]

The song is a favorite of Reed's and The Velvet Underground and Nico engineer, Norman Dolph.[2]

Contents

[edit] Recording

"I'll Be Your Mirror" was the most difficult for Nico to record, as the band wanted her to provide slender, delicate vocals for the song, yet she would sing louder, more aggressive vocals take after take. Sterling Morrison described the ordeal in an interview:

She kept singing "I'll Be Your Mirror" in her strident voice. Dissatisfied, we kept making her do it over and over again until she broke down and burst into tears. At that point we said, "Oh, try it just one more time and then fuck it — if it doesn't work this time, we're not going to do the song." Nico sat down and did it exactly right.[3]

The members of the band enjoyed her particular performance on the song so much that after she left the band in late 1967, live vocals for the song were done imitating Nico's accent.[4]

Mentor and manager Andy Warhol suggested that the album have a built-in crack in it so the line "I'll be your mirror" would repeat infinitely on a record player until the listener moved the needle themselves, but nothing ever came of this idea.[3]

[edit] Alternate versions

[edit] Scepter Studios, April 1966

A different mix of the song appears on the acetate cut of the Scepter Studios session, with an alternate track of more aggressive lead vocals by Nico. She also sings "to show that you're home" at the end of the second verse rather than "so you won't be afraid". The backing vocals that sing "reflect what you are" are also almost inaudaible on this version of the song, and the guitar is louder.

[edit] Single version, July 1966

A 45 rpm single version of the song was released in July 1966 with "All Tomorrow's Parties". The single is identical to the album cut except that it does not fade out at the end. Instead, it goes on for about five seconds ending with a guitar chord. This version of the song later became available in 2002 on the "Deluxe Edition" of The Velvet Underground and Nico.

[edit] References

  1. ^ Bockris, Victor (1994). Transformer: The Lou Reed Story. New York: Simon and Schuster, 106. ISBN 0306807521. 
  2. ^ Harvard, Joe [2004] (2007). The Velvet Underground and Nico, 33⅓. New York, NY: Continuum International Publishing Group, 128-129. ISBN 0-8264-1550-4. 
  3. ^ a b Bockris, Victor (2002). Uptight: The Velvet Underground Story. London: Omnibus Press, 51 / 95. ISBN 0815412851. 
  4. ^ Barrios, Greg (1970-03-06). "An Interview with Sterling Morrison". Fusion (8). “Barrios: Last night as Doug was singing "I'll Be Your Mirror", I detected a Germanic accent... Morrison: Oh yeah, we mimic the way she did it. She never said "I'll be your mirror," it was "I'll be your mirrah." It's amazing how those songs are still so good.” 


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