How High the Moon
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| "How High the Moon" First featured in the 1940 Broadway revue Two for the Show |
|
| Music by | Morgan Lewis |
|---|---|
| Lyrics by | Nancy Hamilton |
| Published | 1940 |
| Language | English |
| Original artist | Alfred Drake and Frances Comstock |
| Recorded by | Benny Goodman & His Orchestra, Stan Kenton, Les Paul and Mary Ford, many other artists (see #Most notable recordings and #Other versions) |
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock[1].
Contents |
[edit] Most notable recordings
The earliest recorded hit version was by Benny Goodman & His Orchestra. It was recorded February 7, 1940 and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose"[2]. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side "Willow, Weep for Me")[3] and 15117( with the flip side "Interlude")[4]. It reached the Billboard magazine Best Seller chart on July 9, 1948, its only week on the chart, at #27[5].
The best-known recording of the song is by Les Paul and Mary Ford, made on January 4, 1951. The record was released by Capitol Records as catalog number 1451, with the flip side "Walkin' and Whistlin' Blues"[6], and spent 25 weeks (beginning on March 23, 1951) on the Billboard chart[5], 9 weeks at #1. The record was subsequently re-released by Capitol as catalog number 1675, with the flip side "Josephine"[7].
The song was sung in various recordings by Ella Fitzgerald, becoming (with the Gershwin's "Lady Be Good!") Ella's signature tune. She first performed the song at Carnegie Hall on September 29, 1947[1]. Her first recording, backed by the Daydreamers, was recorded December 20, 1947 and released by Decca Records as catalog number 24387, with the flip side "You Turned the Tables on Me"[8]. Her most celebrated recording of "How High the Moon" is on her 1960 album Ella in Berlin, and her version was inducted into the Grammy Hall of Fame in 2002, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."[9]
[edit] Other versions
- Louis Armstrong and his orchestra (recorded in two parts November 30, 1947, released by Decca Records as catalog numbers 28103 & 28104, each with the flip side being a part of a two part recording of "Body and Soul"[10])
- Mitchel Ayres' orchestra (vocal: Mary Ann Mercer: recorded February 8, 1940, released by Bluebird Records as catalog number 10609B, with the flip side "A House with a Little Red Barn"[11])
- Chet Baker (trumpet)on the album Chet
- Bonnemere (released 1949 by Royal Roost Records as catalog number 582, with the flip side "Autumn Leaves"[12])
- Randy Brooks and his orchestra (recorded March 22, 1946, released by Decca Records as catalog number 29479, with the flip side "Thunder Rock"[13])
- Charles Brown Trio (recorded November 11, 1948, released by Aladdin Records as catalog number 3071, with the flip side "Texas Blues"[14])
- The Dave Brubeck Octet recorded a lengthy track, with narration, where they play "How High The Moon" in various jazz styles.
- Don Byas Quintet (recorded November 26, 1945, released by Savoy Records as catalog numbers 597A and 916A, both with the flip side "Ko Ko"[15])
- Lilyann Carol with Charlie Ventura and Orchestra (released by National Records as catalog number 7015, with the flip side "Please Be Kind"[16])
- Al Casey's Sextet (recorded January 19, 1945, released by Capitol Records as catalog number 10034, with the flip side "Sometimes I'm Happy"[17])
- Herman Chittison Trio (released by Musicraft Records as catalog number 315, with the flip side "The Song Is Ended"[18])
- Larry Clinton and his orchestra (recorded February 20, 1940, released by Victor Records as catalog number 26521, with the flip side "Bread and Butter"[19])
- Nat King Cole (released by Capitol Records as catalog number 10191, with the flip side "Blues in My Shower"[17])
- Kaye Connor (released by Cosmo Records as catalog number 485, with the flip side "Derry Dum"[20])
- Duke Ellington and his orchestra (recorded November 14, 1947, released by Columbia Records as catalog number 38950, with the flip side "Cowboy Rhumba"[21])
- Ziggy Elman (recorded 1947, released by MGM Records as catalog number 10332, with the flip side "The Night Is Young and You're So Beautiful"[22])
- Erroll Garner (released by Arco Records as catalog number 1214, with the flip side "Don't Blame Me"[23])
- Erroll Garner Trio (recorded October 7, 1950, released by Columbia Records as catalog number 39145, with the flip side "Poor Butterfly"[24])
- Marvin Gaye (on Tamla Records album The Soulful Moods of Marvin Gaye, catalog number TM 221, released June 1961[1])
- Gloria Gaynor (Disco version of the song, on 1975 MGM Records album Experience Gloria Gaynor, catalog number M3G 4997[1])
- Dizzy Gillespie (released by MGM Records as catalog number 30742, with another recording of the same song by Jimmy McPartland on the flip side[25])
- Benny Goodman Septet (released by Capitol Records as catalog number 20126, with the flip side "Benny's Boogie"[26])
- Larry Green (released by RCA Victor Records as catalog number 20-2119, with the flip side "Far Away Island"[27])
- Lionel Hampton Quintet (recorded April 2, 1947, released by Decca Records as catalog number 24513, with the flip side "Ribs and Hot Sauce"[28])
- Bill Harris (released by Capitol Records as catalog number 60004, with the flip side "The Moon Is Low"[29])
- Emmylou Harris (on 1981 album Evangeline[1])
- Eddie Heywood and his orchestra (recorded May 2, 1944, released by Signature Records as catalog number 40002A, with the flip side "Sarcastic Lady"[30])
- Harry James' orchestra (recorded March 1940, released by Varsity Records as catalog number 8221[31] and by Montgomery Ward as catalog number 10004[32], both with the flip side "You've Got Me Out on a Limb"[31][32])
- Jazz at the Philharmonic (recorded in four parts October 7, 1946, released by Mercury Records as catalog numbers 11009 & 11010[33])
- Bibbi Johnson and Thore Swanerud (recorded September 19, 1949 in Stockholm, Sweden; released by Savoy Records as catalog number 965, with the flip side "Tout Desire"[15]) (also listed as by the Thore Swanerud Sextet, issued by Discovery Records as catalog number 173, with the flip side "Tout D'Suite"[34])
- King Cole Trio (released by Capitol Records as catalog number 531, with the flip side "I'll Never Be the Same"[3])
- Gene Krupa and his orchestra (recorded May 27, 1946, released by Columbia Records as catalog number 38345, with the flip side "Tea for Two"[35])
- Manhattan Transfer
- Johnny Mathis (1960, on album Johnny's Mood[1])
- Jimmy McPartland (issued back to back with the Dizzy Gillespie recording by MGM Records as catalog number 30742[25])
- Chris Montez (on 1966 A&M Records album The More I See You/Call Me, catalog number SP 4115[1])
- Russ Morgan and his orchestra (recorded February 20, 1940, released by Decca Records as catalog number 3030A, with the flip side "Rose of the World"[36])
- Anita O'Day (with Ralph Burns orchestra; released by Signature Records as catalog number 15185A, with the flip side "Key Largo"[30])
- Oscar Peterson (released by Mercury Records as catalog number 8943, with the flip side "Nameless Blues"[37])
- Bud Powell (piano) on the album 'Spring Broadcasts 1953', with Oscar Pettiford on bass and Roy Haynes on drums. This broadcast was recorded March 21, 1953.
- Boyd Raeburn and his orchestra (recorded August 14, 1947, released by Atlantic Records as catalog number 860, with the flip side "Trouble Is a Man"[38])
- Dianne Reeves (on 1991 Blue Note Records album I Remember, catalog number B2 90264[1])
- Freddie Rich and his orchestra (vocal: Rosemary Calvin; recorded February 14, 1940, released by Vocalion Records as catalog number 5420, with the flip side "House with a Little Red Barn"[39])
- David Rose and his orchestra (released by MGM Records as catalog numbers 30012B (with the flip side "Gay Spirits") and 30303 (with the flip side "Bewitched")[40])
- Diane Schuur (on 1992 GRP Records album In Tribute, catalog number GRD 2006[1])
- Hazel Scott (piano instrumental solo; released by Signature Records as catalog number 15025B, with the flip side "[[A Rainy Night in Georgia"[30])
- George Shearing Quintet (recorded December 18, 1951, released by MGM Records as catalog number 30627, with the flip side "Ghost of a Chance"[25])
- Janis Siegel (on 1982 Atlantic Records album Experiment in White, catalog number 80007 1[1])
- Jimmy Smith (released by Blue Note Records as catalog number 1667, with the flip side "Summertime"[41])
- Japanese American singer Pat Suzuki's 1950s recording of "How High the Moon" plays during the opening scenes of the movie Biloxi Blues, and is also featured in the movie Eat a Bowl of Tea.
- Art Tatum (solo piano) on the compilation album Piano Starts Here, released by Columbia Records in 1987
- Charlie Ventura (recorded September 6, 1946, released by National Records as catalog number 7015, with the flip side "Please Be Kind"[42])
- Paul Weston and his orchestra (released by Columbia Records as catalog number 39299[24] and 39647[43], both with the flip side "Over the Rainbow"[24][43]; also issued on the album Dream Time Music, Columbia catalog number CL 528, released November 2, 1953[1])
- Mary Lou Williams (released by Disc Records as catalog number 5025, with the flip side "Cloudy"[44]
[edit] Songs based on "How High the Moon"
Another jazz standard, "Ornithology" by Charlie Parker, is based on the chords of "How High the Moon". It was common among jazz musicians (Ella Fitzgerald, Lionel Hampton and others) to seamlessly include 'Ornithology' in the solo when performing "How High the Moon". Miles Davis' "Solar" is also based on part of the chord structure.
John Coltrane's composition "Satellite" is also based on the chords of "How High the Moon", which Coltrane embellished with the three-tonic progression he also used on his composition "Giant Steps".
| Preceded by Too Young |
Cash Box magazine best selling record chart #1 record June 16, 1951–June 23, 1951 |
Succeeded by Too Young |
| Preceded by "Fly, Robin, Fly" by Silver Convention |
Billboard Hot Dance Club Play number-one single (Gloria Gaynor version, with "Casanova Brown" and "(If You Want It) Do It Yourself") October 18, 1975 |
Succeeded by "Love to Love You Baby" by Donna Summer |
[edit] Trivia
Paul McCartney stated during the filming of Les Paul: Chasing Sound that "How High the Moon" was the first song The Beatles played in The Cavern Club.
The song was performed by the 2007 Australian Idol winner, Natalie Gauci on the big-band themed performance show. The performance earned Gauci her third consecutive Touchdown from judge Mark Holden.
[edit] References
- ^ a b c d e f g h i j k Covers of the song "How High the Moon"
- ^ Columbia Records in the 35200 to 35499 series
- ^ a b Capitol Records in the 500 to 999 series
- ^ Capitol Records in the 15000 to 15431 series
- ^ a b Whitburn, Joel (1973). Top Pop Records 1940-1955. Menomonee Falls, Wisconsin: Record Research.
- ^ Capitol Records in the 1000 to 1499 series
- ^ Capitol Records in the 1500 to 1999 series
- ^ Decca Records in the 24000 to 24499 series
- ^ Grammy Hall of Fame Database
- ^ Decca Records in the 28000 to 28499 series
- ^ Bluebird Records in the 10500 to 10999 series
- ^ Royal Roost Records listing
- ^ Decca Records in the 29000 to 29499 series
- ^ Aladdin Records in the 3000 to 3468 series
- ^ a b Savoy Records in the 500 to 978 series
- ^ National Records listing
- ^ a b Capitol Records in the 10000 to 10210 series
- ^ Musicraft Records in the 201 to 597 series
- ^ Victor Records in the 26500 to 26999 series
- ^ Cosmo Records listing
- ^ Columbia Records in the 38500 to 38999 series
- ^ MGM Records in the 10001 to 10499 series
- ^ Arco Records listing
- ^ a b c Columbia Records in the 39000 to 39499 series
- ^ a b c MGM Records in the 30500 to 30887 series
- ^ Capitol Records in the 20000 to 20156 series
- ^ RCA Victor Records in the 20-2000 to 20-2499 series
- ^ Decca Records in the 24500 to 24999 series
- ^ Capitol Records in the 60000 to 60015 series
- ^ a b c Signature Records listing
- ^ a b Varsity Records in the 8000 to 8419 series
- ^ a b Montgomery Ward Records in the 10000 to 10173 series
- ^ Mercury Records in the 11000 to 11101 series
- ^ Discovery Records listing
- ^ Columbia Records in the 38000 to 38499 series
- ^ Decca Records in the 3000 to 3499 series
- ^ Mercury Records in the 8900 to 8999 series
- ^ Atlantic Records listing
- ^ Vocalion Records in the 5000 to 5499 series
- ^ MGM Records in the 30000 to 30499 series
- ^ Blue Note Records listing
- ^ National Records in the 3001 to 25000 series
- ^ a b Columbia Records in the 39500 to 39999 series
- ^ Disc Records listing
