Get Happy!! (Elvis Costello album)

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Get Happy!!
Studio album by Elvis Costello and the Attractions
Released	February 15, 1980
Recorded	October 1979
Genre	New wave, punk, 2 Tone, blue-eyed soul
Length	48:08
Label	F-Beat Records UK Columbia Records US Demon/Rykodisc (April 29, 1994 Reissue) Rhino (September 9, 2003 Reissue)
Producer	Nick Lowe
Professional reviews
All Music Guide link Robert Christgau (B) link Rolling Stone (not rated) link Stylus Magazine (favorable) link
Elvis Costello and the Attractions chronology
Armed Forces (1979) Get Happy!! (1980) Taking Liberties (1980)

The fourth album by Elvis Costello, his third with the Attractions, Get Happy!! is notable for being a dramatic break in tone from Costello's previous "trilogy" of commercially successful albums, and for being heavily influenced by R&B and soul music. The cover art was intentionally designed to have a "retro" feel, to look like the cover of an old LP with ring wear on both front and back.^[1]

The title may be a reference to gospel music, where "getting happy" is synonymous with receiving the Holy Spirit (a meaning that Costello himself hints at in the liner notes to the 2003 edition of the album). The title may also refer to the Harold Arlen/Ted Koehler song of the same name.

In 1989, it was rated #11 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.

Contents 1 Background 2 Track listing 2.1 Side one 2.2 Side two 2.3 Bonus tracks (1994 Rykodisc) 2.4 Bonus Disk (2002 Rhino) 3 Personnel 4 Charts 5 Certifications 6 References

[edit] Background

During the American concert tour for Armed Forces in April 1979, Costello engaged in a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio, Holiday Inn hotel bar, during which Costello referred to James Brown as a "jive-ass nigger," then upped the ante by pronouncing Ray Charles a "blind, ignorant nigger." Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious in order to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring her comments to the press.

It has been suggested that the R&B influence on the album was an attempt to atone for his comments^[2], but as Costello writes in the liner notes for the 2002 Rhino version,

“

It might have been tempting to claim that I had some noble motive in basing this record on the music that I had admired and learned from prior to my brush with infamy. But if I was trying to pay respects and make such amends, I doubt if pride would have allowed me to express that thought after I had made my rather contrived explanation... I simply went back to work and relied on instinct, curiosity, and enduring musical passions.[3]

”

The band had played some of the songs during the "Armed Funk Tour" and had rehearsed them for the record, but were dissatisfied with the sound, feeling it was too "New Wave"^[4] (some of the original versions can be found on disc 2 of the Rhino release). They then went back and re-arranged many of the songs with an R&B hook. On their U.S. tours, Costello had been able to find a number of R&B records of his favourite artists and having been listening to them during the rehearsals, decided to emulate the feel of those songs.^[3]

The band recorded the album at Wisseloord Studio in Hilversum, Netherlands, in an attempt to isolate themselves from distractions, but they were still able to keep themselves drunk during the recording sessions.^[3] The exception to this was "New Amsterdam" which was recorded solo by Costello in a small studio in Pimlico.

With twenty songs on the original album, the vinyl cutting and pressing process had to be precise to fit all of them on the two sides of the record.^[4] A commercial for the album, added as a hidden track on the Rhino Records remaster, jokes about the album's length and number of songs.

The original album sleeve reversed the two sides; side one began with "I Can't Stand Up for Falling Down" (the current single) and ended with "Riot Act". The second side started with "Love for Tender" and ended with "High Fidelity". Only on the record labels themselves was the true running order revealed. The album was reviewed in the sleeve order by Charles Shaar Murray of the NME amongst others.

[edit] Track listing

All songs written by Elvis Costello unless otherwise indicated.

[edit] Side one

1. "Love for Tender" – 1:57
2. "Opportunity" – 3:13
3. "The Imposter" – 1:58
4. "Secondary Modern" – 1:58
5. "King Horse" – 3:01
6. "Possession" – 2:03
7. "Men Called Uncle" – 2:17
8. "Clowntime Is Over" – 2:59
9. "New Amsterdam" – 2:12
10. "High Fidelity" – 2:28

[edit] Side two

1. "I Can't Stand Up For Falling Down" (Homer Banks, Allen Jones) – 2:06
2. "Black & White World" – 1:56
3. "5ive Gears in Reverse" – 2:38
4. "B Movie" – 2:04
5. "Motel Matches" – 2:30
6. "Human Touch" – 2:30
7. "Beaten to the Punch" – 1:49
8. "Temptation" – 2:33
9. "I Stand Accused" (Tony Colton, Ray Smith)– 2:21
10. "Riot Act" – 3:35

[edit] Bonus tracks (1994 Rykodisc)

1. "Girls Talk" – 1:55
2. "Clowntime Is Over" (Version 2) – 3:44
3. "Getting Mighty Crowded" (Van McCoy) – 2:09
4. "So Young" (Jeff Burstin, Joe Camilleri, Tony Faehse) – 3:23
5. "Just a Memory" – 2:16
6. "Hoover Factory" – 1:43
7. "Ghost Train" – 3:5
8. "Dr. Luther's Assistant" – 3:27
9. "Black & White World" – 1:50
10. "Riot Act" – 2:48
11. "Love for Tender" (Demo, ends abruptly, accidentally left on master) – 1:39 (not listed)^{[citation needed]}

[edit] Bonus Disk (2002 Rhino)

1. "I Stand Accused" (Alternate version) (Colton, Smith) – 3:10
2. "So Young" (Burstin, Camilleri, Faehse) – 3:28
3. "Girls Talk" – 1:56
4. "Human Touch" (Alternate version) – 2:20
5. "Temptation" – 2:28
6. "Motel Matches" (Alternate version) – 2:27
7. "Clowntime Is Over" – 3:46
8. "B Movie" (Alternate version) – 2:26
9. "Girls Talk" – 2:03
10. "Getting Mighty Crowded" (McCoy) – 2:09
11. "From a Whisper to a Scream" (Alternate version) – 2:30
12. "Watch Your Step" (Alternate version) – 2:02
13. "Dr Luther's Assistant" – 3:28
14. "Ghost Train" – 3:07
15. "New Lace Sleeves" (Alternate version) – 3:47
16. "Hoover Factory" – 1:45
17. "Just a Memory" – 2:17
18. "I Can't Stand Up for Falling Down" (Alternate version) (Banks, Jones) – 2:45
19. "New Amsterdam" (Alternate version) – 2:31
20. "Black & White World" (Demo version) – 1:51
21. "Riot Act" (Demo version) – 2:50
22. "5ive Gears in Reverse" (Demo version) – 2:33
23. "Love for Tender" (Demo version) – 2:07
24. "Men Called Uncle" (Demo version) – 2:06
25. "King Horse" (Demo version) – 2:45
26. "Seven O'Clock" (Demo version) – 2:00
27. "High Fidelity" (Live) – 3:17
28. "Opportunity" (Live) – 2:33
29. "The Imposter" (Live) – 2:11
30. "Don't Look Back" (Live) – 4:41

Note: The Rykodisc version has the original tracks and bonus tracks on one CD. The Rhino version has two CDs with the original tracks on the first CD.

[edit] Personnel

• Elvis Costello – vocals, guitar, organ on "Possession", all instruments on "New Amsterdam"
• Steve Nieve – piano, organ
• Bruce Thomas – bass, harmonica on "I Stand Accused"
• Pete Thomas – drums

[edit] Charts

Album

Year	Chart	Position
1980	Billboard Pop Albums	11

[edit] Certifications

Organization	Level	Date
BPI – UK	Gold	March 24, 1980
CRIA – Canada	Gold	July 1, 1980

[edit] References

v • d • e Elvis Costello discography Albums My Aim Is True · King of America · Spike · Mighty Like a Rose · Brutal Youth · Kojak Variety · North · Il Sogno Elvis Costello and The Attractions This Year's Model · Armed Forces · Get Happy!! · Trust · Almost Blue · Imperial Bedroom · Punch the Clock · Goodbye Cruel World · Blood and Chocolate · All This Useless Beauty Elvis Costello and The Imposters When I Was Cruel · Cruel Smile · The Delivery Man · Momofuku Collaborations The Juliet Letters with The Brodsky Quartet · Terror & Magnificence with John Harle · Painted from Memory with Burt Bacharach · The Sweetest Punch with Bill Frisell · For the Stars with Anne Sofie von Otter · My Flame Burns Blue with The Metropole Orkest · Piano Jazz with Marian McPartland · The River in Reverse with Allen Toussaint Live albums Live at the El Mocambo · Deep Dead Blue · Costello & Nieve Soundtracks G.B.H. · Jake's Progress Compilations Taking Liberties · Ten Bloody Marys & Ten How's Your Fathers · The Best of Elvis Costello & The Attractions · Out of Our Idiot · Girls Girls Girls · 2 ½ Years · The Very Best of Elvis Costello and The Attractions 1977-86 · Extreme Honey · The Very Best of Elvis Costello · Singles, Vol. 1 · Singles, Vol. 2 · Singles, Vol. 3