Gary Chester
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| Gary Chester | |
|---|---|
| Birth name | Cesario Gurciullo |
| Born | October 27, 1924 |
| Died | August 17, 1987 |
| Genre(s) | Pop Rock Rhythm & Blues Folk music Be-bop Doo-wop Jazz Bossa Nova Samba Progressive Rock |
| Occupation(s) | Drummer Session musician Drum instructor |
| Instrument(s) | Drums |
| Website | www.gary-chester.com |
Gary Chester (October 27, 1924 – August 17, 1987) (born Cesario Gurciullo in Saracusa, Italy) was one of the 20th century's busiest studio drummers.[citation needed] Gary is counted as one of the greats when it comes to studio session musicians.[1] His work appears on thousands of tracks, including hundreds of hit records from the '50s, '60s and '70s. He logged over 15,000 studio sessions over three decades.[citation needed] He is on the short list of 20th Century Drummers' Hall of Fame.[2]
Chester occupied the same position of studio prominence on the east coast recording scene that Hal Blaine did on the west,[3][4] and had the musical abilities and creative spirit to roll with all the changes in popular music flow that happened during his lifetime. Beginning with doo-wop and rhythm and blues recordings, Chester also showed a great knack for rock, folk rock, rockabilly, and pop. In 1970-1, Chester was the Musical Contractor for the Broadway musical production of Purlie.[5] In 1964, Gary formed a group, Gary Chester and the Beatle Beat which released its only album entitled "Yeah, Yeah, Yeah!" consisting of a dozen Beatles' cover songs.
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[edit] History
Chester's first successful recording session was to replace a studio drummer. He repeated his success with artists on songs that are considered to be hits. Several musical scholars who have devoted their lifetimes to the work of studio drummers have advocated the renaming of the "oldies" radio station format to "Gary Chester radio."[citation needed]
As a result of Chester's work and instruction, a pro studio drummer can play well in any requested musical genres. In the studio, a drummer will often be given a sheet of music to read with one or two words describing the style. From this basic information, an accomplished drummer will understand the groove and feel of the song. Some of today's most famous studio drummers are renowned for their ability to adapt to any style of music.[citation needed]
As his reputation grew, Gary became a respected teacher, with drummers searching out his expertise and demanding techniques. His drumming systems have been used and endorsed by drummers such as Kenny Aronoff, Danny Gottlieb,[6] Max Weinberg, Chris Adams, Tico Torres, Lindy Morrison, and Dave Weckl, each having studied under Gary.[citation needed]
The rock band Luxx features the drummer's daughter Katrina Chester, one of rock and roll's greatest modern female vocalists.[7] This band's debut album features a moving tribute to her father, naturally a cover version of yet another classic hit Gary Chester laid down the beat to, Lesley Gore's 1963 hit "It's My Party".
[edit] Instruction technique
[edit] Ostinato
Chester devised a system involving internalized patterns employing a drum 'melody' in an attempt to expand drummers' coordination and groove ability. His use of the ostinato[8][9] figure employed more than repetition; he created drum melodies for a song with variation and development of the drum phrase or motif using the entire drum kit. He advocated alternating an ostinato line to fit changing harmonies or keys to enhance the song. Chester's system also taught how to set up an ostinato with one limb or more and playing freely with the remaining limbs, allowing one drummer to sound like a small percussion section.[10]
[edit] Ambidexterity and Rhythmic Vocalization
Chester focused on teaching skills like creativity, improvisation, four-limb independence and ambidexterity, cross-dominance, playing solid time, alignment of limbs, and making an independent contribution to the song while playing to match the song rather than playing to show off. For example, his instructional techniques included learning to overcome their natural handedness (or laterality) by playing both right-handed and left-handed. This offered the studio pro greater flexibility, smoother groove transition, and a more complex, unbroken riff or fill. This ambidexterity also permitted the drummer to switch the ostinato from right-to-left or vice versa, thereby letting the free hand (or foot) develop a richer drum melody. One additional benefit was more open handed drumming which increases hand mobility around the set as the drummer does not need to cross and uncross his or her arms as often.[citation needed]
The core concept of Chester's New Breed instruction style was five-way independence. The student was given a system (three parts of a rhythm) and was required to play a written melody with the bass drum. Chester also taught his students to "sing" each part that each limb played (rhythmic vocalization) while drumming to "train your ears to accept and understand what you’re doing." While coordinating and reading, the student would also be required to sing the quarter note, back beat, up beat and the melody for each system. Once the student performed each two page written melody and sang four different parts, he/she was required to play the same exercise with a left hand lead. Here, countless new rhythms were played, read, coordinated in time to a metronome, while singing.[11] As a result of Chester's instructional techniques, the student would: (a) Develop independent four-way coordination; (b) Master sight reading ability and note recognition (c) Left hand would now be able to play ride patterns (d) Control time keeping through metronome and singing (by singing the quarter note, one could always play in time) (e) By gaining the ability to play and sing the melodies written, the student enhanced creativity and musicianship. If one could play what he/she sang, all playing situations became a breeze.[12]
[edit] Associated artists and song performances
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[edit] Published literature
Famous American jazz drummer Louis Bellson said of Gary's first drumming book published by Modern Drummer Publications, New Breed: "A classic!" "An original that uses an approach found in no other book!" "He wrote the book on drumming!"[18]
- New Breed
- New Breed II
[edit] External links
[edit] References
- ^ ""The Complete Idiot's Guide to Playing Drums" 2nd edition [1]". Retrieved on 2007-11-19.
- ^ 20th century drummersa hall of fame
- ^ Drummerworld: Gary Chester
- ^ http://www.amazon.com/gp/reader/159257162X/ref=sib_pdp_cap_0?ie=UTF8&keywords=Gary%20Chester&ie=UTF8&v=search-inside# | "Idiots Guide to Drumming." p.228
- ^ Internet Broadway Database: Purlie Production Credits
- ^ Danny Gottlieb: Teaching. Danny Gottlieb website. Retrieved on 2007-11-19.
- ^ 100 Greatest Classic/Modern Rock Female Vocalists
- ^ DRUMMER CAFE - Glossary & Dictionary
- ^ Improvisation and the Classical Musician: Groovy, Baby . . . (Ostinatos, Part I)
- ^ What is an ostinato?
- ^ RhythmTech School of Drums - About
- ^ RhythmTech School of Drums - About
- ^ Lee Gabites: The truth, the whole truth and nothing but the truth
- ^ Review: Burt still has what the world needs now
- ^ Barney Hoskyns: Liner notes for the 2000 The Band remasters
- ^ Jeff Barry's Bubblegum Blues | Bubblegum University
- ^ From "He's a Rebel" by Mark Ribowsky, http://www.caroleking.com/messageboards/viewtopic.php?p=25640&sid=5d6ea030c42e63b6046ce19932bcd082
- ^ Books and Library Index List Details: Modern Drummer 02/13/2008
