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Emilia di Liverpool - Wikipedia, the free encyclopedia

Emilia di Liverpool

From Wikipedia, the free encyclopedia

Operas by Gaetano Donizetti

Il Pigmalione (1816)
Enrico di Borgogna (1818)
Pietro il grande (1819)
Zoraida di Granata(1822)
La zingara (1822)
Alfredo il grande (1823)
L'ajo nell'imbarazzo (1824)
Emilia di Liverpool (1824)
Alahor in Granata (1826)
Elvida (1826)
Gabriella di Vergy (1826)
Olivo e Pasquale (1827)
Otto mesi in due ore (1827)
L'esule di Roma (1828)
Alina, regina di Golconda (1828)
Gianni di Calais (1828)
Il castello di Kenilworth (1829)
Il diluvio universale (1830)
Imelda de' Lambertazzi (1830)
Anna Bolena (1830)
Le convenienze ed
inconvenienze teatrali (1831)
Gianni di Parigi (1831)
Francesca di Foix (1831)
Fausta (1832)
Ugo, conte di Parigi (1832)
L'elisir d'amore (1832)
Sancia di Castiglia (1832)
Parisina (1833)
Torquato Tasso (1833)
Lucrezia Borgia (1833)
Rosmonda d'Inghilterra (1834)
Gemma di Vergy (1834)
Marino Faliero (1835)
Maria Stuarda (1835)
Lucia di Lammermoor (1835)
Belisario (1836)
Il campanello (1836)
Betly, o La capanna svizzera (1836)
L'assedio di Calais (1836)
Roberto Devereux (1837)
Maria de Rudenz (1838)
Poliuto (1838)
Pia de' Tolomei (1838)
Le duc d'Albe (1839)
La fille du régiment (1840)
La favorita (1840)
Adelia (1841)
Rita (1841)
Maria Padilla (1841)
Linda di Chamounix (1842)
Caterina Cornaro (1844)
Don Pasquale (1843)
Maria di Rohan (1843)
Dom Sébastien (1843)

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Emilia di Liverpool (Emilia of Liverpool) is a dramma semiseria, ("half-serious") dramatic opera, in two acts with music by Gaetano Donizetti. Giuseppe Ceccherini wrote the Italian libretto after the anonymous libretto for Vittorio Trento's Emilia di Laverpaut, itself based on Stefano Scatizzi's play of the same name. It premiered on July 28, 1824 at the Teatro Nuovo, Naples.

The libretto has a complex history. The original story by Scatizzi formed the original basis of the first, anonymous libretto of 1824, which had the title of Emilia di Liverpool. This first libretto included the introduction of the Count, a Neapolitan character, as comic relief per the theatrical tradition of the Teatro Nuovo. The changes to the cast of characters caused confusion among the relationships of the characters and ran contrary to the structure of the original play. The libretto revisions by Ceccherini, circa 1828, removed much of the material of the 1824 version, with further revisions to the characters, but maintaining the plot chronology of the 1824 version. The 1828 revision, known as L'Eremitaggio di Liverpool (The Hermitage of Liverpool), also reduced the amount of spoken dialogue.[1]

Contents

[edit] Roles

Role Voice type Premiere Cast, July 28, 1824
(Conductor: - )
Emilia soprano Teresa Melas
Claudio di Liverpool, her father bass Giuseppe Fioravanti
Federico tenor Domenico Zilioli
Dom Romualdo Carlo Casaccia
Candida, his daughter mezzo-soprano Francesca Ceccherini
Luigia soprano
Il conte bass
Villains

[edit] Synopsis

[edit] Selected recordings

  • Opera Rara OR 8: Yvonne Kenny, Chris Merritt, Geoffrey Dolton, Sesto Bruscantini; Philharmonia Orchestra; David Parry, conductor[2]

[edit] References

  1. ^ Commons, Jeremy, Emilia di Liverpool (July 1959). Music & Letters, 40(3): pp. 207-228.
  2. ^ Dean, Winton, "Record Reviews: Emilia di Liverpool" (1988). The Musical Times, 129 (1746): p. 408.

[edit] External links


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