Black feminism

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Black feminism essentially argues that sexism and racism are inextricable from one another^[1]. It is not restricted to black women, but rather designed an inner current of feminism which tied together gender domination with racism and capitalism; in the 1970s, it included women from Chicano origins, Chinese, or "Third World" origins ^[2]. Patricia Hill-Collins defined Black feminism, in Black Feminist Thought (1991), as including "women who theorize the experiences and ideas shared by ordinary black women that provide a unique angle of vision on self, community, and society" ^[3].

Forms of feminism that strive to overcome sexism and class oppression but ignore or minimize race can perpetuate racism and thereby contribute to the oppression of many people, including women. Black feminists argue that the liberation of black women entails freedom for all people, since it would require the end of racism, sexism, and class oppression^[4]. There is a long-standing and important alliance between postcolonial feminists, which overlaps with transnational feminism and third-world feminism, and black feminists. Both have struggled for recognition, not only by men in their own culture, but also by Western feminists.^[5]

Contents 1 Development of Recent Black Feminism 2 Recent Black Feminism 3 Black Feminist Literature 3.1 The Importance of Identity 3.2 Black Publishing 3.3 Examples of Black Feminist Literature 4 Suggested Readings 5 Notes 6 See also

[edit] Development of Recent Black Feminism

Recent Black Feminism is a political/social movement that grew out of Black women's feelings of discontent with both the Civil Rights Movement and the Feminist Movement of the 1960s and 1970s. One of the foundation texts of Black Feminism is An Argument for Black Women’s Liberation as a Revolutionary Force, authored by Mary Ann Weathers and published in 1969 in Cell 16's radical feminist magazine No More Fun and Games: A Journal of Female Liberation.^[6]. Weathers states her belief that "Women's Liberation should be considered as a strategy for an eventual tie-up with the entire revolutionary movement consisting of women, men, and children," but she posits that "(w)e women must start this thing rolling"^[7] because

“

All women suffer oppression, even white women, particularly poor white women, and especially Indian, Mexican, Puerto Rican, Oriental and Black American women whose oppression is tripled by any of the above-mentioned. But we do have female's oppression in common. This means that we can begin to talk to other women with this common factor and start building links with them and thereby build and transform the revolutionary force we are now beginning to amass.[8]

”

The following year, in 1970, the Third World Women’s Alliance published the Black Women’s Manifesto, which argued for a specificity of oppression against Black women. Co-signed by Gayle Linch, Eleanor Holmes Norton, Maxine Williams, Frances M Beale and Linda La Rue, the manifesto, opposing both racism and capitalism, stated that:

“

The black woman is demanding a new set of female definitions and a recognition of herself of a citizen, companion and confidant, not a matriarchal villian or a step stool baby-maker. Role integration advocates the complementary recognition of man and woman, not the competitive recognition of same.[9]

”

Other Black feminists active in early Second Wave Feminism were Civil Rights Lawyer and author Florynce Kennedy, who co-authored one of the first books on abortion, 1971's Abortion Rap, Cellestine Ware, of New York's Stanton-Anthony Brigade, and Patricia Robinson who all "tried to show the connections between racism and male dominance" in society.^[10]

Not only did the Civil Rights Movement primarily focus only on the oppression of black men, but many black women faced severe sexism within Civil Rights groups such as the Student Nonviolent Coordinating Committee. The Feminist Movement focused on the problems faced by white women. For instance, earning the power to work outside of the home was not an accomplishment for black feminists; they had been working all along. Neither movement confronted the issues that concerned black women specifically. Because of their intersectional position, black women were being systematically disappeared by both movements: "All the Women are White, All the Blacks are Men but Some of Us are Brave", as titled a 1982 book by Gloria Hull, Patricia Bell Scott and Barbara Smith.

Black women began creating theory and developing a new movement which spoke to the combination of problems, sexism, racism, classism, etc., that they had been battling. Angela Davis, for instance, showed that while Afro-American women were suffering from compulsory sterilization programs, White women were subjected to multiple unwilled pregnancies and had to clandestinely abort ^[11].

The short-lived National Black Feminist Organization was founded in 1973 in New York by Margaret Sloan-Hunter and others. Two years later, Barbara Smith, her twin sister Beverly Smith, Cheryl L. Clarke and Gloria Akasha Hull and other female activists tied to the civil rights movement, Black Nationalism or the Black Panther Party established, as an off-shoot of the National Black Feminist Organization, the Combahee River Collective, a radical lesbian feminist group. Their founding text referred to important female figures of the abolitionist movement, such as Sojourner Truth, Harriet Tubman, Frances E. W. Harper, Ida B. Welles Barnett and Mary Church Terrell, president of the National Association of Colored Women founded in 1896. The Combahee River Collective opposed the practice of lesbian separatism, considering that, in practice, Separatists focused exclusively on sexist oppression and not on others oppression (race, class, etc.)^[12] This group's primary goal was "the development of integrated analysis and practice based upon the fact that the major systems of oppression are interlocking." They rejected all essentialization or biologization, focusing on political and economical analysis of various forms of domination. The Combahee River Collective, in particular on the impulse of Barbara Smith, would engage itself in various publications on Feminism, showing that the position of Black women was specific and adding a new perspective to Women's studies, mainly written by White women.

The Black Lesbian Caucus were created as an off-shoot of the Gay Liberation Front in 1971, and later took the name of the Salsa Soul Sisters, Third World Wimmin Inc. Collective, which was the first "out" organization for lesbians, womanists and women of color in New York [1]. The Salsa Soul Sisters published a Literary Quarterly called Azalea: A Magazine by Third World Lesbians in the late 1970s and early 1980s. The Sisters are now known as African Ancestral Lesbians United for Societal Change, and is the oldest black lesbian organization in the United States^[13][14].

[edit] Recent Black Feminism

All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave: Black Women's Studies, (Editors Akasha (Gloria T.) Hull, Patricia Bell Scott and Barbara Smith) describes Black feminists mobilizing "a remarkable national response to the Anita Hill-Clarence Thomas Senate Hearings in 1991, naming their effort African American Women in Defense of Ourselves.^[15]

E. Frances White's expressed her belief that feminists need to revise the movement's relationship to the concept of "the family"; to acnowledge that, for Women of Color, "the family is not only a source of male dominance, but a source of resistance to racism as well."^[16]

In her year 2000 introduction to the reissue of the 1983 Black feminist anthology, Home Girls, theorist and author Barbara Smith states her opinion that "to this day most Black women are unwilling to jeopardize their 'racial credibility' (as defined by Black men) to address the realities of sexism."^[17] Smith also notes that "even fewer are willing to bring up homophobia and heterosexism, which are, of course, inextricably linked to gender oppression.^[18]

Starting around 2000, the "third wave" of Feminism in France took interest in the relations between sexism and racism, with a certain amount of studies dedicated to Black Feminism. This new focus was displayed by the translation, in 2007, of the first anthology of US Black feminism texts ^[19].

[edit] Black Feminist Literature

[edit] The Importance of Identity

Michelle Cliff believes that there is continuity "in the written work of many African American Women,... you can draw a line from the slave narrative of Linda Brent to Elizabeth Keckley's life, to Their Eyes were Watching God (by Zora Neale Hurston) to Coming of Age in Mississippi (Anne Moody) to Sula (by Toni Morrison), to the Salt Eaters (by Toni Cade Bambara) to Praise Song for the Widow (by Paule Marshall)." Cliff believes that all of these women, through their stories, "Work against the odds to claim the 'I'".^[20] Claiming this 'I', this Identity can offer Black women a powerful way to connect around shared experiences and knowledge.

Activist and Cultural Critic Angela Davis, was one of the first people to articulate a written argument centered on intersectionality, in Women, Race, and Class. ^[21] Kimberle Crenshaw, prominent feminist law theorist, gave the idea a name while discussing Identity Politics in her essay, "Mapping the Margins: Intersectionality, Identity Politics and Violence Against Women of Color." Another Feminist theorist is Patricia Hill Collins, who introduced the sociological theory of Matrix of Domination; much of her work concerns the politics of black feminist thought and oppression.

[edit] Black Publishing

The Autumn 1979 issue of Conditions was edited by Barbara Smith and Lorraine Bethel. Conditions 5 was "the first widely distributed collection of Black feminist writing in the U.S."^[22] Articles from the magazine were later released in Home Girls, an anthology of Black lesbian and feminist writing published in 1983 by Kitchen Table: Women of Color Press, a publisher owned and operated by Women of Color.

[edit] Examples of Black Feminist Literature

Alice Walker, a follower of Womanism, a movement tied to Black theology, is the author of The Color Purple.

Pat Parker's (1944-1989) involvement in the black feminist movement was reflected in her writings as a poet. Her work inspired other black feminist poets like Hattie Gossett.^[23] Other Black feminist authors include: Jewelle Gomez, June Jordan, Sapphire, Becky Birtha, Donna Allegra, Cheryl Clarke, Ann Allen Shockley, Alexis De Veaux and many others.

[edit] Suggested Readings

• http://www.feministezine.com/feminist/blackwomen.htm
• Third World Women's Alliance. Black Women's Manifesto (1970. On-line)
• Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment (1990) and Black Sexual Politics: African Americans, Gender, and the New Racism (Routledge, 2005)
• Bell Hooks, Ain't I a Woman?: Black women and feminism (1981)
• Molara Ogundipe-Leslie, Re-Creating Ourselves: African Women & Critical Transformations (1994)
• Home Girls: A Black Feminist Anthology (Kitchen Table: Women of Color Press, 1983; reed. 2000)
• This Bridge Called My Back: Writings by Radical Women of Color, edited by Cherríe Moraga and Gloria E. Anzaldúa (Persephone Press, 1981; 2nd ed. 1984, Kitchen Table: Women of Color Press; translated in Spanish in 2002 by Cherríe Moraga, Ana Castillo, and Norma Alarcon)

[edit] Notes

[edit] See also

• Audre Lorde
• African Ancestral Lesbians United for Societal Change
• Postcolonial feminism
• Third World feminism
• Womanism