Bill Henson

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Bill Henson (b. 1955) is an Australian contemporary photographic artist.

Contents 1 Background 2 Controversies 2.1 Reactions 2.2 Charges Dropped 3 Exhibitions 4 External links 5 References

[edit] Background

Henson's art has been exhibited in many locations, including the Solomon R. Guggenheim Museum in New York, the Venice Biennale, the National Gallery of Victoria in Melbourne, Australia, the Art Gallery of New South Wales in Sydney, Australia and the Bibliotheque Nationale in Paris. His current practice involves holding one exhibition in Australia every two years, and up to three overseas exhibitions each year.

Henson's artworks reflects an interest in ambiguity and transition. The use of chiaroscuro is common throughout his works. His photographs are painterly and often presented as diptychs, triptychs and other groupings.

Henson's works often meditate on the categories of and relationships between male and female; youth and adulthood; day and night; light and dark; nature and civilisation. His images often use flattened perspective and tend towards abstraction. The faces of the subjects are often blurred or partly shadowed and do not directly face the viewer.

According to Crawford, Henson presents “adolescents in their states of despair, intoxication and immature ribaldry”. He has said that these “moments of transition and metamorphosis are important in everyone’s lives”.^[1]

Henson's intention is to use photography for creative expression. He states that he is not interested in a political or sociological agenda, although the viewer cannot help but relate his works to their own stance on these issues. Henson, however, is not intending his photographs to be authoritative evidence but rather to suggest endless possibilities and cause people to wonder.

[edit] Controversies

On 22 May 2008, the opening night of Bill Henson's 2007-2008 exhibition at the Roslyn Oxley9 Gallery in Paddington, Sydney, was cancelled after Hetty Johnston, a child protection campaigner, lodged a complaint with the New South Wales police.^[2][3]. The exhibition was to include images of naked adolescents,

It was announced on 23 May that a number of the images in the exhibition had been seized by police local area commander Alan Sicard, with the intention of charging him with "publishing an indecent article" under the Crimes Act.^[4] The seized images were also removed from the Roslyn Oxley9 Gallery website, where the remainder of the series can now be viewed online.^[5]

On 25 May, The Age published uncensored the image which was used on the print and email invitation, accompanied by an article by John Elder.^[6]

[edit] Reactions

Henson's images were compared to a similar call for removal of art in a public place in Canberra, Australia's national capital, in the week before Henson's art was seized: A shopping centre administration required the removal of seven nude life drawings by Year 11 and 12 high school students, exhibited as part of an annual exhibition at the centre, celebrating Public Education Week^[7]. The exhibition's organiser contrasted these drawings with a suggestive image advertising Wrangler Jeans displayed in a window of the centre. The seven drawings were moved and displayed at the Australian Capital Territory Legislative Assembly building.

[edit] Charges Dropped

On the 5 June 2008, the former director of the National Gallery of Australia Betty Churcher said it was "not surprising" that the New South Wales Department of Public Prosecutions (DPP) would announce its official recommendation that no charges be laid after all over the Sydney Roslyn Oxley9 gallery's collection of photographs by artist Bill Henson.

Ms Churcher says it would have been ridiculous to drag the case through the courts:^[8][9]

I'm very pleased that the public prosecutor has decided that it's likely to end the debacle because they always do, as soon as you take art into court it never works ... The court is not the place to decide matters of art.

On 6 June 2008 it was reported in The Age that police will not prosecute Bill Henson over his photographs of naked teenagers, after they were declared "mild and justified" and given a PG rating^[10] by the Office of Film and Literature Classification, suggesting viewing by children under the age of 16 should only occur under parental supervision. ^[11]

[edit] Exhibitions

A few of his exhibitions:^[12]

• 1975 Bill Henson, National Gallery of Victoria, Melbourne
• 1981 Bill Henson Photographs, Photographers' Gallery, London
• 1989 Bill Henson Fotografien, Museum Moderner Kunst, Palais Liechtenstein, Wien
• 1990 Bill Henson Photographs, Bibliotheque Nationale, Paris
• 1993 Bill Henson, Tel Aviv Museum of Art
• 1998 Bill Henson, ACP Galerie Peter Schuengel, Salzburg
• 2004 Presence 3: Bill Henson, The Speed Art Museum, Kentucky
• 2006 Bill Henson, Institute of Modern Art, Brisbane

[edit] External links

• Bill Henson is represented by Tolarno Galleries in Melbourne, Australia.
• Bill Henson at Pavement Magazine Includes a selection of photographs.
• Bill Henson at Roslyn Oxley9 Gallery (Internet Archive) Includes an extensive collection of photographs, although many have been taken offline temporarily, due to the current controversy.
• Bill Henson's Mnemosyne by Travis Jeppesen
• Bill Henson photographs taken at twilight. Photography. Victoria and Albert Museum. Retrieved on 2007-08-25.
• Art lovers defend exhibition of naked teenagers
• Leo Scofield Interviews Bill Henson
• Review of Bill Henson's Mnemosyne by Christian Perring

[edit] References