Augusto Boal
From Wikipedia, the free encyclopedia
 |
This article or section includes a list of references or external links, but its sources remain unclear because it lacks in-text citations. You can improve this article by introducing more precise citations. |
Augusto Boal (born April 16, 1931 in Rio de Janeiro, Brazil) is an innovative and influential theatrical director, writer and politician. He is the founder of Theatre of the Oppressed (T.O.), a political theatrical form originally used in radical popular education movements, along with Paulo Freire's Pedagogy of the Oppressed. Boal was elected as a Vereador (Brazilian equivalent of city council seat in US politics) in Rio de Janeiro in 1992 but he was not re-elected in 1996. Boal was recently nominated for the 2008 Nobel Peace Prize.
Contents |
[edit] Career
Boal took an interest in theatre at an early age, but did not become involved himself until he received his degree. Shortly after graduating from university, Boal was asked to work with the Arena Theatre in São Paulo, southeast Brazil. It was here that he began to experiment with new forms of theatre that would totally change its future.
Boal’s teachings were controversial, and he was labeled a cultural activist, which the 1960s Brazilian military saw as a threat. In 1971, Boal was arrested, tortured, and eventually exiled to Argentina, where he published his first book "Theatre of the Oppressed" in 1973, later fleeing to Europe. Eventually Boal lived in Paris, teaching his revolutionary approach to theatre for twelve years, and creating several Centers for the Theatre of Oppressed. In 1981, he organized the first ever International Festival of the Theatre of Oppressed in Paris.
After the end of Brazil’s military junta, Boal returned to Rio de Janeiro where he still lives today. He has since established a major Centre for the Theatre of the Oppressed in Rio (CTO Rio), and has started over a dozen theatre companies that work to develop community-based projects.
Paulo Freire was a major influence on Boal’s teachings. He and Freire became so close in later years, that when Freire died, Boal is reported to have said:
- I am very sad. I have lost my last father. Now all I have are brothers and sisters.
Listen to Boal: http://ww2.dkit.ie/about_dkit/podcasts/dkitalk/augusto_boal_founder_of_theatre_of_the_oppressed_3rd_april_2008
[edit] Teachings and literature
Boal's most noted publications are:
- Theatre of the Oppressed (published in UK 1979, Pluto Press)
- Games for Actors and Non-Actors (1992, Routledge) Translated into English by Adrian Jackson
- The Rainbow of Desire (1995, Routledge) Translated into English by Adrian Jackson
Most of Augusto Boal’s techniques were created after he realised the limitations of didactic politically motivated theatre in the poor areas where he worked. He found that his attempts to inspire the people living in poor or 'slum' areas to rise up against racial and class inequality were inhibited by his own racial and class background, since he was white and comparatively financially comfortable. His new techniques allowed the idea of rebellion and the impetus for change to come from within the target group. Much of his early work and teaching was inspired by a Marxist philosophy, although through his career he has not been restricted by this and much of his work now falls within the boundaries of a centre left ideology.
[edit] Theatre of the Oppressed
This is probably Augusto Boal's most academically influential work, in which the reader follows Boal’s detailed analysis of the Poetics of Aristotle and the early history of Western theatre. Boal contends that the Aristotelian ethic is a means of oppressing the masses, the people, the workers and the spectators in favour of stability and the continued dominance of a privileged few. He argues that the Tragi-drama, a formulaic drama style which today could be considered similar to that of soap operas, helps the State promote its continued existence. He sees the Brazilian government as an example of an oppressive state using theatre to propagate its oppressive system. He then outlines his early theories and practices for attempting to reverse the paradigm.
[edit] Games For Actors and Non-Actors (second edition 2002)
This is probably Augusto Boal's most practically influential book, in which he sets down a brief explanation of his theories, mostly through stories and examples of his work in Europe, and then explains every drama exercise that he has found useful in his practice. In contrast to 'Theatre of the Oppressed', it contains little academic theory and many practical examples for drama practitioners to use even if not practicing theatre that is related to Boal's academic or political ideas. Boal refers to many of these as 'gamesercises', as they combine the training and 'introversion' of exercises with the fun and 'extroversion' of games. It has been influential in the development of Community Theatre and Theatre in Education (T.I.E.) practices worldwide, especially in Europe and South America.
[edit] The Rainbow of Desire: The Boal Method of Theatre and Therapy
This book re-evaluates the practices commonly associated with the Theatre of the Oppressed for a new purpose. It has been argued that Boal contradicts himself with this take on his work[citation needed], as it mostly concerns itself with creating harmony within society, whereas his early work was concerned with rebellion and upheaval. However, Boal's works can be seen as a progression and exploration of a Left Wing world view rather than a unified theory. In the context of those under-represented in a society, his methodology can be used as a weapon against oppressors. In the context of those in a society who are in need of catharsis for the sake of their own integration into it, it can be switched round to empower that individual to break down internal oppressions that separate that individual from society. The theories have been useful in the pioneering field of drama therapy and have been applied by drama practitioners.
[edit] Recognition
In 1994, Boal won the UNESCO Pablo Picasso Medal, and in August 1997 he was awarded the 'Career Achievement Award' by the Association of Theatre in Higher Education at their national conference in Chicago, Illinois. Boal is also seen as the inspiration behind 21st Century forms of performance-activism, such as the "Optative Theatrical Laboratories".
Boal receiceved The Cross Border Award for Peace and Democracy by Dundalk Institute of Technology in April 2008.
Listen to the podcast of the Award Ceremony:
[edit] External links
- Border Arts Centre - DKIT The centre uses TO in order to address conflict
- International Theatre of the Oppressed Organization (ITO)
- Augusto Boal and the Theater of the Oppressed
- Boal Techniques from the Applied and Interactive Theatre Guide
- Drama lesson on Augusto Boal techniques
- DVD Documentary about Augusto Boal and Theatre of the Oppressed in Rio De Janeiro
