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Apocalypse, Nowish - Wikipedia, the free encyclopedia

Apocalypse, Nowish

From Wikipedia, the free encyclopedia

Apocalypse, Nowish
Angel episode
Episode no. Season 4
Episode 07
Written by Steven S. DeKnight
Directed by Vern Gillum
Guest stars Andy Hallett
   (Lorne)
Stephanie Romanov
   (Lilah)
Daniel Dae Kim
   (Gavin)
Vladimir Kulich
    (The Beast)
Production no. 4ADH07
Original airdate November 17, 2002
Episode chronology
← Previous Next →
"Spin the Bottle" "Habeas Corpses"
List of Angel episodes

"Apocalypse, Nowish" is episode 7 of season 4 in the television show Angel. Written by Steven S. DeKnight and directed by Vern Gillum, it was originally broadcast on November 17, 2002 on the WB network. The WB referred to this episode as "Rain of Fire" when it was first aired, which DeKnight attributes to "legal issues" over the title's reference to the 1979 film Apocalypse Now.[1]

In "Apocalypse, Nowish", Angel Investigations deals with a sudden wave of paranormal activity all over Los Angeles, portending the rise of the apocalyptic beast of whom Cordelia has been experiencing visions. As the Beast rises from the bowels of the Earth to bring a rain of fire over the city, Cordelia and Connor make love.

See also List of Angel episodes.

Contents

[edit] Plot

Lorne wants to learn what Cordelia remembers about her time as a higher power, but Angel insists that they wait before drilling her on her memories. Connor comforts Cordelia after another nightmare featuring the demon from her visions. Meanwhile, as Angel Investigations is flooded with calls involving paranormal activity all over Los Angeles, Wesley returns home after fighting a bug infestation to find Lilah dressed as Fred for sexual role-playing.

At Connor's behest, Angel goes to see Cordy and she is finally able to talk to him. She tells him she loves him, but also that while she was a higher being, she saw and relived everything he did while he was Angelus. Her in-depth knowledge of that part of his past makes it too hard for her to be involved with him. Suddenly, she starts breathing hard and her eyes turn white as she warns Angel that "he's coming." Cordelia lies down and tells Angel and Connor what she remembers of her vision. Back at the hotel, Lorne picks up on the strained relationship between Fred and Gunn; since they jointly sought revenge on the man who sent Fred to a hell dimension, Fred has not been able to forgive Gunn for their actions. She leaves for the diner where she and Gunn are regulars.

Angel goes to Wolfram & Hart to demand that Lilah return the information the law firm sucked out of Lorne's head about the impending apocalypse. Cordelia and Connor walk to an alleyway that Cordelia recognizes as the place where Darla staked herself to give Connor life. A large, horned demon bursts from the ground before them, knocking them both down. Connor attacks, but his strength is not enough to stop the demon and he takes a brutal beating before the demon strides away. Cordelia tends to Connor's wounds and finds that he has broken ribs, something that's never happened to him before.

At the diner, a waitress tries to advise Fred on her relationship troubles, until an earthquake shatters the diner's windows. Meanwhile, unable to locate Fred, Gunn is restless and tries to leave to find her, but Wesley appears and interrupts his departure. Aware of all the strange occurrences around town, he offers to work with them to deal with this problem, but Gunn's too angry with Wesley to even consider the idea. Angel stops them all from leaving because he has information from Lilah that they must study to prevent the end of the world. The trio examine the pages containing information stolen earlier from Lorne's brain. Another call is taken by Lorne and Angel instructs him to start mapping the locations from where the calls originate. The pages make no sense until Gunn sees that the pages fit together like a puzzle. Rearranging the sheets reveals a symbol shaped like a square with an "X" inside representing the "Eye of Fire." Lorne makes another discovery: the mapped locations of strange occurrences form the same pattern. Angel and the gang determine that the location on the map that appears at the middle of the X is a popular club on a high rooftop. They arrive at the club to find a mass of dead bodies and the Beast waiting for them.

Angel takes on the demon but is overpowered. Crossbows, axes, and swords don't have much impact, so Wesley tries a series of guns that also fail. Angel renews the battle and manages to send the demon to its knees, until the demon stakes him in the neck. With parting words about Cordelia's safety with Connor, the demon sends Angel flying off the roof onto the floor. The demon forms the Eye of Fire using the dead bodies and sets them ablaze. Angel rips the stake from his neck and slowly begins to recover.

The fire on the roof rises towards the sky and soon fire starts to rain down as Connor and Cordelia watch. Connor blames himself for the whole situation, but Cordelia comforts and reassures him that he's not to blame. Under the control of the now awakened Jasmine, Cordelia kisses Connor and offers him the chance to feel something real. While everyone else watches the fire, fearing the future that awaits them, Connor and Cordelia (Jasmine) have sex. Connor is seeking comfort in her arms yet Jasmine is merely using Cordelia's body to create a separate body for herself via pregnancy through which she can enter the world. Angel, not understanding the Cordelia/Jasmine situation, watches the woman he loves making love to his son, believing she has betrayed him.

[edit] Acting

[edit] Main cast

[edit] Special guest star

[edit] Guest stars

[edit] Co-stars

  • Tina Morasco as Mrs. Pritchard
  • Molly Weber as Waitress

[edit] Production

Executive producer Jeffrey Jackson Bell employed the effects shop Almost Human to design Vladimir Kulich's costuming and make-up. Almost Human makeup designer Chris Burdett says it took 2-3 days for four people to sculpt the costume and another 7 hours to fill and shape the huge fiberglass mold; a life cast was made of Kulich so that the suit would fit him exactly. The night before shooting was to begin, the crew finally established the costume's paint scheme.[2] Kulich went through an eight hour make-up process to transform him into the character of the Beast, including prosthetics and fiberglass body suit, but "The worst part was the contact lenses...[that] cover the entire eyeball," the actor said. However, the isolating nature of the 50lb costume[3] meant that "I was able to search a little deeper for material while I was in the character because I was cocooned off...It was liberating."[4] Writer Steven S. DeKnight says all the full-suit shots of the Beast feature stunt double Scott Workman. They cut to Kulich only for the close-ups.[5]

According to director Vern Gillum, "J. August Richards is terrified by rats, just like his character. This is the nicest guy in the world and it was just torment for him beyond anything you could imagine."[5] In the final fight scene, which took two full days to film, Charisma Carpenter had to be careful doing her stunts, as she was already pregnant.[5]

[edit] Arc significance

  • This episode marks the debut of The Beast, who becomes one of Angel Investigations' most powerful foes.
  • Wesley officially rejoins the team, having been just the occasional helper since he kidnapped Connor in Season 3.
  • Cordelia's tryst with Connor will have severe ramifications, leading to her pregnancy and the eventual birth of Jasmine.

[edit] Continuity

Wikiquote has a collection of quotations related to:
  • Gunn's fear of rats was first mentioned in "Heartthrob".
  • Fred previously went to the diner in "Couplet" and "Loyalty", both times with Gunn.
  • Gunn's home-made axe (made from a vehicle hubcap) is crushed by the Beast in the ensuing fight. The axe was first seen in the season 2 episode "Dear Boy" and made numerous appearances over the next two seasons.

[edit] Cultural references

  • Apocalypse Now: The name of this episode is a play on the name of the 1979 film.
  • Jaws: Lorne's line, "I'm gonna need a bigger arrow" is an allusion to Brody's line "You're gonna need a bigger boat" in the 1975 film.
  • The final fight scene with the Beast references many classic cinematic fighting styles, including The Matrix (the Beast deflecting arrows while the camera does a slow motion circular pan), John Woo (Wesley firing two handguns while moving laterally), and Terminator 2 (Wesley pushing the Beast backwards with repeated shotgun blasts).

[edit] Translations

  • German title: "Die Ankunft" ("The arrival")
  • Italian title: "Pioggia di fuoco" ("Rain of fire")

[edit] Reception

Writer Steven DeKnight says, "One of the biggest things this year has been the reaction to "Apocalypse, Nowish." Everybody loved the show, basically giving it five stars then taking three away because of the very end." When fans speculated why Cordelia would sleep with Angel's son, DeKnight cautions, "There is a bigger reason for it that will become apparent as well... You have to remember it's a long story arc."[1] Many people were disturbed that Cordelia slept with Connor, and Charisma Carpenter agrees: "I hear a lot of "ewwww," and I agree. It is ewwwy. Only something deplorable and devilish and truly evil could do something so horrid."[6]

[edit] References

[edit] External links

[edit] See also


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