Andy Harries
From Wikipedia, the free encyclopedia
| Andy Harries | |||||||
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| Born | 7 April 1954 Inverness, Scotland[1] |
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| Occupation | Managing director of Left Bank Pictures | ||||||
| Years active | 1977–present | ||||||
| Spouse(s) | Rebecca Frayn | ||||||
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Andrew Harries (born 7 April 1954) is a British television and film producer. After graduating from Hull University in the 1970s, Harries began his television career on the Granada Television current affairs series World in Action, before moving on to freelance work. He directed and produced programmes for Jonathan Ross's Channel X production company in the 1980s, before being appointed controller of the newly created comedy department at Granada in 1992. Over the next decade he produced and executive produced several critically-acclaimed series, including The Royle Family, Cold Feet and The Grimleys.
In 2000 his portfollio was expanded to include Granada's drama productions. He worked on the revivals of Prime Suspect and Cracker, as well as the BAFTA-winning television play The Deal. In 2004 he, along with Peter Morgan, Stephen Frears, Christine Langan and Tracey Seaward, began work on The Queen, which was released to critical acclaim in 2006. Though he had spent 14 years with Granada, part the ITV network, he became increasingly dissatisfied with the management of ITV after its corporate merger in 2003, and publicly criticised the network in 2006. He announced he would not be renewing his contract and departed in 2007 to form Left Bank Pictures.
In addition to the awards won by programmes he has worked on, Harries was given a Special Achievement award by BAFTA in 2007 for his contributions to British television. The same year, he was ranked in the The Guardian's Media Top 100, and Broadcast''s Top 100 Producers. He is married to novellist and director Rebecca Frayn.
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[edit] Early life and education
Harries was born in Inverness, Scotland in 1954[1] and grew up in Peterborough, England, receiving primary education at West Town Primary School until 1961.[2] He grew up aspiring to be a war correspondent in Vietnam, or an investigative journalist; his idols were Harold Evans, Jon Swain and John Pilger.[3] He left college at the age of 17 with poor A Level results and became a trainee reporter on the Peterborough Evening Telegraph newspaper. His time on the newspaper raised his awareness of politics, and he sought to further his understanding of it by studying at university. He applied to various northern universities to break away from his southern middle-class lifestyle, and was accepted at Hull University.[4]
Harries stayed at Hull until he was 21, though continued to work at the Evening Telegraph during holidays. At university he developed an interest in music journalism and found an outlet for this by writing reviews for Melody Maker.[4]
[edit] Career
[edit] 1970s
After leaving Hull, Harries moved to London to work for the Southern News Service news agency, writing diary pieces for the Daily Mail and News of the World. Despite not understanding the appeal of television production, he applied for a position on one of Granada Television's news bulletins, based in Manchester. His first two interviews were unsuccessful but he was hired after his third try as a researcher for a local news programme.[4]
Shortly after being hired he was taken aside by the news producer and asked to read the on-air bulletin for the nightly broadcast. He read the news for three months until one night when he condensed a six-minute bulletin into three minutes. He attributed this to stage fright, which caused him to speak too fast. The rest of the production crew were not ready to move on to the next news items, leaving Harries standing in silence for several minutes. Harries recalled in a 2007 interview that Steve Morrison, the producer of the bulletin, called him into his office and berated him, telling him he did not deserve to be on television and that he would no longer be reading the news. Morrison's remarks angered Harries to such a point that he assaulted the man. Aware that he was going to lose his job, he contacted a Granada colleague who got him a new job at Granada's London centre, which he took up at the age of 23.[4]
Pursuing his interest in investigative journalism, Harries worked as a researcher on the current affairs programme World in Action, where he met Paul Greengrass. While Greengrass achieved success in exposing alleged corruption involving Manchester United F.C. chairman Louis Edwards, Harries investigated irregularities in the British Singles Chart. Greengrass's investigation was a success, though Harries admits his own programme "didn't make a blind bit of difference".[4]
[edit] 1980s
Harries moved into freelance producing and directing in the 1980s, working on editions of The South Bank Show and Arena. While directing a corporate video for BT he met Jonathan Ross, who was his assistant for the day. Ross invited Harries to direct a pilot for a chat show he and Alan Marke had developed that was based on Late Night with David Letterman. The pilot was a success and Ross found a television audience with The Last Resort with Jonathan Ross, which first aired in 1988.[5][6]
Harries formed a production company called "Sleeping Partners" with Greengrass in the latter part of the decade, which produced Ross's The Incredibly Strange Film Show and stand-up comedian Lenny Henry's Lenny Live and Unleashed film.[3][7] The latter was directed by Harries and was edited together from a number of performances by Henry at the Hackney Empire in 1989. The Guardian's film critic called the direction "unobtrusive".[8]
[edit] 1990s
The 1990s began with more direction and production for Ross and Marke's Channel X production company; in 1991 he made the documentary Viva Elvis! and executive produced Middlemarch Films' The Ghosts of Oxford Street, a musical about Oxford Street's history. The script for Ghosts was written by Harries' wife, Rebecca Frayn. The same year, he commissioned Peter Morgan to write a script called Bhundu Beat, a film described by Variety as "a bizarre remake of A Hard Day's Night featuring the briefly fashionable Zimbawean band the Bhundu Boys and Brit comic Lenny Henry". With a development budget of £2,000, Harries sent Morgan on a research trip to Zimbabwe, taking a circuitous route that lasted for three days. Bhundu Beat was never made.[7]
At the 1991 Edinburgh Festival Fringe, Harries personally bought the television rights to An Evening with Gary Lineker, a comedy play written by Arthur Smith and Chris England based around a group of England fans at the 1990 FIFA World Cup. Smith bet Harries £100 that he would not be able to get the adaptation on television before the next World Cup. Harries tried selling Smith and England's screenplay to the BBC, Channel 4, LWT, Yorkshire Television and Central Independent Television to no avail. The BBC offered to produce it as a studio play but Harries wanted a full-length film to distinguish it from the original play, which was by then playing at London's West End. He was reluctant to offer the script to Granada because of his previous experience with the company.[9] However, in 1992 he was appointed to the position of controller of comedy at Granada. An Evening with Gary Lineker was eventually made, though Harries was disappointed that pressure from Granada's management had forced him to replace so many of the original stage cast; Smith was replaced by Paul Merton, leaving Caroline Quentin as the only original actor.[9] The Edinburgh Fringe played an important role in Harries' early commissions at Granada; he was not fond of traditional styles of comedy and was always looking for alternative comedians. These included Caroline Aherne, Steve Coogan and John Thomson (though Coogan "got away" from him after the BBC offered to produce his Alan Partridge shows).[5] After the failure of Bhundu Beat, Harries commissioned Peter Morgan to write "Mickey Love" in 1993, one of a series of short comedy films for the Rik Mayall series Rik Mayall Presents.[7]
In 1994, after turning down an offer for "the number three position" at Channel 4 and extending his contract with Granada, he commissioned The Mrs Merton Show from Aherne.[10] In negotiating a second series with the BBC a few years later, another series from Aherne was included; The Royle Family, a sitcom featuring a working-class northern family, aired on BBC One from 1998 to 2000. The first two episodes were filmed with a studio audience, something Harries did not approve of.[11] He scrapped these episodes and had them refilmed without a laugh track. The Royle Family returned for a one-off special in 2006, an achievement Harries described as giving him no greater pleasure.[3] A spin-off of The Mrs Merton Show was commissioned by Harries from Aherne in 1999; Mrs Merton and Malcolm was based around Mrs Merton and her son Malcolm, played by Craig Cash. The programme was Aherne's first critical failure, which Harries blamed on the BBC One schedulers.[11]
In 1995 he commissioned a comedy drama on spec from Mike Bullen, a BBC radio producer and first-time writer. Like An Evening with Gary Lineker, The Perfect Match was based around football and received respectable reviews. Harries was interested in producing more comedy dramas, based on the success of American programmes like Thirtysomething, and assigned Granada producer Christine Langan to work with Bullen. Langan and Bullen developed Cold Feet, which was broadcast in 1997 and was commissioned for a full series in 1998.[12] It won the British Academy Television Award for Best Drama Series in 2002, which Harries collected with Bullen and Spencer Campbell.[13] Harries executive produced two more series of Bullen's; Life Begins and All About George.
His first panel show produced came in 1999 with Mel and Sue's Casting Couch. The show was Mel and Sue's first programme made for ITV following the success of Light Lunch for Channel 4. Casting Couch had low viewing figures and was not recommissioned. It was one of several comedies commissioned by Harries in 1999 that were produced by Justin Judd. Others included Dark Ages and My Wonderful Life. Judd and Harries began developing Dark Ages—a sitcom set at the turn of the 2nd millennium—in 1997 but could not make it work with the writer at the time. They proposed it to Red Dwarf writer Rob Grant, who liked the idea, and wrote all six episodes. Dark Ages aired nightly during the Christmas 1999 period. A second series was proposed—Harries said it would "hit its stride" then—but ITV did not recommission it. My Wonderful Life was another ratings disaster. Harries blamed ITV Network Centre and publicly criticised the network, courting the ire of its director of channels David Liddiment.[11]
[edit] 2000s
In September 2000, Harries' portfolio was significantly expanded when he was appointed Granada's controller of drama, following the resignations of Sue Hogg and Simon Lewis.[14] 2002 commissions included Doctor Zhivago and Henry VIII. ITV would provide only £750,000 for each hour of the serials, so Harries approached US broadcaster WGBH to make up the remaining funds.[15]
2003 was a significant year for Harries' drama output; Peter Morgan approached Granada with an idea for a drama documenting the conjectured pact between Tony Blair and Gordon Brown before the Labour Party leadership election, 1994. Granada's chief executive Charles Allen was not keen on producing The Deal but Harries and John Whiston persuaded him otherwise.[16] ITV initially agreed to show it but pulled out before filming began. Harries offered it to Channel 4, who took it within 24 hours.[17] The Deal was a critical success and won the British Academy Television Award for Best Single Drama.[18] That same year Harries brought back the drama serial Prime Suspect, which had not been produced since the star Helen Mirren quit in 1995. Mirren agreed to return only if it was "about something".[3] Two years later it returned for the seventh and final serial, entitled The Final Act, in which Jane Tennison, Mirren's character, confronts her alcoholism in a sub-plot. Lynda La Plante, who created Prime Suspect in 1989, was critical of the decision to "make [Tennison] a drunk", though Harries rebutted, saying, "Lynda was the one who started Jane Tennison drinking heavily - it's not out of character".[19]
During the read-throughs for The Final Act Harries watched other actors and production staff react to Mirren as if she was "like the Queen". Already in pre-production was a follow-up to The Deal that would focus on the royal family in the week following the death of Diana, Princess of Wales. Peter Morgan was due to return as the writer, Stephen Frears was signed on as director and Harries suggested to Mirren that she play the Queen. Mirren agreed and the film, co-produced by Granada and Pathé, was released in September 2006. Among the numerous awards for which it was nominated were the BAFTA Award for Best Film and the Academy Award for Best Picture (the former it won).[4] Despite the success of the film, Harries once again expressed disappointment with ITV for not giving enough backing. In an interview the month before The Queen was released he criticised the management of ITV for being deeply complacent and arrogant, and expressed disappointment that drama on the channel was not as good as it once was.[20] At the end of the year he announced that he would not be renewing his contract with the company. Entertainment industry commentators suggested that he would set up his own independent production company.[21]
Rumours that he would start his own company, possibly with Caroline Aherne, had circulated since the 1990s.[11] The predictions came to fruition in May 2007 when Harries announced the formation of Left Bank Pictures, which BBC Worldwide immediately took a 25% share in.[22] Left Bank was the first British production house to receive investment from BBC Worldwide and there was some concern that there was a conflict of interest for the publicly-funded BBC; in The Guardian, Steve Hewlett wrote that the deal was a "back-door way of getting around the rules preventing the BBC producing programmes for its British rivals". Hewlett also commented that the investment might limit Left Bank's future prospects, as it was "tied to" the BBC.[23]
At Left Bank, Harries proposes to produce two features films per year, as well as several television series. The company's first television commission is Wallander, a three-part series based on Henning Mankell's Kurt Wallander novels to be made in association with Swedish company Yellow Bird for the BBC.[24] In May 2008, filming began on Peter Morgan's adaptation of David Peace's The Damned Utd, produced in association with BBC Films.[25]
Left Bank's inception lead to Harries being listed in The Guardian's Media Top 100, making his entry at number 66.[26] At the end of the year he was listed in Broadcast's Top 100 Producers, being described as "one of the UK's most outstanding drama producers".[27] In May 2007 the British Academy of Film and Television Arts awarded him the Special Award in Honour of Alan Clarke.[26]
[edit] Personal life
Harries is married to writer and director Rebecca Frayn. The couple have three children; Jack and Finn (twins), and Emmy Lou. Emmy Lou was conceived through IVF, an experience Harries worked into the storyline of Cold Feet and Frayn used as the basis for her novel One Life. Emmy Lou also had a cameo in The Queen as the little girl who hands flowers to the Queen outside Buckingham Palace.[28]
[edit] Credits and awards
| Year | Title | Position | Awards and other notes |
|---|---|---|---|
| Granada Television productions | |||
| 1980 | World in Action | Researcher | |
| 1982 | Disappearing World | Researcher | |
| Freelance and Channel X productions | |||
| 1983 | Food for Thought | Director and writer | |
| Twenty Twenty Vision | Director and producer | ||
| 1984 | Africa | Director | |
| The South Bank Show | Director and producer | ||
| 1985 | South of Watford | Director and producer | |
| 1987 | A Short Sharp Shock | Director and producer | |
| Arena | Director | ||
| 1988 | The Incredibly Strange Film Show | Director and producer | |
| 1989 | Lenny Live and Unleashed | Director and producer | |
| Son of Incredibly Strange Film Show | Director and producer | ||
| 1990 | Omnibus | Director and producer | |
| Jonathan Ross Presents For One Week Only | Director and producer | ||
| 1991 | Viva Elvis! | Director and producer | |
| The Ghosts of Oxford Street | Executive producer | ||
| Granada Television productions | |||
| 1993 | Rik Mayall Presents | Producer (1993) Executive Producer (1994) |
A series of comedy films comprised of "Mickey Love", "Briefest Encounter", "Dancing Queen", "The Big One", "Dirty Old Town" and "Claire De Lune" |
| 1994 | An Evening with Gary Lineker | Producer | Adapted from stage production |
| 1995 | The World of Lee Evans | Producer | |
| The Perfect Match | Producer | ||
| 1996 | True Love | Executive Producer | |
| The Grimleys | Executive Producer | ||
| Stand Up | Executive Producer | ||
| 1997 | Holding the Baby | Executive Producer | |
| Cold Feet | Executive Producer | ||
| The Chest | Executive Producer | ||
| Holding the Baby | Executive Producer | ||
| My Wonderful Life | Executive Producer | ||
| King Leek | Executive Producer | ||
| 1998 | The Misadventures of Margaret | Executive Producer | |
| The Royle Family | Executive Producer | ||
| Cold Feet | Executive Producer (1998 – 1999, 2001 – 2003) Co-Executive Producer (2000) |
Winner, British Academy Television Award for Best Drama Series, 2002 | |
| 1999 | Passion Killers | Executive Producer | |
| Casting Couch | Executive Producer | First panel show produced | |
| Dark Ages | Executive Producer | ||
| 2000 | Bob Martin | Executive Producer | |
| Back Passage to India | Executive Producer | ||
| Metropolis | Executive Producer | ||
| Safe as Houses | Executive Producer | ||
| 2002 | The Jury | Script editor | |
| Doctor Zhivago | Executive Producer | ||
| The Forsyte Saga | Executive Producer | ||
| 2003 | The Deal | Executive Producer | |
| Henry VIII | Executive Producer | ||
| Prime Suspect 6: The Last Witness | Executive Producer | Nominated, Primetime Emmy Award for Outstanding Miniseries, 2004 | |
| 2004 | Murder City | Executive Producer | |
| Life Begins | Executive Producer | ||
| Island at War | Executive Producer | ||
| Wall of Silence | Executive Producer | ||
| Dirty Filthy Love | Executive Producer | ||
| Whose Baby? | Executive Producer | Directed by Rebecca Frayn | |
| Christmas Lights | Executive Producer | ||
| 2005 | Pierrepoint | Executive Producer | |
| Bloodlines | Executive Producer | ||
| Planespotting | Executive Producer | ||
| The Walk | Executive Producer | ||
| Colditz | Executive Producer | ||
| Donovan | Executive Producer | ||
| All About George | Executive Producer | ||
| Vincent | Executive Producer | ||
| 2006 | Eleventh Hour | Executive Producer | |
| See No Evil: The Moors Murders | Executive Producer | ||
| The Queen | Producer | Winner, BAFTA Award for Best Film, 2007 Nominated, Alexander Korda Award for Best British Film, 2007 |
|
| The Street | Executive Producer (2006 – 2007) | ||
| Mary Bryant | Executive Producer | ||
| The Kindness of Strangers | Executive Producer | ||
| Cracker | Executive Producer | 1 episode ("Nine Eleven") | |
| What We Did on Our Holiday | Executive Producer | ||
| Longford | Executive Producer | Nominated, British Academy Television Award for Best Single Drama, 2007 |
|
| Prime Suspect: The Final Act | Executive Producer | Nominated, British Academy Television Award for Best Drama Serial, 2007 Nominated, Primetime Emmy Award for Outstanding Miniseries, 2007 |
|
| The Royle Family: The Queen of Sheba | Executive Producer | ||
| Losing Gemma | Executive Producer | ||
| 2007 | Northanger Abbey | Executive Producer | |
| City Lights | Executive Producer | ||
| Joanne Lees: Murder in the Outback | Executive Producer | ||
| Dead Clever | Executive Producer | ||
| Left Bank Pictures productions | |||
| 2009 | The Damned United | Producer | |
| Wallander | Producer | ||
| Rafta Rafta[29] | Producer | ||
[edit] References
- ^ a b BFI Film & TV Database: HARRIES, ANDY. British Film Institute. Retrieved on 2008-03-02.
- ^ Staff writer. "A royal visit for primary school", Peterborough Evening Telegraph, 2007-05-02. Retrieved on 2008-03-02.
- ^ a b c d Clarke, Steve. "Independent spirit", Television magazine, Royal Television Society, May 2007. Retrieved on 2008-03-02.
- ^ a b c d e f Harries, Andy. (2007-04-27). Andy Harries, Coventry Conversations, 25th April (MP3). Coventry University Podcasting Service. Retrieved on 2008-03-02.
- ^ a b Belcher, David. "Funny how things turn out", The Herald, 1999-09-02, p. 14.
- ^ BFI Film & TV Database: The Last Resort with Jonathan Ross. British Film Institute. Retrieved on 2008-06-07.
- ^ a b c Dawtrey, Adam. "'Queen' gives Harries his independence", Variety, 2007-02-24. Retrieved on 2008-03-02.
- ^ Malcolm, Derek. "The family at war - Sidney Lumet, Woody Allen and Joe Dante all have new films out this week", The Guardian, 1989-07-27, p. 23.
- ^ a b Cook, William. "Football crazy, football fad", The Guardian, 1994-06-13, p. T17.
- ^ Staff writer. "Quick tales", Evening Standard, 1994-02-23, p. 47.
- ^ a b c d Gibson, Janine. "Laugh? You will", The Guardian, 1999-11-01. Retrieved on 2008-06-05.
- ^ Carter, Meg. "On Air: Our friends in the North", The Independent (at Find Articles), 1998-11-09. Retrieved on 2008-03-02.
- ^ Staff writer. "Baftas 2002: The winners", BBC News Online, 2002-04-21. Retrieved on 2008-03-02.
- ^ Gibson, Janine. "Harries named Granada head of drama", Media Guardian, 2000-09-15. Retrieved on 2008-03-02.
- ^ Staff writer. "Viewers get cold feet over drama", The Daily Telegraph, 2003-10-31. Retrieved on 2008-03-02.
- ^ Walker, Tim. "Rivals no longer", The Sunday Times, 2003-03-30, p. 40.
- ^ Wells, Matt. "ITV ditches Blair-Brown drama", Media Guardian, 2003-04-02. Retrieved on 2008-03-02.
- ^ Staff writer. "Bafta TV Award 2004 winners", BBC News Online, 2004-04-28. Retrieved on 2008-03-02.
- ^ Midgely, Neil. "How Mirren saved Jane Tennison's life", The Daily Telegraph, 2006-10-28. Retrieved on 2008-03-02.
- ^ Brown, Maggie. "She's back - and not a moment too soon for ITV", The Guardian, 2006-08-21. Retrieved on 2008-03-02.
- ^ Deans, Jason. "ITV's Harries mulls move to indie sector", Media Guardian, 2006-12-11. Retrieved on 2008-03-02.
- ^ O'Connor, Rebecca. "BBC makes history with investment in Left Bank", The Times, 2007-05-10. Retrieved on 2008-03-02.
- ^ Hewlett, Steve. "Media FAQ", The Guardian, 2007-05-14. Retrieved on 2008-03-02.
- ^ Thomas, Liz. "Creative Godfather", Broadcast, 2008-02-08, pp. 27 – 28.
- ^ Dawtrey, Adam. "Sony scores 'Damned United'", Variety, 2008-04-24. Retrieved on 2008-04-24.
- ^ a b Staff writer. "66. Andy Harries", Media Guardian, 2007-07-09. Retrieved on 2008-03-02.
- ^ Staff writer. "Hot 100 Producers", Broadcast, 2007-12-19. Retrieved on 2008-03-02.
- ^ Jones, Nigel. "January: Birth of a novel", Daily Mail, 2007-01-08. Retrieved on 2008-03-02.
- ^ Dawtrey, Adam. "Optimum to remake 'Brighton Rock'", Variety (magazine), 2008-05-15. Retrieved on 2008-05-24.
