Punk visual art
From Wikipedia, the free encyclopedia
Punk visual art is artwork which often graces punk rock album covers, flyers for punk shows, and punk zines. It is characterised by deliberate violation, such as the use of letters cut out from newspapers and magazines, a device previously associated with kidnap and ransom notes, so the sender's handwriting was not revealed. Much of the earlier artwork was in black and white, because it was distributed in punk zines reproduced at copy shops, but when colour was used in more expensive productions it was often characterised by being high key, such as the use of fluorescent pink and yellow contrasted with black on the cover of the Sex Pistols' Never Mind the Bollocks album designed by Jamie Reid.
Los Angeles artist Mark Vallen has said:
| “ | Punk had a unique and complex aesthetic. It was steeped in shock value and revered what was considered ugly. The whole look of punk was designed to disturb and disrupt the happy complacency of the wider society. Outside of punk's torn and safety pinned anti-fashion statements, this impulse to outrage was never more apparent than on punk album covers.[1] | ” |
Punk visual art can include anything from crudely scribbled letters to shockingly jarring figures drawn with sharp points everywhere. Often images and figures are cut and pasted from magazines to create a scene and the colors are often two tone and deeply contrasting. The main aesthetic of punk art seems to be to either shock, create a sense of empathy or revulsion, make a grander point with an acidic or sarcastic wit, poke fun at politics, political factions, or social factions, or create a humorous feel (though generally this is more prevalent in less serious, more pop/punky bands).
The Situationists influenced the look of punk art. Early punk also played a hand in the revival of stencil art, spearheaded by Crass. Usually straightforward with clear messages, punk art is often concerned with political issues such as social injustice and economic disparity. The use of images of suffering to shock and create feelings of empathy in the viewer is common. Alternatively, there may be images of self-violation, selfishness, stupidity, or apathy to provoke contempt in the viewer. Symbols of the establishment such as the Union Jack can be employed; the British Queen was depicted with a safety pin through her cheek. It can also subvert more mundane societal norms, as in the satirical depictions of suburbia by Howard Arkley. Punk art often utilizes collage, exemplified by the art of Jamie Reid and Winston Smith. John Holmstrom was a punk cartoonist who created much artwork for the Ramones and Punk Magazine. The Stuckism art movement had their origin in punk, and titled their first major show The Stuckists Punk Victorian at the Walker Art Gallery during the 2004 Liverpool Biennial. Charles Thomson, co-founder of the group, described punk as "a major breakthrough" in his art. [2]
[edit] References
- Alan Moore and Marc Miller, eds., ABC No Rio Dinero: The Story of a Lower East Side Art Gallery (Colab, i.e. Collaborative Projects, NY, 1985)
[edit] External links
- Punk Flyer Gallery *Art associated with punk music producer Marty Munsch
- Punk inspired abstract paintings by Bill O'Neil
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