Paul Dolden
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Paul Dolden is an electroacoustic music composer born January 23, 1956 in Ottawa, Canada, and currently living in Montréal, Canada.
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Paul Dolden began his career at age 16 as a professional electric guitarist, violinist and cellist. Since age 29 he has won over twenty international awards for his music which is performed in both Europe and North America. His approach to audio technology is to use it as a platform from which to launch otherwise impossible musical performances, thereby making his computer behave like a virtual orchestra. His compositions are characterised by a maximalist aesthetic in which hundreds of digitally recorded instrumental and vocal performances are combined in multiple layers.
Paul Dolden's early works employed a unified approach to timbral and harmonic variation, but under the influence of postmodernism, his concerns shifted to include the juxtaposition and superimposition of disparate musical styles. His Resonance Cycle of works (1992-96) are an example of this. In his recent Twilight Cycle Paul Dolden investigated contemporary new music-melody and dance rhythms; genres that are not normally associated with electroacoustic music.
[edit] Recordings
- Délires de plaisirs (empreintes DIGITALes, IMED 0577, 2005)
- Seuil de silences (empreintes DIGITALes, IMED 0369, 2003)
- L'ivresse de la vitesse 2 (empreintes DIGITALes, IMED 0318, 2003)
- L'ivresse de la vitesse 1 (empreintes DIGITALes, IMED 0317, 2003)
- L'ivresse de la vitesse (empreintes DIGITALes, IMED 9917/18, 1999)
- L'ivresse de la vitesse (empreintes DIGITALes, IMED 9417/18, 1994)
- The Threshold of Deafening Silence (Tronia, TRD 0190, 1990)
[edit] List of Works
- Below the Walls of Jericho (1988-89)
- Beyond the Walls of Jericho (1991-92)
- Caught in an Octagon of Unaccustomed Light (1987-88)
- Dancing on the Walls of Jericho (1990)
- Entropic Twilights (1997-2002)
- The Frenzy of Banging on a Can (1997), piano, bass clarinet (B flat clarinet), electric guitar, vibraphone, cello, doublebass, and tape
- The Gravity of Silence. Resonance #5 (1995), flute, and tape
- Gravity's Stillness. Resonance #6 (1996), violin (or viola), and tape
- The Heart Tears… for Saxes and Brass (1998), 4 saxes (soprano, alto, tenor, baritone), 4 trombones, 4 trumpets, and tape
- The Heart Tears itself Apart with the Power of its own Muscle. Resonance #3 (1995), 4 violins, 2 violas, 2 cellos, 2 doublebasses, and tape
- In a Bed Where the Moon Was Sweating. Resonance #1 (1993), clarinet, and tape
- In the Natural Doorway I Crouch (1986-87)
- L'ivresse de la vitesse (1992-93)
- Measured Opalescence (1988), piano, percussion, and tape
- The Melting Voice Through Mazes Running (1984)
- Physics of Seduction. Invocation #1 (1991), electric guitar, and tape
- Physics of Seduction. Invocation #2 (1991), harpsichord, and tape
- Physics of Seduction. Invocation #3 (1992), cello, and tape
- Rave #1 (2005), trumpet, electric guitar, vibraphone, piano, acoustic or electric bass, and tape
- Resonant Twilight (1998), orchestra, and tape
- Revenge of the Repressed. Resonance #2 (1993), soprano sax, and tape
- Twilight's Dance (2000)
- Veils (1984-85)
- The Vertigo of Ritualized Frenzy. Resonance #4 (1996), reed instrument and/or piano (or accordion), and tape
[edit] References
- His biography on electrocd.com (with permission)
