Norman Whitfield
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| Norman Whitfield | |
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| Background information | |
| Birth name | Norman Jesse Whitfield |
| Born | 1943, Harlem, New York City, New York, U.S. |
| Origin | Detroit, Michigan, U.S. |
| Genre(s) | R&B, soul, pop, disco |
| Occupation(s) | Songwriter, record producer, and arranger |
| Instrument(s) | Piano/keyboard |
| Years active | 1958-1986 |
| Label(s) | Motown, Whitfield |
| Associated acts | The Temptations, Rose Royce, The Undisputed Truth, Rare Earth |
Norman Jesse Whitfield (born in Harlem, New York in 1943) is an American songwriter and producer, best known for his work with Berry Gordy's Motown label during the 1960s. He is credited as being one of the creators of the Motown Sound, as well as one of the major instrumental figures in the late-60s sub-genre of psychedelic soul.
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[edit] Biography
[edit] Early life
A native of Harlem, New York, Whitfield spent most of his teen years in local pool halls. In his late teens, he and his family moved to Detroit, Michigan so that his father could join his sister and work in her husband's chain of drug stores, Barthwell Drugs.
[edit] Early association with Motown
At 19, Whitfield began hanging around at Motown's Hitsville U.S.A. offices, trying to get a chance at working for the growing label. Gordy recognized Whitfield's persistence and hired him in the quality control department that determined which songs would or would not be released by the label. Whitfield eventually joined Motown's in-house songwriting staff. Whitfield had a few minor successes, but he found his place at Motown when he began producing the recordings of his songs. His big break came when he took over Smokey Robinson's role as the main producer for The Temptations in 1966, after his "Ain't Too Proud to Beg" performed better than Robinson's "Get Ready" on the pop charts.
From 1966 until 1974, Whitfield produced virtually all of the material for The Temptations, experimenting with sound effects and other production techniques on the earliest of his records for them. He found a songwriting collaborator in lyricist Barrett Strong, the performer on Motown's first hit record, "Money (That's What I Want)", and wrote material for the Tempts and for other Motown artists such as Marvin Gaye and Gladys Knight & the Pips, both of whom recorded Whitfield-produced hit versions of the Whitfield/Strong composition "I Heard It Through the Grapevine." The Gladys Knight & the Pips version was the best-selling Motown single ever to that point, but it was replaced a year later by Marvin Gaye's version.
After Temptations lead singer David Ruffin was replaced with Dennis Edwards in 1968, Whitfield moved the group into a harder, darker sound that featured a blend of psychedelic rock and funk heavily inspired by the work of Sly & the Family Stone and Funkadelic, and also began changing the subject matter of the songs, moving away from the trademark poetic romance to the social issues of the time, such as war, poverty, politics, etc. The first Temptations single to feature this new "psychedelic soul" style was "Cloud Nine" in late 1968, which earned Motown its first Grammy award (for Best Rhythm & Blues Performance by a Duo or Group). A second Best R&B Group Performance Grammy for Whitfield and the Tempts came in 1973 with "Papa Was a Rollin' Stone." The instrumental B-side to "Papa Was a Rollin' Stone" earned Whitfield a Grammy with arranger Paul Riser for Best R&B Instrumental Performance, and Whitfield and Barrett Strong shared the songwriters' award for Best R&B Song.
The psychedelic soul records Whitfield produced for the Temptations and other artists such as Edwin Starr and The Undisputed Truth experimented with and updated the Motown sound for the late-1960s. Longer song durations, distorted guitars, multitracked drums, and unusual vocal arrangements became trademarks of Whitfield's productions, and later of records produced by Motown staffers he coached, including Frank Wilson. But friction and antagonism continued to grow between Whitfield and the Temptations during this time because the group disliked how Whitfield put more emphasis on instrumentation instead of their vocals and the group disliked that he would not write romantic ballads for them, which annoyed both them and their fans, as well as citing him for his tardiness and arrogance in factors for their dissatisfaction with him. However, by this time Whitfield was producing hit records for Edwin Starr, the Undisputed Truth and Rare Earth (band).
[edit] Whitfield Records and later years
In 1973, Whitfield left Motown to form his own record label, Whitfield Records. In the beginning, his only act was The Undisputed Truth, which he had convinced to leave Motown. They never really had much more chart success, but Whitfield had a smash hit in 1976 with Rose Royce's "Car Wash", issued on MCA Records. Rose Royce (whose members were originally Starr's backing band while at Motown) went on to produce three more popular albums, but never could top the success of "Car Wash," which served as the theme song to the 1976 motion picture Car Wash. The Car Wash soundtrack won Whitfield a 1977 Grammy Award for Best Score Soundtrack Album.
In the early 1980s, Whitfield began working producing for Motown again, helming The Temptations' 1983 hit single "Sail Away" and the soundtrack to The Last Dragon.
[edit] Legal problems
On January 18, 2005, Whitfield pleaded guilty for failing to report royalty income he earned from 1995 to 1999 to the Internal Revenue Service. Facing charges of tax evasion on over $2 million worth of income, and was sentenced to six months of house arrest and a $25,000 fine. The producer was not imprisoned because of health problems such as diabetes.
[edit] Production and songwriting highlights
- 1963: "Pride & Joy" - Marvin Gaye
- 1964: "Too Many Fish in the Sea" - The Marvelettes
- 1964: "Needle in a Haystack" - The Velvelettes
- 1964: "He Was Really Sayin' Somethin'" - The Velvelettes
- 1964: "Girl (Why You Wanna Make Me Blue)" - The Temptations
- 1966: "Ain't Too Proud to Beg" - The Temptations
- 1966: "Beauty Is Only Skin Deep" - The Temptations
- 1966: "(I Know) I'm Losing You" - The Temptations
- 1967: "I Heard It Through the Grapevine" - Gladys Knight & the Pips, also recorded by Marvin Gaye and Creedence Clearwater Revival
- 1967: "You're My Everything" - The Temptations
- 1967: "I Wish It Would Rain" - The Temptations
- 1968: "I Could Never Love Another (After Loving You) - The Temptations
- 1968: "The End Of Our Road" - Gladys Knight & The Pips
- 1968: "Cloud Nine" - The Temptations
- 1969: "Friendship Train" - Gladys Knight & the Pips
- 1969: "Runaway Child, Running Wild" - The Temptations
- 1969: "Too Busy Thinking About My Baby" - Marvin Gaye
- 1969: "I Can't Get Next to You" - The Temptations
- 1970: "You Need Love Like I Do (Don't You)" - Gladys Knight & The Pips, also recorded by The Temptations
- 1970: "Psychedelic Shack" - The Temptations
- 1970: "Hum Along and Dance" - The Temptations (later covered by Rare Earth and The Jackson 5)
- 1970: "Ball of Confusion (That's What the World Is Today)" - The Temptations
- 1970: "War" - Edwin Starr
- 1971: "Smiling Faces Sometimes" - The Undisputed Truth, originally recorded by The Temptations
- 1971: "Just My Imagination (Running Away with Me)" - The Temptations
- 1972: "Papa Was a Rollin' Stone" - The Temptations
- 1973: "Masterpiece" - The Temptations
- 1973: "Let Your Hair Down" - The Temptations
- 1976: "Car Wash" - Rose Royce
- 1976: "I'm Going Down" - Rose Royce
- 1976: "I Wanna Get Next to You" - Rose Royce
- 1977: "Ooh Boy" - Rose Royce
- 1977: "Wishing on a Star" - Rose Royce
- 1978: "Love Don't Live Here Anymore" - Rose Royce
