John Lahr
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| John Lahr | |
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| Born | July 12, 1941 Los Angeles, California, United States |
| Occupation | Critic, biographer |
| Writing period | 1969-present |
| Spouse(s) | Connie Booth (2000 to date) |
| Relative(s) | Bert Lahr (father) |
John Lahr (born July 12, 1941) is an American theater critic and the son of actor Bert Lahr. Since 1992, he has been the senior drama critic at The New Yorker magazine.
Born in Los Angeles, California, Lahr holds a B.A. from Yale University and a Master's degree from Worcester College, Oxford. He has written many books, including three biographies of important theatrical figures: one of his father called Notes on a Cowardly Lion; one of the British playwright Joe Orton called Prick Up Your Ears; and one of the Australian comedian Barry Humphries called Dame Edna Everage and the Rise of Western Civilization: Backstage with Barry Humphries. In 1987 he co-produced a film based on his Orton biography and with the same title. Lahr also wrote the foreword to Love All the People: Letters, Lyrics, Routines: a 1994 collection of Bill Hicks' work.
In 2002, Lahr became the first drama critic ever to win a Tony Award for his part in writing actress Elaine Stritch’s one–woman show, "Elaine Stritch at Liberty", for which he and Stritch also won the Drama Desk Award for the Best Book to a Musical. Among his many awards, Lahr has twice won the George Jean Nathan Award for Dramatic Criticism.
In 1994, Lahr published a profile in The New Yorker detailing the vagaries of Lady Maria St. Just, an executor of playwright Tennessee Williams's estate. The profile helped liberate Lyle Leverich's biography of Williams, Tom: The Unknown Tennessee Williams, from a four-year legal stranglehold.[citation needed] While working on a planned second volume in 2000, Leverich died and named Lahr as his favored successor. Lahr agreed to complete the second volume, which will follow Williams from 1945 to his death in 1983.[1] In October 2007, Lahr said that he was taking a half-year sabbatical from writing New Yorker profiles to work on the biography, and stated, "I'll probably finish it when I'm in my seventies."[2]
In 1988, Lahr began a relationship with former actress Connie Booth; they married in 2000 and live together in London, England.[3] His sister is editor and writer Jane Lahr.
Contents |
[edit] Bibliography
[edit] Biographies and profiles
- Notes on a Cowardly Lion (1969)
- Prick Up Your Ears (1978)
- Coward the Playwright (1983)
- Dame Edna Everage and the Rise of Western Civilization: Backstage with Barry Humphries (1991)
- Sinatra: The Artist and the Man (1997)
- Show and Tell: New Yorker Profiles (2000)
- Honky Tonk Parade: New Yorker Profiles of Show People (2005)
- Tennessee Williams biography (forthcoming)
[edit] Criticism
- Up Against the Fourth Wall (1970)
- Acting Out America (1972)
- Astonish Me: Adventures in Contemporary Theater (1973)
- Life Show (1973, with Jonathan Price)
- Automatic Vaudeville (1984)
- Light Fantastic: Adventures in Theatre (1996)
[edit] Co-edited essay collections
- A Casebook on Harold Pinter's The Homecoming (1971) (With Anthea Lahr)
[edit] Novels
- The Autograph Hound (1972)
- Hot to Trot (1974)
[edit] Plays
- Diary of a Somebody (1989) (adapted from Joe Orton's diaries)
- The Manchurian Candidate (1993) (adapted from Richard Condon's 1959 novel of the same name)
[edit] References
- ^ Kondazian, Karen. "Spirit and Substance", Back Stage West, 2001-02-22. Retrieved on 2007-08-30.
- ^ Lahr, John, and Neil LaBute. Panel. The New Yorker Festival, Acura Stage at Helen Mills Theater, 2007-10-06.
- ^ CONNIE BOOTH (A CASE OF FAWLTY MEMORY SYNDROME) | Independent, The (London) | Find Articles at BNET.com
[edit] External links
- Official site
- Wired for Books.org: John Lahr with Don Swqaim (1984 interview) at Wired for Books.
- "The Man in the Middle" (2006 interview with The New York Review of Magazines)
