John Atkinson Grimshaw
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John Atkinson Grimshaw (1836 – 1893) was a Victorian-era painter, born in Leeds, England. At the age of 24, to the dismay of his parents, he departed from his first job as a clerk for the Great Northern Railway to pursue a career in art. He began exhibiting in 1862, under the patronage of the Leeds Philosophical and Literary Society, with paintings mainly of dead birds, fruit and blossom. [1].
Grimshaw's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He would often paint landscapes that typified seasons, or that typified a kind of weather. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood.
Dulce Domum (1855), on whose reverse Grimshaw wrote, 'mostly painted under great difficulties,' captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening.
On Hampstead Hill is considered one of Grimshaw's finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons. [2].
His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson. His reputation rested, and his legacy is probably based on, his townscapes. [3].
[edit] References
- ^ Steer, I. (2002)History of British Art page 154, Bath: Parragon. ISBN 0-75257-602-X
- ^ ibid
- ^ ibid
[edit] External links
