Depeche Mode

From Wikipedia, the free encyclopedia

Depeche Mode
Depeche Mode live in Munich February 14, 2006.
Background information
Origin	Basildon, Essex, England
Genre(s)	New Wave Synthpop Post-punk Alternative dance
Years active	1980–present
Label(s)	Mute Sire Reprise
Associated acts	Yazoo Erasure Recoil
Website	http://www.depechemode.com
Members
Dave Gahan Martin Gore Andrew Fletcher
Former members
Vince Clarke Alan Wilder

Depeche Mode (pronounced /dəˌpɛʃˈmoʊd/) are an electronic music band formed in 1980, in Basildon, Essex, England. The group's original line-up was Dave Gahan (lead vocals), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andrew Fletcher (keyboards) and Vince Clarke (keyboards, chief songwriter 1980–81). Vince Clarke left the band after the release of their 1981 debut album, and was replaced by Alan Wilder (lead keyboards) who was a band member from 1982 to 1995. Following Wilder's departure, Gahan, Gore, and Fletcher have continued as a trio.

Depeche Mode are one of the longest-lived, most successful and influential bands to have emerged from the New Romantic and New Wave era. They have had forty-five songs in the UK Singles Chart (giving them more charting singles without a #1 hit than any other artist), as well as one US and two UK #1 albums. According to their record company, Depeche Mode have sold over 72 million records worldwide.^[1]

Contents 1 Early history 1.1 1977–1980: Formation 1.2 1981–1983: Early releases 1.3 1984–1988: Growing international fame 2 Middle history 2.1 1989–1994: Achieving mega-band status 2.2 1995–2000: Continued success through turmoil 3 Depeche Mode in the 2000s 3.1 2001–2004: Exciter 3.2 2005–2007: Playing the Angel 3.3 2008–2009: New Album 4 Legacy and influence 5 Live supporting musicians 6 Discography 7 See also 8 References 9 External links

[edit] Early history

[edit] 1977–1980: Formation

Depeche Mode's origins can be traced back to 1977, when Vince Clarke and Andrew Fletcher formed a band called No Romance in China, with Clarke on vocals/guitar and Fletcher on bass. In 1979, Clarke played guitar in an "Ultravox rip-off band", The Plan, with school friends Robert Marlow (vocals) and Paul Langwith (drums).^[2] In 1978–79, Gore played in an acoustic duo, Norman and the Worms, with school friend Philip Burdett on vocals and Gore on guitar.^[3] In 1979, Marlow, Gore, Clarke and friend Paul Redmond formed a band called The French Look, Marlow on vocals/keyboards, Gore on guitar, Clarke and Redmond on keyboards. In March 1980, Clarke, Gore and Fletcher formed a band called Composition of Sound, with Clarke on vocals/guitar, Gore on keyboards and Fletcher on bass. The French Look and Composition of Sound once played live together in June 1980 at St. Nicholas School Youth Club in Southend-on-sea, Essex.

Soon after the formation of Composition of Sound, Clarke and Fletcher switched to synthesizers, working odd jobs, including carpentry, to buy them, or borrowing them from friends. Dave Gahan joined the band in 1980 after Clarke heard him perform at a local scout-hut jam session, crooning to a rendition of David Bowie's "Heroes", and Depeche Mode were born. When explaining the choice for the new name (taken from a French fashion magazine, Dépêche mode) Martin Gore has said,

“

It means hurried fashion or fashion dispatch. I like the sound of that.[4]

”

[edit] 1981–1983: Early releases

While playing a live gig at the Bridge House in Canning Town,^[5] the band was approached by Daniel Miller (an electronic musician and founder of Mute Records), who was interested in them recording a single for his burgeoning label.^[6] The result of this verbal contract was "Dreaming of Me b/w Ice Machine", which was released in February 1981, and managed to reach #57 in the UK charts. Encouraged by this surprise success, the band recorded its second single "New Life", climbing to #11 in the UK charts. Three months later, the band released "Just Can't Get Enough" - their first single to enter the UK Top 10, peaking at #8. This record was in many ways a breakthrough for the band, and its success paved the way for their debut album - Speak & Spell, released in November 1981, and eventually reaching #10 on the UK album charts. Critical reviews were mixed - Melody Maker described it as a "great album... one they had to make to conquer fresh audiences and please the fans who just can’t get enough",^[7] while Rolling Stone was more critical, calling the album "PG-rated fluff".^[8]

During the touring and promotion for Speak & Spell, Clarke began to privately voice his discomfort at the direction the band was taking. He later expressed his agitation that "there was never enough time to do anything".^[9] In late 1981, Clarke publicly announced that he was leaving Depeche Mode. Soon afterwards, he joined with blues singer Alison Moyet to form Yazoo (Yaz in the US) and later, the duo Erasure with Andy Bell, in 1985. With their primary songwriter gone, Depeche Mode needed a new direction. Martin Gore, who had written "Tora! Tora! Tora!" and "Big Muff" for their debut album, took over as the band's new songwriter. In January 1982, the band released "See You", their first single without Clarke, which against all expectations, managed to beat all three Clarke-penned singles in the UK charts, reaching #6. In the ensuing months of that year, two more singles were released ("The Meaning of Love", and "Leave in Silence"), and the band embarked on their first world tour - known as the "See You" tour. Their second album A Broken Frame was eventually brought out in September.

In late 1981, the band placed an ad in Melody Maker stating, "Keyboard player needed for established band - no timewasters." Alan Wilder, a 22-year old keyboardist from West London responded - and after two auditions with Daniel Miller, he was accepted as the fourth member of Depeche Mode.^[10] Despite this, Daniel Miller informed Wilder that he was not needed for the recording of the album,^[11] as the band wanted to prove that they could succeed without Vince Clarke. Wilder's first musical contribution to the band was in 1983, on the non-album single "Get the Balance Right!".

For their third LP Construction Time Again, Depeche Mode decided to work with producer Gareth Jones, at John Foxx's Garden Studios^[12] and at Hansa Studios in West Berlin, which had been used by David Bowie and Brian Eno before, and where the Berlin Wall with guarding soldiers could be seen right from the mixer, this creating an extraordinary atmosphere.^[13] The album saw a dramatic shift in the group's sound, due in part to the introduction of the Synclavier and Emulator samplers, in addition to their previously-used analogue synths.^[14] By sampling the noises of everyday objects, the band created an eclectic, industrial-influenced sound, with similarities to groups such as the Art of Noise and Einstürzende Neubauten, the latter having been published under the same label.^[15] Similarly, Gore's lyricism was rapidly evolving, focusing increasingly on political and social issues. A good example of the new sound was on the first single from the album "Everything Counts", a commentary on the perceived greed of multinational corporations,^[16] which got to #6 in the UK, also reaching the Top 30 in Ireland, South Africa, Switzerland, Sweden and West Germany. Alan Wilder also contributed two songs to the album ("The Landscape is Changing", "Two Minute Warning").

[edit] 1984–1988: Growing international fame

In their early years, Depeche Mode had only really attained success in the UK, Europe, and Australia - however, this changed in March 1984, when they released the single "People Are People". The song climbed to #2 in Ireland and #4 on the UK and Swiss charts - and gave them their first #1 (in Germany). However, it belatedly reached #13 on the US charts in mid-1985. Sire, the band's North American record label, released a compilation of the same name. In September 1984, Some Great Reward was released. Melody Maker claimed that the album made one "sit up and take notice of what is happening here, right under your nose."^[17] Some Great Reward saw the band experimenting with even darker subject matter, exploring sexual politics ("Master and Servant"), adulterous relationships ("Lie to Me"), and arbitrary divine justice ("Blasphemous Rumours"). Also included was the first Martin Gore ballad ("Somebody") - a concept that would be repeated on all following albums. The album was also their first to enter the US album charts, and made the Top 10 in several European countries. In 1985, Mute Records released a compilation, The Singles 81>85 (Catching Up with Depeche Mode in the US), which included the new hit singles : "Shake the Disease" (#4 in Germany, #5 in Sweden, #6 in Switzerland, #9 in Ireland, #13 in France, #18 in the UK and #25 in Italy) and "It's Called a Heart" (#5 in Ireland, #7 in Sweden and Switzerland, #8 in Germany, #16 in Italy, #18 in the UK and #29 in France).

During this period, in some circles, the band became associated with the gothic subculture, which had begun in Britain, and was slowly gaining popularity in the United States. There, the band's music had first gained prominence on college radio and modern rock stations such as KROQ in Los Angeles, and WLIR on Long Island, New York, and hence, they appealed primarily to a decidedly cultish, alternative audience who were disenfranchised with the predominance of "soft rock and 'disco hell'"^[18] on the radio. This view of the band was in sharp contrast to that in Europe and the UK, despite the increasingly dark and serious tone in their songs.^[19] In Germany (and other European countries), Depeche Mode were considered teen idols, and were regularly featured in euro teen magazines, providing their detractors with more ammunition to use against them.

Depeche Mode's largest transformation came in 1986, with the release of their fifteenth single "Stripped", and its accompanying album Black Celebration. Jettisoning much of the "industrial-pop" sound that had characterised their previous two LPs (although they retained their often imaginative sampling), the band introduced an ominous, highly atmospheric and textured sound, accompanied by some of Gore's bleakest, most insightful lyrics to date. Also included on the album was a revised version of the song "Fly on the Windscreen", which had originally appeared as the b-side to "It's Called a Heart". The band recognised the song's promise, and decided to improve it and include it on the album, renamed as "Fly on the Windscreen - Final".^[20]

The music video for "A Question of Time" was the first to be directed by Anton Corbijn,^[21] beginning a working relationship that continues to the present day. Anton has directed 19 more of the band's videos (the latest being 2006's "Suffer Well") and live performances, and has been responsible for some of the band's albums and singles covers.

1987's Music for the Masses saw further alterations in the band's sound and working methods. Dave Bascombe (who was also currently working with Tears for Fears) was brought in as a producer (although his role ended up being more that of an engineer),^[22]and the band (for the most part) abandoned sampling in favour of more musical experimentation.^[23] Although the chart performance of the singles ("Strangelove", "Never Let Me Down Again" and "Behind the Wheel") was disappointing in Great Britain (whereas those singles were big hits in countries such as Canada, West Germany, South Africa, Sweden or Switzerland, reaching the Top 10 there). Record Mirror described it as "the most accomplished and sexy Mode album to date"^[24] and it made a breakthrough in the American market, something which the band had failed to achieve with their previous albums.

On the heels of Music for the Masses, the group played a follow-up world tour in 1987–88. The tour culminated on 18 June in a concert at the Pasadena Rose Bowl with paid attendance of 60,453^[25][26](the highest in eight years for the venue). The tour was documented in 101 - a concert film by D.A. Pennebaker, and its accompanying soundtrack album.

Another live performance worth mentioning is their show in East Berlin, March 7th, 1988. About 6000 East-German youngsters were able to attend the unofficial concert. The gig was declared as the FDJ birthday party without mentioning the performance of Depeche Mode; still they were among the few popular western bands performing in the German Democratic Republic.

[edit] Middle history

[edit] 1989–1994: Achieving mega-band status

In mid-1989, the band began recording in Milan with producer Flood and engineer François Kevorkian. The initial result of this session was the single "Personal Jesus", which featured a drum-based sound. Prior to its release, advertisements were placed in the personal columns of UK regional newspapers with the words "Your own personal Jesus." Later, the ads included a phone number one could dial to hear the song. The ensuing controversy helped propel the single to number 13 on the UK charts, becoming one of their biggest sellers; in the US, it was their first gold single and their first Top 40 hit since "People Are People", eventually becoming the biggest-selling 12-inch single in Warner Bros. Records' history.^[27] The song has been covered by (amongst others) Johnny Cash, Gravity Kills, and Marilyn Manson, and was notably sampled in the song "Beware of the Dog" by Jamelia. In 2004, the song was included in the soundtrack for the video game Grand Theft Auto: San Andreas, and in September 2006 was voted by readers of music monthly Q as one of the 100 greatest songs of all time.

In February 1990, "Enjoy the Silence", became one of Depeche Mode's most successful singles to date, reaching #6 in the UK; a few months later in the US, it became Depeche Mode's first (and to date, only) Top 10 hit, reaching #8, and earning the band a second gold single. It won 'Best British single' at the 1991 Brit Awards. To promote their new album Violator, they held an in-store autograph signing at the Wherehouse Entertainment store location in West Los Angeles, which attracted approximately 20,000 fans, some of which were injured by being pressed against the store's glass by the crowd, and nearly caused a riot.^[28] Violator went on to reach Top 10 in the UK and US. It has also been certified triple platinum in America, selling over 3.5 million units there. The subsequent World Violation Tour was another notable success, with 40,000 tickets sold within eight hours for the New York Giants Stadium (in East Rutherford, New Jersey) show, and 48,000 tickets for the Los Angeles Dodger Stadium show sold within an hour of going on sale. Two more singles from the album, "Policy of Truth" and "World in My Eyes" were UK and US hits.

In 1991 Depeche Mode made a one-off contribution to the Wim Wenders film, Until the End of the World, entitled "Death's Door" and a third solo album, Bloodline, released by Alan Wilder under the Recoil moniker bridged the gap between albums.

In 1993 Songs of Faith and Devotion saw them experimenting with more organic arrangements, based as much on heavily distorted electric guitars and live drums (played by Alan Wilder, whose debut as a studio drummer was the track "Clean" on Violator) as on synthesizers.^[29] Live strings, uillean pipes and female gospel vocals were other new additions to the band's sound.

The album debuted at #1 in both the UK and the US, on the heels of the bluesy, grunge-influenced single "I Feel You". Depeche Mode were the first British alternative band to have a number 1 hit album in the Billboard 200 album charts. The 14-month Devotional world tour followed. It was documented by a concert video of the same name, and a second live album, Songs of Faith and Devotion Live. The live album was essentially a track-by-track reproduction of the eponymous album, designed to help boost sales figures of the studio album, and it proved to be a critical and commercial failure. Dave Gahan's heroin addiction was starting to affect his behaviour, causing him to become more erratic and introverted. Martin Gore experienced a series of seizures, and Andy Fletcher declined to participate in the second "exotic" leg of the tour, due to "mental instability". During that period, he was replaced on-stage by Daryl Bamonte, who had worked with the band as a personal assistant for many years.^[30]

[edit] 1995–2000: Continued success through turmoil

In June 1995, Alan Wilder announced that he was leaving Depeche Mode, explaining,

“

Since joining in 1982, I have continually striven to give total energy, enthusiasm and commitment to the furthering of the group's success and in spite of a consistent imbalance in the distribution of the workload, willingly offered this. Unfortunately, within the group, this level of input never received the respect and acknowledgement that it warrants.[31]

”

Wilder continued to work on his personal project Recoil, releasing a fourth album (Unsound Methods) in 1997. Following Wilder's departure, many were sceptical of whether Depeche Mode would ever record again. Gahan's mental state and drug habit became a major source of concern, with a near-fatal overdose at a hotel in Los Angeles.

Despite Gahan's increasingly severe personal issues, Gore tried repeatedly during 1995-1996 to get the band recording again. However, Gahan would rarely turn up to scheduled sessions, and when he did, it would take weeks to get any vocals recorded. Gore was forced to contemplate breaking the band up, and releasing the songs he had written as a solo album.^[32] In mid-1996, Gahan entered a drug rehabilitation program to battle his heroin addiction.^[33] With Gahan out of rehab in 1996, Depeche Mode held recording sessions with producer Tim Simenon; the next year, the album Ultra and its two preceding singles, "Barrel of a Gun" and "It's No Good", were released. The album again debuted at #1 in the UK and reached the US Top 5. Despite this, tours following the Singles tour have seen only one or no songs being played from the album.

A second singles compilation The Singles (86-98) was released in 1998, preceded by the new single "Only When I Lose Myself", which had been recorded during the "Ultra" sessions. The band set off on a 4 month tour. The same year, a tribute album For the Masses was released, featuring Depeche Mode covers by bands such as The Smashing Pumpkins, The Cure, Rammstein and The Deftones.

[edit] Depeche Mode in the 2000s

[edit] 2001–2004: Exciter

In 2001, Depeche Mode released Exciter, which was produced by Mark Bell (formerly of the pioneering techno group LFO). Bell introduced a minimalist, digital sound to much of the album, influenced by IDM and glitch. The album failed to achieve the same levels of sales as the band's previous three releases, and was the first studio album by Depeche Mode to chart higher in the US than the UK, although it reached the Top 10 in both countries. The critical response to the album was mixed. Whilst it received reasonably positive reviews from some magazines (NME, Rolling Stone and L.A. Weekly), others (including Q, PopMatters, and Pitchfork Media) derided it as sounding underproduced, dull and lacklustre.^[34] Moreover, tours following the Exciter tour have seen either one or no songs being played from the album.

2003 saw the release of Gahan's solo album, Paper Monsters, followed by a worldwide tour and an accompanying DVD, titled Live Monsters; Martin Gore continued his solo career with the release of Counterfeit² (a follow-up to his 1989 release Counterfeit); and Fletcher launched his own label, Toast Hawaii, which has no bands signed to it (the only outcome so far was the synth-pop group, Client, who have now left the label).

In August that year, Mute released the DVD version of Devotional, filmed during their 1993 world tour, as well as a new remix compilation album Remixes 81 - 04 that compiled new and unreleased promo mixes of the band's singles from 1981 to 2004, including a reinterpreted version of "Enjoy the Silence" by Mike Shinoda entitled "Enjoy the Silence 04", which was released as a single, and reached #7 on the UK charts.

[edit] 2005–2007: Playing the Angel

On October 17, 2005, the band released their 11th studio album Playing the Angel. Produced by Ben Hillier, this Top 10 hit (peaking at #1 in 17 countries) featured the hit single "Precious", peaking at #4 in the UK charts. The album was backed by the band's first in-store signing since 1990, on the day of release in New York City. This is the first Depeche Mode album to feature lyrics written by Gahan and, consequently, the first album since 1984's Some Great Reward featuring songs not written by Gore.

With a prototypical version having been leaked onto the Internet some months earlier,^[35] the official video for "Precious" was released on September 12 on the Depeche Mode website, www.depechemode.com. The second single from the album, "A Pain That I'm Used To," was released on December 12, and the third single from the album was "Suffer Well," the first ever post-Clarke Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Philpott/Eigner).

"Precious" was featured in Smallville Season 5, Episode 1, originally airing September 29, 2005.

On March 2, 2006, EA Games released a video version of single "Suffer Well" sung in Simlish as it is featured on The Sims 2: Open for Business PC game soundtrack along with accompanying video (the group featured as Sims). They join 1980s pop bands, Kajagoogoo and Howard Jones in the PC game as musical contributors with their performances in Simlish.

To promote Playing the Angel, the band launched the worldwide Touring the Angel in November 2005, taking them to North America and Europe. The tour continued through the first half of 2006. Depeche Mode also headlined both the 2006 Coachella Valley Music and Arts Festival, in California, and the O2 Wireless Festival, which took place on the last weekend of June 2006 in London's Hyde Park. Some of the gigs were their first ever shows in certain countries like Romania and Bulgaria. In March 2006, the website announced two dates in Mexico (a country they had not visited for twelve years). More than 55,000 tickets for a stadium in Mexico City were sold immediately, causing the band to schedule another date for the same venue.

Recordings of 43 of the shows were officially released on CDs. These limited edition Depeche Mode live albums published under the scheme title Recording the Angel were much sought after by collectors.

On April 3, 2006, remastered editions of Speak & Spell, Music for the Masses, and Violator were released, featuring remastered audio in two-channel stereo and 5.1 multichannel on Super Audio CD and DVD, extra tracks and B-sides. In addition, each album comes with its own documentary charting the history of the band and the production of each album. The second instalment of remastered albums were A Broken Frame, Some Great Reward and Songs of Faith and Devotion, all of which were released on October 2, 2006. Construction Time Again and Black Celebration were released on March 26, 2007. Both Ultra and Exciter were released on October 1, 2007.

On September 25, 2006 Depeche Mode released their live DVD-CD set Touring the Angel: Live in Milan, directed by Blue Leach and recorded at Milan's Fila Forum on February 18, and February 19, 2006. The DVD has a full concert on disc 1, bonus live songs "A Question of Lust" and "Damaged People" along with a 20-minute documentary featuring Anton Corbijn, official tour announcement from Germany in the summer of 2005, and the Playing the Angel electronic press kit on disc 2, and disc 3 is a CD with live versions of tracks from Playing the Angel.

In addition, a "best-of" compilation was released in November of 2006, entitled The Best Of, Volume 1 featuring a new single "Martyr", an outtake from the Playing the Angel sessions.

On 2 November, Depeche Mode received the MTV Europe Music Award in the Best Group category. During that same period Fletcher confirmed that the band was on a long break after the massive "Touring the Angel".

In December 2006, Depeche Mode were nominated for a Grammy Award, for Best Dance Recording, for "Suffer Well." This is their third Grammy Award nomination. The first being a Best Long Form Music Video award in 1995 for Devotional and the second being for Best Dance Recording for "I Feel Loved".

In mid-December 2006, iTunes released The Complete Depeche Mode as its fourth ever digital box-set (following The Complete U2 in 2004, The Complete Stevie Wonder in 2005, and Bob Dylan: The Collection earlier in 2006).

Depeche Mode were nominated for The MTV European Music Awards Interact Category in 2007.

[edit] 2008–2009: New Album

In August 2007, during promotion for Dave Gahan's second solo album, Hourglass, it was announced that Depeche Mode could be heading back in studio in early 2008 to work on their upcoming twelfth studio album.^[36]It was reported in March 2008 that the band will hit the studio again in May to work on some songs that songwriter Martin Gore has been working on at his home studio in Santa Barbara, California (USA). The songs are already in the pre-production stage, and Depeche Mode will again work with Ben Hillier as producer on their forthcoming album, which now has a tentative release date of Spring 2009. ^[37]

[edit] Legacy and influence

Depeche Mode influenced many of today's popular recording artists, in part due to their recording techniques and innovative use of sampling. For example, Pet Shop Boys cited Violator (and "Enjoy the Silence" in particular) as one of the main sources of inspiration during recording of their critically acclaimed album Behaviour. Neil Tennant says, “We were listening to Violator by Depeche Mode, which was a very good album and we were deeply jealous of it.” Bandmate Chris Lowe agrees, “They had raised the stakes.”^[38][39]

Techno pioneers Derrick May, Kevin Saunderson and Juan Atkins regularly quoted Depeche Mode as an influence on the development of techno music during the Detroit Techno explosion in the mid 1980s.^[40] Appreciation of Depeche Mode within today's electronic music scene is shown by the numerous Depeche Mode remixes by contemporary DJs such as Ricardo Villalobos' remix of "The Sinner in Me" or Kruder & Dorfmeister's remix of "Useless".

According to Matt Smith, the former music director of the modern-rock radio station KROQ, "The Killers, The Bravery, Franz Ferdinand — that whole wave of music owes a tremendous amount to Depeche Mode."^[41]

Chester Bennington, vocalist of Linkin Park, was inspired by the band.^[42][43] Another Linkin Park member Mike Shinoda has said, "Depeche Mode is one of the most influential groups of our time. Their music is an inspiration to me..."^[44]

The band's influence is spread throughout different genres of music. Raymond Herrera, the drummer of the metal band Fear Factory, says, "A lot of different music influenced the way I play now. Like the band Depeche Mode. If I could sound like Depeche Mode, but be fast like Slayer, I think I might be onto something".^[45] According to Darren Smith, the guitarist of the post-hardcore band Funeral for a Friend, "dark, moodier stuff" in his band's music was "Depeche Mode-influenced."^[46]

German synthpop band And One has cited Depeche Mode as one of their main influences, and covered "Never Let Me Down Again" in 2008 on Bodypop 1½.

[edit] Live supporting musicians

• Peter Gordeno – keyboards, occasional electric bass and electric guitar (1998—Present)
• Christian Eigner – occasional songwriting, drums (1997—Present)
• Jordan Bailey – backing vocals (1998–2001)
• Hildia Campbell – backing vocals (1993–1994)
• Samantha Smith – backing vocals (1993–1994)
• Daryl Bamonte – keyboards (1994)
• Dave Clayton – keyboards (1997)
• Janet Ramus – backing vocals (1998)
• Georgia Lewis – backing vocals (2001)

Between 1998 and 2006, both Gordeno and Eigner were present on three consecutive tours; with Eigner on drums (and contributing to some of the songwriting on Playing the Angel with Gahan and Andrew Philpott) and Gordeno on keyboards.

[edit] Discography

Main article: Depeche Mode discography

• Speak & Spell (1981)
• A Broken Frame (1982)
• Construction Time Again (1983)
• Some Great Reward (1984)
• Black Celebration (1986)
• Music for the Masses (1987)
• Violator (1990)
• Songs of Faith and Devotion (1993)
• Ultra (1997)
• Exciter (2001)
• Playing the Angel (2005)

[edit] See also

• Depeche Mode tours
• Depeche Mode songs with Martin Gore on lead vocals
• Depeche Mode instrumentals
• Best selling music artists - world's top selling music artists chart
• List of number-one dance hits (United States)
• List of artists who reached number one on the US Dance chart

[edit] References

Print references

• Corbijn, Anton, Depeche Mode: Strangers, 1990, Prentice Hall, ISBN 0-7119-2493-7
• Malins, Steve, Depeche Mode : A Biography, 2001, Cooper Square Press, ISBN 0-8154-1142-1
• Miller, Jonathan, Stripped: The True Story of Depeche Mode, 2004, Omnibus Press, ISBN 1-84449-415-2
• Thompson, Dave, Depeche Mode : Some Great Reward, 1995, Pan Macmillan, ISBN 0-283-06243-6
• Zill, Didi, Depeche Mode. Photographs 1982-87, 2004, Schwarzkopf & Schwarzkopf, ISBN 3-89602-491-4

Footnotes

[edit] External links

• Depeche Mode website
• Depeche Mode in MySpace

v • d • e Depeche Mode Dave Gahan · Martin Gore · Andrew Fletcher Vince Clarke · Alan Wilder Studio albums Speak & Spell · A Broken Frame · Construction Time Again · Some Great Reward · Black Celebration · Music for the Masses · Violator · Songs of Faith and Devotion · Ultra · Exciter · Playing the Angel Compilation albums People Are People · The Singles 81>85 · Catching Up with Depeche Mode · Greatest Hits  · The Singles 86>98 · Remixes 81 - 04 · The Best Of, Volume 1 · The Complete Depeche Mode Live albums 101 · Songs of Faith and Devotion Live · Recording the Angel Singles "Dreaming of Me" · "New Life" · "Just Can't Get Enough" · "See You" · "The Meaning of Love" · "Leave in Silence" · "Get the Balance Right!" · "Everything Counts" · "Love, in Itself" · "People Are People" · "Master and Servant" · "Blasphemous Rumours" / "Somebody" · "Shake the Disease" · "It's Called a Heart" · "Stripped" / "But Not Tonight" · "A Question of Lust" · "A Question of Time" · "Strangelove" · "Never Let Me Down Again" · "Behind the Wheel" · "Little 15" · "Everything Counts (Live)" · "Personal Jesus" · "Enjoy the Silence" · "Policy of Truth" · "World in My Eyes" · "I Feel You" · "Walking in My Shoes" · "Condemnation" · "In Your Room" · "Barrel of a Gun" · "It's No Good" · "Home" · "Useless" · "Only When I Lose Myself" · "Dream On" · "I Feel Loved" · "Freelove" · "Goodnight Lovers" · "Enjoy the Silence 04" · "Precious" · "A Pain That I'm Used To" · "Suffer Well" · "John the Revelator" / "Lilian" · "Martyr" Videos The World We Live In and Live in Hamburg · Some Great Videos · Strange · 101 · Strange Too · Devotional · The Videos 86>98 · One Night in Paris · Live in Milan Tours "For the Masses" · "World Violation" · "Devotional" / "Exotic" / "Summer" · "Singles" · "Exciter" · "Touring the Angel" Tribute albums I Sometimes Wish I Was Famous · For the Masses · Color Theory presents Depeche Mode Solo projects Gahan: Paper Monsters · Hourglass Gore: Counterfeit e.p. · Counterfeit² Wilder: Recoil Fletcher: Toast Hawaii Clarke: Yazoo · The Assembly · Erasure Related articles Depeche Mode discography · Synthpop · Mute Records (discography)