David Williamson
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David Keith Williamson AO (born 19 February 1942) is one of Australia's most well-known playwrights. He has also developed screenplays for film and television.
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[edit] Biography
Born in Melbourne but brought up in Bairnsdale, Victoria, Williamson initially studied mechanical engineering at Monash University[1]. His early forays into the theatre were as an actor and writer of skits for the Engineers Revue which played at the Union Theatre at lunchtime during the early 60's. His first performance as writer and actor in Robin Hood was "Here I sit out in the wood, a sad and lonely Robin Hood. I'll have to make a master plan to get myself Maid Marian".
After graduating in 1964, Williamson worked briefly as an engineer for General Motors Holden. After a stint as a lecturer for Swinburne University, he turned to writing plays in 1967.
Williamson rose to prominence in the early 1970s, with works such as Don's Party (later turned into a 1976 film), a comic drama set during an Australian federal election; and The Removalists (1971). He also collaborated on the screenplays for Gallipoli (1981) and The Year of Living Dangerously (1982). Williamson's work as a playwright focuses on themes of politics, loyalty and family in contemporary urbanisation Australia, particularly in two of its major cities: Melbourne and Sydney.
Major works include The Club, The Department, Travelling North, The Perfectionist, Emerald City, Money and Friends and Brilliant Lies.
Recent work has included Dead White Males, a satirical approach to postmodernism and university ethics, Up for Grabs, which starred Madonna in its London premiere and the Jack Manning Trilogy (Face To Face, Conversation, Charitable Intent) which take as their format community conferencing, a new form of restorative justice which Wiliamson became interested in the late 1990s and early 2000s.
In recent years he has alternated work between larger stages (including "Soul Mates", "Amigos" and "Influence" - all premiered with the Sydney Theatre Company) and smaller ones (including the Manning trilogy, "Flatfoot" and "Operator", which premiered at the Ensemble Theatre). However, in 2005, he announced his retirement from main-stage productions.
Williamson was instrumental in the founding of a cultural festival in Noosa, Queensland, titled Noosa Longweekend Festival.
In August 2006 Cate Molloy, former Australian Labor Party member of the Queensland Parliament for the Electoral district of Noosa, announced that Williamson would be her campaign manager as she sought to recontest her seat as an Independent.
[edit] Personal
He is married to Kristin Williamson (sister of independent filmaker Chris Löfvén) and lives on Queensland's Hi David fae me. His stepson Felix Williamson and his son Rory Williamson are both Australian actors. Rory starred as Stork in the 2001 revival of The Coming of Stork at the Stables Theatre in Sydney, produced by Felix's company, the Bare Naked Theatre Company.
[edit] Awards
- 1995 - Human Rights and Equal Opportunity Commission Drama Award for Sanctuary [2]
[edit] Full list of plays
- The Coming of Stork (1970)
- The Removalists (1971)
- Don's Party (1971)
- Jugglers Three (1972)
- What If You Died Tomorrow? (1973)
- The Department (1975)
- A Handful of Friends (1976)
- The Club (1977)
- Travelling North (1979)
- Celluoid Heroes (1980)
- The Perfectionist (1982)
- Sons of Cain (1985)
- Emerald City (1987)
- Top Silk (1989)
- Siren (1990)
- Money or Friends (1991)
- Brilliant Lies (1993)
- Sanctuary (1994)
- Dead White Males (1995)
- Heretic (1996)
- Third World Blues (1997, An Adaptation Of Jugglers Three)
- After The Ball (1997)
- Corporate Vibes (1999)
- Face to Face (2000)
- The Great Man (2000)
- Up for Grabs (2001)
- A Conversation (2001)
- Charitable Intent (2001)
- Soulmates (2002)
- Amigos (2004)
- Influence (2005)
- Scarlett O'Hara at the Crimson Parrot (2008)
[edit] Box office revenue
Sydney Theatre Company box office revenue from David Williamson plays:
- 1982 — The Perfectionist $357,088
- 1985 — Sons of Cain $382,771
- 1987 — Emerald City $707,918
- 1990 — Siren $624,626
- 1992 — Money and Friends $1.221 million
- 1993 — Brilliant Lies $851,000
- 1995 — Dead White Males $1.184 million
- 1996 — Heretic $1.29 million
- 1997 — Third World Blues $771,822
- 1998 — After the Ball $1.132 million
- 1999 — Corporate Vibes $1.409 million
- 2000 — The Great Man $1.289 million
- 2001 — Up for Grabs $1.25 million
- 2002 — Soulmates $1.333 million
- 2003 — The Club $1.387 million (remake)
- 2004 — Amigos $1.405 million
- 2005 — Influence $1.719 million
