Cinema of the Netherlands
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The Dutch film industry has long been renowned for its documentaries. The most prominent Dutch directors, especially those who started their careers before World War II, came from a documentary background, for instance Joris Ivens and Bert Haanstra. Since the early 1970s, however, documentary production aimed at a theatrical release has declined, perhaps due to a shift towards television documentary.
Because the Dutch film industry is relatively small, and there is little to no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Dutch Film Fund or the Dutch public broadcast networks ('omroepen'). In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.
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[edit] Box office
In 2000 the total revenue coming from box office results in the Netherlands was €128.5 million; Dutch films had a share of 5.5%, which is €7.1 million. In 2006 the total revenue was €155.9 million; Dutch films had a share of 11.5%, which is €17.4 million.[1]
The Netherlands Film Festival and the Netherlands Film Fund are the initiators of four awards recognising box office achievements in the Netherlands. The awards are intended to generate positive publicity for a film when the media attention for the film's release has stopped.[2] The Golden Film is awarded to films once they have sold 100,000 cinema tickets, the Platinum Film at 400,000 tickets, and the Diamond Film at 1,000,000 tickets. The Crystal Film is for documentary films from the Netherlands and is awarded once the film has sold 10,000 cinema tickets.
[edit] History
Although the Dutch film industry is relatively small, there have been several active periods in which Dutch filmmaking thrived. The first boom came during the First World War when The Netherlands was one of the neutral states. Studios like Hollandia produced an impressive cycle of feature films. A second wave followed in the 1930s, as talking pictures led to a call for Dutch-spoken films, which resulted in a boom in production: between 1934 and 1940, 37 feature films were released. To accommodate the rapid growth, the Dutch film industry looked to foreign personnel experienced with sound film technology. Mostly these were Germans who had fled their country as Hitler took power. Several renowned German directors who would go on to work in Hollywood directed films in the Netherlands in this period, most notably Douglas Sirk (Boefje, 1939).
During World War II, the private Dutch film industry came to a near halt. However, the German-led occupational government spent extensive donations to smaller propaganda-films in support of the Third Reich. The most well-known where De nieuwe tijd breekt baan ( A new order arises, 1941), Met Duitschland tegen het bolsjewisme (With Germany against bolsjewism, 1941) and Werkt in Duitschland (Work in Germany, 1942). After 1943, these funding came to an end, due to internal struglles within the Dutch Kultuurkamer and the lack of money of the occupational government.
In the years directly following the war, most effort was given to the reconstruction of the country; film was not a priority. In the late 1950s the Dutch film industry professionalized. The Nederlands Film Fund (Dutch) (Dutch Film Fund) was established in 1957, the Nederlandse Filmacademie (Dutch) (Dutch Film Academy) in 1958. Documentary filmer Bert Haanstra made his first fiction film, Fanfare, in 1958. Even though the film was a big success, this success was only incidental.
A more lasting success for Dutch film came in the 1970s, mostly under the influence of one man: Paul Verhoeven. Verhoeven five films of the decade - Business Is Business (Wat zien ik?, 1971), Turkish Delight (Turks Fruit, 1973), Katie Tippel (Keetje Tippel, 1975), Soldier of Orange (Soldaat van Oranje, 1977) and Spetters (1980) - were box-office hits; they are still in the top-twenty most successful Dutch films ever. Turkish Delight and Soldier of Orange were successful abroad as well and eventually led to Verhoeven's Hollywood career. In 2006 Verhoeven returned to his own language and made Black Book (Zwartboek), his first Dutch spoken film since The Fourth Man (De Vierde Man) that came out in 1983.
In the mid-1990s, the Dutch government introduced tax shelters (the so-called 'CV-regeling') to encourage private investments in Dutch films. After implementation of these new rules there was a boom in production of Dutch movies. It were however not the movies made through the tax shelter, but movies aimed at a young audience, such as Costa! (2001), that won back the confidence in the commercial viability of Dutch film. Costa! is about Dutch teenagers vacationing at the Spanish coast. The success of the film spawned several copycat films (for instance Volle Maan (Full Moon; 2002)) and a spin-off sitcom (also called Costa!), which ran for several seasons on the public broadcasting network BNN.
After a while the formula wore down and the new commercial flavor became films with a multicultural feel. Hush Hush Baby (Shouf Shouf Habibi, 2004) and Schnitzel Paradise (Het Schnitzelparadijs, 2005) were both comedies featuring Dutch/Moroccan actors and became a commercial success. The difference with Volle Maan is that the films were also acclaimed by critics (both in the Netherlands as internationally) and both films were shown at the Berlin Film Festival.
[edit] Acclaimed Dutch directors
- Theo van Gogh
- Marleen Gorris
- Bert Haanstra
- Joris Ivens
- Martin Koolhoven
- Pieter Kuijpers
- Nanouk Leopold
- Dick Maas
- Fons Rademakers (nl)
- Jos Stelling
- Eddy Terstall
- Jean van der Velde
- Paul Verhoeven
- Alex van Warmerdam
[edit] Acclaimed Dutch films
[edit] Top-10 visited Dutch films since 1945
As of December 31st, 2003. Source: Hans Schoots, Van Fanfare tot Spetters (2004), p. 211.
- Turks Fruit (Turkish Delight, 1973) - 3.328.804
- Fanfare (nl) (1958) - 2.635.178
- Ciske de Rat (1955) - 2.432.500
- Wat zien ik? (Business Is Business, 1971) - 2.358.946
- Blue Movie (nl) (1971) - 2.335.301
- Flodder (nl) (1986) - 2.313.701
- Keetje Tippel (Katie Tippel, 1975) - 1.829.116
- Alleman (1963) - 1.664.645
- Ciske de Rat (1984) - 1.593.311
- Soldaat van Oranje (Soldier of Orange, 1977) - 1.547.183
[edit] Academy Awards nominations and wins
The winning films are marked with blue in this list of Academy Award nominated films.
| Year | Film title | Award category |
|---|---|---|
| 1942 | High Stakes in the East | Documentary |
| 1959 | Glass (Glas) | Documentary Short Subject |
| 1959 | The Village on the River (Dorp aan de rivier) | Best Foreign Language Film |
| 1962 | Big City Blues | Live Action Short Film |
| 1962 | Pan | Live Action Short Film |
| 1964 | The Human Dutch (Alleman) | Documentary Feature |
| 1967 | Sky over Holland | Live Action Short Film |
| 1971 | Adventures in Perception | Documentary Short Subject |
| 1972 | Ape and Super-Ape (Bij de beesten af) | Documentary Feature |
| 1972 | This Tiny World (Deze kleine wereld) | Documentary Short Subject |
| 1973 | Turkish Delight (Turks fruit) | Best Foreign Language Film |
| 1978 | Oh My Darling | Animated Short Film |
| 1986 | Anna & Bella | Animated Short Film |
| 1986 | The Assault (De aanslag) | Best Foreign Language Film |
| 1995 | Antonia's Line (Antonia) | Best Foreign Language Film |
| 1997 | Character (Karakter) | Best Foreign Language Film |
| 1999 | 3 Misses | Animated Short Film |
| 2000 | Father and Daughter | Animated Short Film |
| 2002 | Hotel Paraiso (Zus & zo) | Best Foreign Language Film |
| 2003 | Twin Sisters (De tweeling) | Best Foreign Language Film |
| Source: The Official Academy Awards Database. | ||
[edit] Film festivals
There are three large film festivals in the Netherlands:
- The International Film Festival Rotterdam (IFFR) is a film festival for independent, innovative and experimental cinema and visual arts. The international festival is held since 1972 in Rotterdam. During the festival the Tiger Awards are awarded to starting filmmakers.
- The Nederlands Film Festival (NFF) is since 1981 the annual film festival for Dutch film productions. The seven day festival is held in the end of September and early October in Utrecht. Dutch films from the previous year are shown, and the Golden Calves are awarded to the best films, best actors and best other crew members judged by an independent and professional jury.
- The International Documentary Film Festival Amsterdam (IDFA) is world's largest documentary festival.[citation needed] It is held since 1988 in Amsterdam.
There are several smaller film festivals in the Netherlands, and several of them are held in Amsterdam. These festivals are either local festivals or festivals specialized in films of a specific genre (e.g. fantastic films), for/about a specific target group (e.g. films for/about deaf people), or from a specific region (e.g. Japanese films).
[edit] References
- ^ Jaarboek 2007. www.nfcstatistiek.nl. Dutch Federation for Cinematography (2007). Retrieved on 2007-10-13. (Dutch)
- ^ Ockhuysen, Ronald (2002-10-24). Nederlandse film viert feest. Cinema.nl. Retrieved on 2007-10-13. (Dutch)
[edit] External links
- Dutch Film Fund (Dutch)
- Holland Film: acts as the official organisation for the submission of the Oscar nominee for Best Foreign Language Feature from the Netherlands.
- Nederlandse Film Database: Dutch Film Database.
- Dutch Filmmuseum (Dutch)
- Dutch Filmacadamy (Dutch)
- Cinema Context: an encyclopedia of film culture in the Netherlands from 1896 (Dutch and English)
- Mediadesk (institute with information about EU funding)
- Omroep.nl: Portal of the Dutch public broadcasting organisations, contributors and investors in Dutch films.
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