Baronci altarpiece

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Angel (fragment of the Baronci altarpiece)

Raphael, 1500-1501

Oil on wood

31 × 27 cm

Pinacoteca Civica Tosio Martinengo, Brescia

The Baronci altarpiece was a painting by the Italian High Renaissance artist Raphael. His first recorded commission, it was made for Andrea Baronci's chapel in the church of Sant'Agostino in Città di Castello, near Urbino. The altarpiece was seriously damaged during an earthquake in 1789, and from 1849 fragments of the original painting have been part of different collections.

[edit] History

On December 10, 1500, Raphael and Evangelista da Pian di Meleto, an elder painter from the workshop of Giovanni Santi, Raphael's father, received the commission to paint together a large altarpiece dedicated to Saint Nicholas of Tolentino for the Baronci chapel in the Sant'Agostino Church in Città di Castello. In the documents Raphael, unlike his collaborator, is referred to as magister ("master"). The work on the paintings was completed on September 13, 1501.

In the center of the painting Nicholas of Tolentino stood in an archway, with the devil at his feet. Next to him were three angels. Above him God the Father was placed with a crown in his hand, and surrounded by the heads of angels. On his left the Blessed Virgin Mary and Saint Augustine were painted.

During a heavy earthquake in 1789 the painting was damaged so severely that it was decided to saw it into pieces and display only the undamaged parts. In the same year, the fragments were acquired by Pope Pius VI for the collections of the Vatican, where they remained until 1849. It is unclear what happened to them after that. Only many years later scholars were able to trace back six different pieces, four fragments of the main painting and two predellas, which had become part of different collections.

An impression of the complete work is given by an eighteenth century copy in the Pinacoteca civica in Città di Castello. Preliminary sketches by Raphael can be found in the Musée Wicar, Lille and the Ashmolean Museum, Oxford. On the basis of these drawings it is assumed that the design of the altar was entirely Raphael's work, whereas in the execution he was joined by Evangelista da Pian di Meleto. While Raphael probably painted the altarpiece itself, the predellas are attributed to Pian di Meleto.

Angel (fragment of the Baronci altarpiece)

Raphael, 1500-1501

Oil on wood

57 × 36 cm

Louvre, Paris

[edit] Surviving fragments

Fragments of the main altarpiece:

• God the Father, 112 x 75 cm. Naples, Museo di Capodimonte.
• Blessed Virgin Mary, 51 x 41 cm. Naples, Museo di Capodimonte.
• Angel, 57 x 36 cm. Paris, Louvre.
• Angel, 31 x 27 cm. Brescia, Pinacoteca Tosio Martinengo.

Predellas:

• Saint Nicholas of Tolentino Restoring Two Partridges to Life, 29.2 x 54.0 cm. Detroit, Institute of Art.
• Saint Nicholas of Tolentino Rescuing a Boy from Drowning, 26.7 x 51.8 cm. Detroit, Institute of Art.

[edit] References

Based on the article from the German wikipedia, which in turn gives as its sources:

• Hertig, Louis; Pierluigi de Vecci (1967). Klassiker der Kunst – Raffael. Vienna: Kunstkreis Luzern – Freudenstadt. 
• Ferino Pagden, Sylvia; Maria Antonietta Zancan (1989). Raffaello : catalogo completo dei dipinti. Florence: Cantini. ISBN 88-8030-146-2. 

[edit] External links

• Saint Nicholas of Tolentino Restoring Two Partridges to Life
• Saint Nicholas of Tolentino Rescuing a Boy from Drowning

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