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Hilary Duff (album) - Wikipedia, the free encyclopedia

Hilary Duff (album)

From Wikipedia, the free encyclopedia

Hilary Duff
Hilary Duff cover
Studio album by Hilary Duff
Released September 28, 2004 (U.S.)
Genre Pop, teen pop
Length 59:01
Label Hollywood
Producer John Shanks, Charlie Midnight, others (see Credits)
Professional reviews
Hilary Duff chronology
Metamorphosis
(2003)
Hilary Duff
(2004)
Most Wanted
(2005)
Alternate cover
Limited Edition cover
Limited Edition cover
Singles from Hilary Duff
  1. "Fly"
    Released: August 2004
  2. "The Getaway"
    Released: November 2004
  3. "I Am"
    Released: December 2004
  4. "Weird"
    Released: December 2004
  5. "Someone's Watching over Me"
    Released: January 2005

Hilary Duff is the self-titled second studio album by American pop singer Hilary Duff, released by Hollywood Records in the United States on September 28, 2004 (see 2004 in music). Duff said that she had more creative control over the album than she did over Metamorphosis (2003), her first studio album, and that the songs were more "personal" and contained heavier influences of rock music. Most of the songwriting and production team on the album, which included John Shanks and Charlie Midnight, had contributed to Metamorphosis. Hilary Duff received mostly negative reviews from critics, many of whom compared it to the music of Avril Lavigne and Ashlee Simpson. Sales of the album in the U.S. did not match those of Metamorphosis, and the singles "Fly" and "Someone's Watching over Me" were not major hits.

Contents

[edit] Content and production

Duff recorded the first three songs for the album between the shooting dates of Raise Your Voice and The Perfect Man, two films in which she was involved.[1] Subsequent songs were recorded on the weekends during filming of The Perfect Man and on the nights after concerts on her summer 2004 tour. The album's outro track, "The Last Song", was recorded in her dressing room. "It was so ghetto", Duff said of the experience.[2]

According to Duff, the album chronicles her experiences over the year before its release: "some of its good, and some of its bad, and a lot of its, like, a big learning experience", she explained.[3] She expressed an interest in recording lyrically more aggressive material ("Well, I'm not going to be singing about lollipops because I no longer relate to lollipops"[4]) than the songs on Metamorphosis (2003) and wanted the album to reflect that, according to her, she is a normal sixteen year-old. "Basically, I'm not Lizzie McGuire anymore", she said.[4] She said the album deals with issues she would not discuss publicly and provides "some answers",[2] but she disagreed with people who believed the album presented a different side of her, saying "I think it's just more me this time because I got to really do it how I wanted to."[5] Duff called the album "different [from]" Metamorphosis and "much more mature", particularly in its "sound", but not to the point where it would be inappropriate for children; "I just think that other people will relate better", she said.[6] According to her, she was more "involved" compared to the production of her first album and "confident enough to make suggestions" about the style of the album: "If I thought it needed to be more heavy, more rock, I said so".[7] Its U.S. release date, September 28, 2004, was Duff's seventeenth birthday.[5]

When discussion regarding her second album began, Duff said she wanted to work with the same team of producers and songwriters with whom she worked on Metamorphosis. "[They] made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time] ... They knew what was going on in my life, what I was going through ... and how I feel inside", Duff said.[8] For songs she did not co-write, Duff discussed her experiences and feelings with the writers and ask them to write songs about them.[8] Members of the creative team behind Metamorphosis who returned for Hilary Duff include Charlie Midnight, John Shanks and Kara DioGuardi (who collaborated on the commercially released singles), Andre Recke, Marc Swersky and Duff's sister Haylie. Hilary said, "I do have a lot to say, and I have a lot going on inside that sometimes is buried and hidden because I'm working so hard, and I don't have time to think about it. But if we sit down and we talk about it and I tell her how I feel and she writes, it'll be good."[9]

Duff herself co-wrote three tracks on the album: "Mr. James Dean", "Haters" and "Rock This World", the first two of which, along with "The Last Song", Haylie co-wrote. Hilary said she refrained from co-writing the entire album because "I don't know if I'm secure enough with myself to do that".[8] She has characterised "Haters" as "tongue-in-cheek" and said people would know what it is about when they heard it,[2] and it attracted substantial publicity when rumors circulated that it was about actress Lindsay Lohan, with whom Duff was alleged to have been feuding.[10][11][12][13] The Scoop, a gossip section of the website MSNBC, quoted an insider who had said, "Hilary thinks that Lindsay has been directing negativity at her for too long."[14] Duff denied that the rumors were true, saying she did not know Lohan and would not write a song about her.[15] She said that at the time she wrote it she was feeling she had to openly discuss her personal life because "people make accusations and there are lies and rumors constantly ... people are so negative. They love to read what's coming out next on Page Six [of the New York Post] and I just felt like it was appropriate." She said she felt "normal girls" could relate to the song because of the "petty stuff" that occurs in schools.[5]

Several producers and songwriters who did not contribute to Metamorphosis worked on the album, including Andreas Carlsson and Desmond Child ("Who's That Girl?"), British songwriter Guy Chambers ("Shine"), Julian Bunetta and James Michael ("The Getaway") and Ty Stevens ("Rock This World"). Ron Entwistle is co-writer and co-producer of "Weird", which Duff said is "about someone that she's still obsessed with. And everything he does is like he says this, but he does this ... She's not really sure who he is or what he does, but she likes it."[16] Kevin De Clue contributed to "The Last Song" and "Mr. James Dean" (both co-produced by Haylie), which Duff has named her favorite track on the album and described as "very funny"; in the song, she tells an ex-boyfriend that he'll "never be James Dean". Duff neither confirmed nor denied whether the song was about fellow singer Aaron Carter, and she said "it was definitely an experience that I went through that was interesting and I learned a lot from that time in my life."[5] In "Hide Away", co-produced and co-written by Shaun Shankel, Duff discusses a relationship that isn't working because she is in a position where her life is "figuratively under the microscope".[16] Diane Warren wrote "I Am", an empowerment song in which Duff lists positive and negative aspects about herself; she has said it is about being comfortable "with all those feelings ... being who you are".[17]

Three songs — "Fly", "Someone's Watching over Me" and "Jericho" — were used in Raise Your Voice, a drama film released shortly after the album in which Duff starred as an aspiring singer who attends a prestigious performing arts summer school. Duff has described "Fly" as "an uplifting song" about "how people are scared to open up and show who they are inside because they're afraid of what others are going to say".[18] Her character performs "Someone's Watching over Me" at the film's climax and "Jericho" during the end credits, with the other characters performing the instruments. The album's release in Japan includes three bonus tracks: an acoustic version of "Who's That Girl?", a cover of The Go-Go's' "Our Lips Are Sealed" recorded with Haylie for the soundtrack to Duff's film A Cinderella Story ("We really wanted to work together, and my label knew that, so we found this song and we're like, 'Yes! We have to do this!'", Duff said[19]), and a cover of The Who's "My Generation" in which the lyric "I hope I die before I get old" was changed to "I hope I don't die before I get old". Duff began performing it in concert after a suggestion from her manager, who was a fan of the song.[20]

Duff's management team considered for recording a song titled "Since U Been Gone", which Lukasz "Dr. Luke" Gottwald and Max Martin had originally written for Pink. According to Gottwald, Duff's team passed on the song because some of the notes were too high for Duff's voice. ("Since U Been Gone" was later recorded by Kelly Clarkson, for whom it became a major hit.)[21]

Duff told the Chicago Sun-Times in 2005 that because she was under the control of a record label during the making of Metamorphosis and Hilary Duff, she wasn't able to incorporate the sound she wanted into her recordings. She said the production "[had] been mastered and sounds really pretty ... If I could change it, I would, and it would sound [less pop]. My name is Hilary Duff, and I don't know why I don't get to make Hilary Duff music."[22]

[edit] Critical reception

Ken Barnes of USA Today, which gave Metamorphosis a negative review,[23] commented positively on the album and said it exemplified "a more wholesome brand of rock-flavored pop aimed at teens". Barnes praised the "unstoppably rousing choruses" in some of the songs and said "Duff avoids overextending her thin but pleasant voice, except for a bit of Avrilesque syllable stretching", while he criticised the high number of tracks and the preponderance of "hackneyed self-affirmation messages".[24] All Music Guide's Stephen Thomas Erlewine categorised Hilary Duff as "a virtual companion to Ashlee Simpson's Autobiography, from its rock/dance-pop fusion to its earnest demeanor" and "a varied, ambitious album ... it feels like the soundtrack to the life of a smart, ambitious, popular teenager trying to sort things out". Erlewine added that "ambition sometimes gets the better of Hilary", citing "limitations" of the album such as length, "[oppressive] straight-faced seriousness" and Duff's vocals.[25]

A review of Hilary Duff in The Village Voice was far less praising; it said "Duff's role in the tween-rock firmament is playing pious Lisa Loeb opposite Simpson's post-diluvian Courtney Love ... despite liberal amounts of gold-dust guitar glitter, blow-dried backing vocals, and even the post-crash-Skynyrd 'Rock This World', Hilary Duff is too often the vanilla-bean fantasia AOR chauvinists take all girl-pop for."[12] Stylus magazine wrote that Duff's attempt to follow "the [Avril Lavigne] template that she previously softened" yielded "mixed results ... to a certain extent, [she] is a prisoner of her image and her attempts at Chrissie Hynde-intensity fall far short of even Ashlee Simpson's gravelly vocal cords." Its critic described the album's length as its "simple problem", saying that with "a little quality control ... this could easily be as strong as any other teen-pop album released this year."[13]

In response to Duff's "announcement" that "she's a complicated rock & roll adolescent on the order of Avril and Ashlee", Entertainment Weekly wrote, "Uh-huh. And Betty from the Archie comics is Patti Smith", noting Duff's "tiny" voice is "buried under layers of generic cheese arrangements."[26] Sal Cinquemani of Slant called the album "a seemingly endless string of three-and-a-half-minute pieces of pop crap – and I like pop music", and wrote that although Duff "can't be held responsible for most of the album's insipid lyrical content", "when [she] gets in on the action things feel contrived".[27] The New York Daily News named it the worst teen pop album of 2004, saying it was "[n]eck-and-neck for junkiest CD of the year with her arch nemesis, Lindsay Lohan [Speak]".[28]

John Shanks received a 2005 Grammy Award for "Producer of the Year, Non-Classical" for his work on "Fly", Autobiography, and recordings by Kelly Clarkson, Sheryl Crow, Robbie Robertson and Alanis Morissette.[29]

[edit] Chart performance

The album's first single, "Fly", was released to U.S. radio in early August 2004.[30] Its video received heavy rotation on MTV's Total Request Live, but the song received minimal radio airplay and consequently failed to chart on the Billboard Hot 100.[31] In the week leading up to the album's release, MTV.com featured Hilary Duff on The Leak, a section of the website that allows albums to be streamed for listening. Duff said at the time that she was considering "Haters" as the second single.[2] The album debuted at number two on the U.S. Billboard 200 with 192,000 copies sold in its first week of release, which was lower than the first week sales of Metamorphosis.[32] IGN Music said that partly because of the album's high debut, Duff was "at this very moment Hilary Duff is perhaps the reigning queen of bubblegum pop theatrics"; it also said that Duff's image was "undergoing an overhaul" through photo shoots in magazines such as Blender, possibly making her less "squeaky clean" than her predecessors Britney Spears and Christina Aguilera.[33] Unlike Metamorphosis, Hilary Duff went no higher on the Billboard 200, and the RIAA certified it platinum a month after its release.[34] Shortly after, Duff said she wanted "Weird" to become the next single.[35] Hilary Duff was number 112 on Billboard magazine's year-end top albums chart in December 2004.[36]

The album debuted at number one on the Nielsen SoundScan chart in Canada, as Metamorphosis had done,[37] and it was released in Australia in October. It debuted in the top ten on the ARIA album chart, surpassing the top twenty peak of Metamorphosis[38] and rising to its number-six peak position in November. "Fly" was released as a single in the same month and did not perform as well, reaching just outside the top twenty.[39] Duff embarked on a two-date tour of Australia in late October, supported by Popstars winner Scott Cain.[40] Toward the year's end, several radio singles were released to promote the album. "The Getaway" was issued in the U.S. in November 2004 and in Canada in January 2005,[41] and "I Am" was released to Radio Disney in December 2004;[42] shortly after, promotion for "Weird" began in Spain.[43] During this period, Duff embarked on a concert tour of North America,[44] and several of her shows in Canada sold out in minutes.[45] "Someone's Watching over Me" was the album's second single in Australia in February and, like "Fly", it peaked outside the top twenty.[39] Hilary Duff remained on the ARIA album chart for twenty-seven weeks and was certified platinum for shipments of 70,000 units.[46][47] In Canada, the CRIA certified the album three times platinum for 300,000 copies shipped.[48]

In February 2005, popdirt.com reported that because of the failure of "Fly" in the U.S., Hollywood Records would not be releasing further singles from the album. The website said that "The Getaway" was planned as the follow-up single in January, but its release was cancelled after sales of the album went into a "sudden drop". Executives at the label decided that money should be invested in a new album – which became Most Wanted – instead of additional promotion for Hilary Duff, according to the report.[49] Shortly after, Duff fans grouped together to launch the "Hilary Duff Attack Day" Project, a campaign designed to persuade Hollywood Records executives to release another single.[50] Organisers of the campaign, which was endorsed by nearly twenty Duff fansites, instructed fans to buy a copy of the album on April 4 so that the consequent increase in weekly sales would lead to the release of another single. The campaign's online project page said, "The Hilary Duff album has plenty of great songs that would make great singles ... If every fan would buy a CD that day, the sales would increase considerably and we will show the record company that the Hilary Duff CD is amazing, and that another single is in need!"[51] No single was released after the planned "Attack Day". By June 2005, according to Nielsen SoundScan, the album had sold 1.5 million copies in the U.S.; in comparison, Metamorphosis had sold 3.7 million.[52] Hilary Duff was number sixty-five on Billboard magazine's year-end top albums chart in November 2005,[53] and as of February 2007 it had sold 1.8 million copies.[54]

[edit] Track listing

  1. "Fly" (Kara DioGuardi, John Shanks) – 3:43
  2. "Do You Want Me?" (Matthew Gerrard, DioGuardi) – 3:30
  3. "Weird" (Charlie Midnight, Marc Swersky, Ron Entwistle) – 2:55
  4. "Hide Away" (Shaun Shankel, Midnight, Trina Harmon, Tyler Hayes Bieck) – 3:47
  5. "Mr. James Dean" (Hilary Duff, Haylie Duff, Kevin De Clue) – 3:28
  6. "Underneath This Smile" (DioGuardi, Shanks) - 3:38
  7. "Dangerous to Know" (Jim Marr, Wendy Page, Midnight) – 3:33
  8. "Who's That Girl?" (Midnight, Andreas Carlsson, Desmond Child) – 3:26
  9. "Shine" (Guy Chambers, DioGuardi) – 3:29
  10. "I Am" (Diane Warren) – 3:43
  11. "The Getaway" (Julian Bunetta, James Michael) – 3:37
  12. "Cry" (Midnight, Swersky, Charlton Pettus) – 4:02
  13. "Haters" (Hilary Duff, Haylie Duff, Midnight, Swersky) – 2:58
  14. "Rock This World" (Midnight, Hilary Duff, Denny Weston, Jr., Ty Stevens) – 3:46
  15. "Someone's Watching over Me" (DioGuardi, Shanks) – 4:11
  16. "Jericho"* (Midnight, Chico Bennett) – 3:52
  17. "The Last Song" (Haylie Duff, De Clue) – 1:25
Bonus tracks (Japan)
  1. "Who's That Girl?" (acoustic mix) – 3:25
  2. "Our Lips Are Sealed" (Jane Wiedlin, Terry Hall) featuring Haylie Duff – 2:40
  3. "My Generation" (Pete Townshend) – 2:41
Bonus DVD

"Fly" music video and a "Making of" documentary.

  • In the first pressings of the album, the arrangement of "Jericho" was a bit different, with length 3:55.
  • Also, the song "Rock this World" had more vocals in the end and a different intro.

[edit] Credits

  • Mixing: Jeff Rothschild and John Shanks (tracks 1 and 6, 9–10, 15); Krish Sharma (track 2); Joel Soyffer (tracks 3 and 7, 12–14, 16); Shaun Shankel (track 4); Haylie Duff, Kevin De Clue and Andre Recke (tracks 5 and 17); Dave Way (track 8); Eric Sarafin (track 11)
  • Producers: John Shanks (tracks 1 and 6, 9–10, 15); Matthew Gerrard (track 2); Charlie Midnight (tracks 3–4, 7–8, 12–14, 16); Marc Swersky (tracks 3, 12–13); "Spider" Ron Entwistle (track 3); Shaun Shankel (track 4); Haylie Duff, Kevin De Clue and Andre Recke (tracks 5 and 17); Jim Marr and Wendy Page (track 7); Desmond Child and Andreas Carlsson (track 8); Julian Bunetta (track 11); Charlton Pettus (track 12); Denny Weston Jr. and Ty Stevens (track 14); Chico Bennett (track 16)
  • Executive producers: Andre Recke and Jay Landers
  • A&R coordination: Dani Markman
  • Mastering: Stephen Marcussen at Marcussen Mastering, Hollywood, CA
  • Creative director: David Snow
  • Art direction and design: Enny Joo
  • Photography: Andrew Macpherson

[edit] Charts and certifications

Chart (2004) Peak
position
Certification
(copies shipped/sold)
U.S. Billboard 200 2 2,000,000+
U.S. Billboard Top Internet Albums 2
Australian ARIA Albums Chart 6 70,000+[47]
Canadian Albums Chart 1 300,000+[48]
United World Chart 5 3,500,000+[55]
Japanese Oricon Albums Chart[56] 5 150,000+
Dutch Albums Chart[57] 16 20,000+

[edit] Notes

  1. ^ Staff report. "For The Record: Quick News On Beanie Sigel, Hilary Duff, Josh Homme, Jessica Simpson, Vince Neil & More". MTV News. April 8, 2004. Retrieved October 27, 2006.
  2. ^ a b c d Moss, Corey and Cornell, Jeff. "Hilary Duff Got 'Ghetto' When Necessary For New LP". MTV News. September 23, 2004. Retrieved October 27, 2006.
  3. ^ "Hilary Duff Says New Album Is More Personal". Yahoo! Music. September 27, 2004. Retrieved October 27, 2006.
  4. ^ a b Duerden, Nick. "The Golden Girl". Blender. October 2004. Retrieved October 27, 2006.
  5. ^ a b c d Goodman, Abbey. "Hilary Duff: The Nicest Brat". MTV News. November 12, 2004. Retrieved October 27, 2006.
  6. ^ Harrington, Jim. "'Tween queen". Oakland Tribune. August 13, 2004.
  7. ^ "Hilary Duff comes to Manchester on Jan. 27". The Dover Community News. December 31, 2004. Retrieved October 27, 2006.
  8. ^ a b c Murray, Rebecca. "Hilary Duff Talks About 'Raise Your Voice'". About.com. Retrieved October 27, 2006.
  9. ^ Moss, Corey and Downey, Ryan J. "Hilary Duff Works It With New LP, More Movies, Little Rest". MTV News. March 15, 2004. Retrieved October 27, 2006.
  10. ^ "Duff Blasts Lohan on New Album". WENN. October 8, 2004. Retrieved October 27, 2006.
  11. ^ Williams, Rob. "Hilary wows young Winnipeg fans". Winnipeg Sun. January 10, 2005. Retrieved October 27, 2006.
  12. ^ a b Wood, Mikael. "The Jig Is Up". The Village Voice. November 12, 2004. Retrieved October 27, 2006.
  13. ^ a b Burns, Todd. "Hilary Duff". Stylus. September 24, 2004. Retrieved October 27, 2006.
  14. ^ Walls, Jeannette. "Duff-Lohan feud hits sour note". MSNBC. October 6, 2004. Retrieved October 27, 2006.
  15. ^ "Inside Interview - Hilary Duff, the talented US teenager singer". New Weekly. Retrieved October 27, 2006.
  16. ^ a b "Hilary Duff comes clean". News Times. January 21, 2005. Retrieved October 27, 2006.
  17. ^ "Duff inspires magic moment from young fans". London Free Press. January 21, 2006. Retrieved October 27, 2006.
  18. ^ Sony Music. "Hilary Duff - Hilary Duff". The Star. Retrieved October 27, 2006.
  19. ^ Moss, Corey. "Hilary And Haylie Give The Go-Go's A Double-Duff Treatment". MTV News. May 20, 2004. Retrieved October 27, 2006.
  20. ^ "Hilary Duff comes clean". News Times. January 21, 2005. Retrieved October 27, 2006.
  21. ^ Raftery, Brian. "Woman of the Year: Everybody Loves Kelly (Yes, even you)". Blender. January/February 2006. Retrieved July 7, 2007.
  22. ^ DeRogatis, Jim. "Is She For Real?". Chicago Sun-Times. July 19, 2005. Retrieved July 7, 2007.
  23. ^ Gardner, Elysa. "Neville sets high 'Standards'; Duff is full of fluff - Hilary Duff, Metamorphosis". USA Today. August 25, 2003. Retrieved October 27, 2006.
  24. ^ Barnes, Ken. "Hilary Duff". USA Today. October 19, 2004.
  25. ^ Erlewine, Stephen Thomas. "Hilary Duff - Review". All Music Guide. Retrieved October 27, 2006.
  26. ^ Burr, Ty. " Hilary Duff - Hilary Duff". Entertainment Weekly. October 11, 2004. Retrieved October 27, 2006.
  27. ^ Cinquemani, Sal. "Hilary Duff - Hilary Duff". Slant. Retrieved October 27, 2006.
  28. ^ Farber, Jim. "The year in music". New York Daily News. December 30, 2004. Retrieved October 27, 2006.
  29. ^ "47th Annual Grammy Awards - Winners: Production". VH1.com. Retrieved October 27, 2006.
  30. ^ "Going For Adds - CHR/Top 40". Radio & Records. August 9, 2004. Retrieved October 27, 2006.
  31. ^ "The TRL Archive - October 2004". Popfusion.net. October 4October 28, 2004. Retrieved October 27, 2006.; "Hilary Duff - Billboard Singles". All Music Guide and Billboard. Retrieved October 27, 2006.
  32. ^ Whitmire, Margo. "Rascal Flatts 'Feels Like' No. 1". Billboard. October 6, 2004. Retrieved October 27, 2006.
  33. ^ D., Spence. "Hilary Duff Dominates". IGN Music. October 8, 2004. Retrieved July 7, 2007.
  34. ^ "Gold & Platinum - Searchable Database". RIAA. Retrieved October 27, 2006.
  35. ^ Moss, Corey. "Duff Sisters Talk About Their Long 'To Do' List, From Madonna To McDonald's". MTV News. November 12, 2004. Retrieved October 27, 2006.
  36. ^ "2004 Year End Charts - Top Billboard 200 Albums". Billboard. Issue date: December 25, 2004. Retrieved October 28, 2004.
  37. ^ "MuchMusic Presents A LIVE Canadian Television Exclusive - Hilary Duff Co-Hosts MuchOnDemand". MuchMusic. January 17, 2006. Retrieved October 27, 2006.
  38. ^ "The ARIA Report!". ARIA. October 25, 2004, Iss. 765. Retrieved October 27, 2006.
  39. ^ a b "The ARIA Report!". ARIA. February 28, 2005, Iss. 783. Retrieved October 27, 2006.
  40. ^ "Scott Cain on Tour with Hilary Duff". girl.com.au. Retrieved July 7, 2007.
  41. ^ "Past Pump it or Dump It Tracks". Z103.5 FM. February 5, 2005. Retrieved October 27, 2006 via the Wayback Machine.; "News - 'The Getaway' by Hilary Duff". Luxuride. January 24, 2005. Retrieved October 27, 2006.
  42. ^ "'I Am' Mentioned on radio". forums.hilaryfan.com. December 3, 2004. Retrieved October 27, 2006.
  43. ^ "Re: Hilary's New Single!!!!!!!!!!!!!!! Official???". forums.hilaryfan.com. December 24, 2004. Retrieved October 27, 2006.
  44. ^ "Hilary Duff Kicks Off 2005 With A Canadian Tour". ChartAttack. November 8, 2004. Retrieved October 27, 2006.
  45. ^ Stevenson, Jane. "Duff to sing for George W. Bush". Toronto Sun. January 13, 2005. Retrieved October 27, 2006.
  46. ^ "The ARIA Report". ARIA. May 2, 2004, Iss. 792. Retrieved October 27, 2006.
  47. ^ a b "ARIA Charts - Accreditations - 2004 Albums". ARIA. Retrieved October 27, 2006.
  48. ^ a b "Gold & Platinum Certification - Audio Certifications". CRIA. January 2005. Retrieved October 27, 2006.
  49. ^ "Hilary Will Not Release Anymore Singles". popdirt.com. February 22, 2005. Retrieved October 27, 2006.
  50. ^ "Hilary Duff Attack Day". popdirt.com. March 18, 2005. Retrieved October 27, 2006.
  51. ^ "Hilary Duff Attack Day". GeoCities: hilaryduffattackday. Retrieved October 27, 2006.
  52. ^ Jeckell, Barry A. "Duff's 'Most Wanted' To Boast New Songs". Billboard. June 14, 2005. Retrieved October 27, 2006.
  53. ^ "2005 Year End Charts - The Billboard 200 Titles". Billboard. Issue date: November 26, 2005. Retrieved October 28, 2004.
  54. ^ Paoletta, Michael. "Duff Explores Her Dance Side On 'Dignity'". Billboard. February 9, 2007. Retrieved February 13, 2007.
  55. ^ Cite error: Invalid <ref> tag; no text was provided for refs named UWC
  56. ^ "Hilary Duff - Japan chart peak". Oricon. Retrieved October 11, 2007.
  57. ^ [1]

[edit] References


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