Anthony Adverse
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| Anthony Adverse | |
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 Original poster |
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| Directed by | Mervyn LeRoy |
| Written by | Hervey Allen (novel) Sheridan Gibney Milton Krims (screenplay) |
| Starring | Fredric March Olivia de Havilland Donald Woods Anita Louise Claude Rains Louis Hayward Gale Sondergaard Steffi Duna Akim Tamiroff |
| Music by | Erich Wolfgang Korngold |
| Cinematography | Tony Gaudio |
| Editing by | Ralph Dawson |
| Distributed by | Warner Bros. |
| Release date(s) | July 29, 1936 (Los Angeles premiere) August 29, 1936 (nationwide) |
| Running time | 141 min |
| Country |  United States |
| Language | English |
| IMDb profile | |
Anthony Adverse is a 1936 American drama film directed by Mervyn LeRoy. The screenplay by Sheridan Gibney was based on the sprawling 1,224-page novel of the same title by Hervey Allen. Neither Michael Curtiz, who assisted with the direction, nor Milton Krims, who contributed to the script, received on-screen credit for their work.
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[edit] Synopsis
The plot of the epic costume drama follows the globe-trotting adventures of the title character, the illegitimate offspring of Maria Bonnyfeather, the wife of ailing middle-aged nobleman Marquis Don Luis, and Denis Moore. When he learns of his wife's affair, Don Luis challenges her lover to a duel. Denis is killed, and shortly thereafter Maria dies in childbirth. Don Luis leaves the infant at a convent, where the nuns christen him Anthony. Ten years later, the child is apprenticed to wealthy merchant John Bonnyfeather, his real grandfather, who discovers his relationship to the boy but keeps it a secret from him. He gives the boy the surname Adverse in acknowledgement of the difficult life he has led.
As an adult, Anthony falls in love with Angela Guisseppe, the cook's daughter, and the couple weds. Soon after the ceremony, Anthony departs for Havana to save Bonnyfeather's fortune. The note Angela leaves him blows away and he doesn't follow her. Assuming he has abandoned her, she pursues a career as an opera singer. Anthony leaves Cuba for Africa, where he becomes corrupted by his involvement with the slave trade. He is redeemed by his friendship with Brother François, and following the friar's death he returns to Italy to find Bonnyfeather has died and his housekeeper, Faith Paleologus (now married to Don Luis), will inherit the man's estate fortune unless Anthony goes to Paris to claim his inheritance.
In Paris, Anthony is reunited with his friend, prominent banker Vincent Nolte, whom he saves from bankruptcy by giving him his fortune. Through the intercession of impressario Debrulle, Anthony finds Angela and discovers she bore him a son. She fails to reveal she is Mlle. Georges, a famous opera star and the mistress of Napoleon Bonaparte. When Anthony learns her secret, he departs for America with his son in search of a better life.
[edit] Principal cast
- Fredric March ..... Anthony Adverse
- Olivia de Havilland ..... Angela Giuseppe
- Donald Woods ..... Vincent Nolte
- Anita Louise ..... Maria
- Edmund Gwenn ..... John Bonnyfeather
- Claude Rains ..... Marquis Don Luis
- Gale Sondergaard ..... Faith Paleologus
- Akim Tamiroff ..... Carlo Cibo
- Pedro De Cordoba ..... Brother François
- Louis Hayward ..... Denis Moore
- Ralph Morgan ..... Debrulle
- Billy Mauch ..... Anthony Adverse (age 10)
[edit] Principal production credits
- Assistant Director ..... William H. Cannon
- Original Music ..... Erich Wolfgang Korngold
- Music supervision ..... Leo F. Forbstein
- Cinematography ..... Tony Gaudio
- Art Direction ..... Anton Grot
- Costume Design ..... Milo Anderson
[edit] Awards and nominations
- Academy Award for Best Supporting Actress (Gale Sondergaard, winner)
- Academy Award for Best Cinematography (winner)
- Academy Award for Best Film Editing (winner)
- Academy Award for Best Musical Scoring (Leo F. Forbstein, winner)
- Academy Award for Best Assistant Director (nominee)
- Academy Award for Best Art Direction (nominee)
- Academy Award for Best Picture (nominee)
[edit] Critical reception
In his review in the New York Times, Frank S. Nugent described the film as "a bulky, rambling and indecisive photoplay which has not merely taken liberties with the letter of the original but with its spirit . . . For all its sprawling length, [the novel] was cohesive and well rounded. Most of its picaresque quality has been lost in the screen version; its philosophy is vague, its characterization blurred and its story so loosely knit and episodic that its telling seems interminable." [1]
The film was named one of the National Board of Review's Top Ten pictures of the year and ranked eighth in the Film Daily critics' poll [2].
Historian Bob Packett recommended this film in January 2008 for its scene in which a smaller vessel defeats a larger one through exploitation of the tactics of war at sea.
[edit] References
[edit] External links
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