Soylent Green
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| Soylent Green | |
|---|---|
 Theatrical release poster |
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| Directed by | Richard Fleischer |
| Produced by | Walter Seltzer Russel Thacher |
| Written by | Harry Harrison (novel) Stanley R. Greenberg (screenplay) |
| Starring | Charlton Heston Leigh Taylor-Young Edward G. Robinson |
| Distributed by | Metro-Goldwyn-Mayer |
| Release date(s) | May 9, 1973 |
| Running time | 97 min |
| Allmovie profile | |
| IMDb profile | |
Soylent Green is a 1973 dystopian science fiction movie depicting a bleak future in which overpopulation, pollution, and the resulting severe damage to the environment have led to widespread unemployment and poverty. Real fruit, vegetables, and meat are rare, commodities are expensive, and much of the population survives on processed food rations, including "soylent green" wafers.
The film overlays the genres of science fiction and the police procedural as it depicts the efforts of New York City police detective Robert Thorn (Charlton Heston) and elderly police researcher Sol Roth (Edward G. Robinson) to investigate the brutal murder of a wealthy businessman named William R. Simonson (Joseph Cotten). Thorn and Roth uncover clues which suggest that it is more than simply a bungled burglary.
The film, which is loosely based upon the 1966 science fiction novel Make Room! Make Room!, by Harry Harrison, won the Saturn Award for Best Science Fiction Film in 1973.
Contents |
[edit] Plot
Set in the year 2022, Soylent Green depicts a dystopian future in which the population has grown to forty million in New York City alone. Most housing is dilapidated and overcrowded, and the impoverished homeless fill the streets and line the fire escapes and stairways of buildings.
Food as we know it today–including fruit, vegetables, and meat–is a rare and expensive commodity. Half of the world's population survives on processed rations produced by the massive Soylent Corporation (from soy(bean) + lent(il)), including Soylent Red and Soylent Yellow, which are advertised as "high-energy vegetable concentrates". The newest product is Soylent Green - a small green wafer which is advertised as being produced from "high-energy plankton". It is much more nutritious and palatable than the red and yellow varieties, but it is in short supply, which often leads to riots.
Robert Thorn (Charlton Heston) is a New York City police detective who lives in a dilapidated, cramped one-room apartment with his aged partner Sol Roth (Edward G. Robinson). Roth is a former professor who searches through the now-disordered remnants of written records and books to help Thorn's investigations. Roth and his like are known as "books". He tells Thorn about the times before the ecological disaster and population crisis, when real food was plentiful, although Thorn is generally not interested in the "stories".
Thorn is assigned to investigate the murder of William R. Simonson (Joseph Cotten). When he goes to the crime scene, he finds Simonson lying in a pool of blood from being struck multiple times in the back. Instead of looking for clues, the poorly-paid detective helps himself to some of the wealthy man's food, liquor, soap, and books. He also romances Shirl (Leigh Taylor-Young), an attractive 24-year old prostitute (euphemistically known as "furniture") who comes with the luxury apartment. Thorn also meets Simonson's bodyguard, Tab Fielding (Chuck Connors), who claims that he was told to escort Shirl on a shopping trip when the attack took place.
Returning to his apartment, he gives Sol two large books he took from Simonson's apartment, the two-volume Soylent Oceanographic Survey Report, 2015 to 2019. Thorn returns to work and talks to the Chief of Detectives, telling him that he suspects it may have been an assassination, since nothing was stolen from the apartment and the murder seemed professional. He finds it odd that the luxury apartment's sophisticated alarm and monitoring electronics happened to be inoperative on the night of the murder, and his bodyguard just happened to be out of the apartment at the time.
Thorn waits for Fielding to leave his apartment and then questions his "furniture," wandering about and discovering numerous signs of wealth, including "$150 a jar" strawberry jam. He returns to his own apartment to eat a meal of the purloined food, where Sol tells him that Simonson was a member of the board of directors of the Soylent Corporation, one of the most powerful corporations in the world. He then goes to question, and seduce, Shirl, who tells him that Simonson had become deeply troubled in the days before his death, even taking her to church. Thorn later attempts to question the priest about Simonson's confession, but the priest is almost catatonic and does not reveal anything. Fielding later murders the priest.
After Thorn begins to uncover evidence that Simonson may have been murdered, Governor Santini (Whit Bissell) instructs Thorn's superior officer, Lieutenant Hatcher (Brock Peters), to close the investigation. However, Thorn refuses, and continues his investigation into the murder. Later, when Thorn is on riot duty during the distribution of rations, Simonson's murderer fires several shots at Thorn, wounding him, but Thorn is able to push his attacker under a riot control vehicle and escapes.
In the meantime, Roth goes over oceanographic reports that Thorn took from Simonson's apartment with other intellectuals at the "supreme exchange," a library of old books. By piecing together the information, they begin to suspect that the Soylent Corporation may be covering up a horrific conspiracy. Unable to live with what he has uncovered, Roth opts for euthanasia (euphemistically known as "going home") at a government clinic. There, he is taken to a comfortable bed, is given a poison-laced beverage, and is shown panoramic views of an unspoiled pristine Earth as he dies. Thorn tries to intervene, but he is too late to prevent Roth from dying. Nevertheless, during Roth's final moments, he asks Thorn to find proof about the horrible truth that he suspects about Soylent Green.
After Roth dies, Thorn sneaks into the basement of the euthanasia facility, where he sees corpses being loaded onto waste disposal trucks. He secretly hitches a ride on one of the trucks, which drives to a heavily guarded waste disposal plant. Once inside the plant, Thorn sees how the corpses are processed into Soylent Green wafers. After Thorn escapes from the plant and heads for the supreme exchange with the information, he is ambushed by Fielding and several other gunmen. In the shootout, Thorn kills some of the gunmen, but is himself wounded and retreats into a cathedral filled with homeless people. After a desperate fight, Thorn stabs and kills Fielding. When police backup arrives, the seriously wounded Thorn confides to Hatcher the horrible secret behind Soylent Green and urges him to spread the word.
[edit] Film production
The screenplay was based on a 1966 novel Make Room! Make Room!, which is set in the year 1999, with the theme of overpopulation and overuse of resources leading to increasing poverty, food shortages, and social disorder as the next millennium approaches. While the book refers to "soylent steaks", it makes no reference to "Soylent Green", the processed food rations depicted in the film. The book's title was not used for the movie since it might have confused audiences into thinking it was a big-screen version of Make Room for Daddy.[1]
The director Richard Fleischer, who began by shooting film noir thrillers after WWII, learned to do special effects in the 1950s and 1960s when he did a number of Walt Disney films such as 20,000 Leagues Under the Sea and Fantastic Voyage (1966). In the years before and after Soylent Green, Fleisher did films centering on famous serial killers and capital punishment (1968's The Boston Strangler and 1971's 10 Rillington Place) and the controversial and provocative Che Guevara biopic Che!(1969).
This was the 101st and last movie in which Edward G. Robinson appeared. He died from cancer nine days after the shooting was done, on January 26, 1973. Robinson had previously worked with Heston in The Ten Commandments (1956). The female lead character, Shirl (Leigh Taylor-Young), is briefly seen playing a Computer Space arcade game, an early depiction of the 1970s pop culture phenomenon of videogames.
[edit] Music
In the film, after the aged Roth learns the truth about Soylent Green, he decides he can no longer deal with the world, and states that he is "going home". By this, he means that he is going to sign up for government-provided euthanasia. When Roth arrives at the clinic, he is asked to select a lighting scheme and a type of music for the euthanasia chamber. Roth selects orange-hued lights and "light Classical music." When he goes to the euthanasia chamber, a selection of Classical music plays through speakers and films are projected on large screens.
The "going home" score in this part of the film was conducted by Gerald Fried and consists of the main themes from Symphony No. 6 ("Pathétique") by Tchaikovsky; Symphony No. 6 ("Pastoral") by Beethoven; "Morning Mood" and "Åse's Death" from the Peer Gynt Suite by Edvard Grieg. As the music plays, scenes of majestic natural beauty are projected on film screens: "deer in woods, trees and leaves, sunsets beside the sea, birds flying overhead, rolling streams, mountains, fish and coral, sheep and horses, and lots and lots of flowers — from daffodils to dogwoods". Amidst the music and the scenes of nature, Roth remembers the world as it once was, and peacefully takes his last breath.
[edit] Analysis and impact
[edit] Thematic analysis
In the film, police detective Thorn is a "prophet of doom" who learns of the "most horrifying results" of the overpopulation and environmental disaster. In addition to being a prophet, "Thorn is a pioneer, a tragic hero willing to speak up and resist homogenizing forces as an individual." In the film's depiction of corporate corruption and police complicity in the cover-up, Thorn's "morality transcends all those around him" as he becomes the "sole voice of reason" as he "stands alone". After Thorn learns of the use of cadavers to make food rations, his main concern is with the future implications: that the Soylent food company will eventually "raise humans like cattle". After Thorn is shot by Soylent Corporation gunmen, he appears to be dying, and so his warnings about the horrors he witnessed in the Soylent plant "seem to be his last", making him a classic "tragic hero".[2]
In the film, Thorn's assistant Roth "serves as the reminder of better times." The aged researcher, a former professor, tells Thorn about the past, when "'real' food was plentiful and the natural environment thrived." Real food is a symbol of the past; as a result, when Thorn investigates the murder of Simonson, a Soylent board of directors member, Thorn takes "lettuce, tomatoes, apples, celery, onions, and even beef" from the wealthy man's luxury apartment. These rare and expensive luxuries were out of reach for all but the most powerful members of the society. When Thorn shows Roth the red filet of beef, Roth weeps at his realization of how much society has lost due to pollution and overpopulation. Now that most humans subsist on processed ration wafers, when Roth sees the "real" food, he asks “How did we come to this?”[2]
After Sol discovers that Soylent wafers are made from human flesh, and decides to end the horror by signing up for government-assisted euthanasia, Sol is shown a montage of beautiful natural images in the euthanasia chamber: flowers, deer, mountains, and rivers. When Thorn rushes to the euthanasia clinic to try to stop Sol, he is too late to save his friend, but he is able to share Sol's final moments. In Sol's last minutes alive, "Thorn shares Sol’s nostalgic moment" as Sol asks “Can you see it?” and “Isn’t it beautiful?”, which helps Thorn to realize "what he and the rest of the world has lost."[2]
[edit] Critical response
The film has a 73% fresh rating at Rotten Tomatoes and 7.0/10 in the Internet Movie Database.
Scfi.com film reviewer Tamara Hladik calls the film a “basic, cautionary tale of what could become of humanity physically and spiritually" if humans do not take care of the planet. She points out that “[t]here is little in this film that has not been seen” in other films, such as the film's depiction of “faceless, oppressive crowds; sheep mentality; the corrosion of the soul, of imagination, [and] of collective memory.” While she notes that the director has a "tendency...to overuse Charlton Heston” in scenes depicting this beleaguered, futuristic dystopia, she admits that the film “often succeeds despite [the missteps of] its director".
Hladik argues that the “most powerful moments do not belong to Heston['s]" police detective character Thorn, who she calls a “dubious, ambiguous hero”. Instead, she claims that Robinson’s characterization of the aged police researcher Sol Roth are the “most moving passages”, which give the film “conscience and soul.” She acknowledges that the film has “imagery [that] is powerful and haunting”, such as the scenes in which riot control vehicles scoop up protesters with metal shovels, as if they were garbage. Overall, though, she states that “[m]ostly, though, the profundity of humanity's transformation [in the film] is dealt with in less than a masterful manner.”[3]
Reviewer Jeremiah Kipp claims that the plot of the film "trudges along" as the Heston's police detective character pursues the murder investigation in a meandering fashion.[4]
[edit] Impact on popular culture
Soylent Green was influenced by the environmental movement, which still influences popular culture films in the 2000s, such as 28 Days Later (2003) and The Day After Tomorrow (2004). The term "soylent green" and the last line "Soylent Green is people!" became catch phrases in English, in part due to a Saturday Night Live parody where comedian Phil Hartman mocked Heston's acting in the final scene of the movie.[4]
Soylent Green is referred to in a number of television series and other media, either for dramatic or comedic effect. The animated American sitcom Futurama, which is set in the year 3000, makes a number of references to the fictional "soylent"-based foods. The show, created by Matt Groening, depicts billboards that advertise a variety of "soylent" foods, including "soylent cola" (the taste of which, according to Leela, "varies from person to person"). Groening also makes references to soylent green food in several episodes of the animated comedy show The Simpsons, including in an episode which parodies the film by depicting a food shortage in an overcrowded elementary school detention hall. The animated series South Park parodied the "Going Home" euthanasia scene of Soylent Green in season 4, episode 414 "Helen Keller! The Musical" by depicting turkeys in a 'humane slaughter house'. Before the turkeys are killed, the lights are dimmed and calming visions of nature are shown, set to light classical music.
In 1997, the "Space" episode of NewsRadio, set in the future as a science fiction spoof, included a newscast which is purportedly sponsored by Soylent Green. The 1999 dark comedy, mockumentary format movie Drop Dead Gorgeous depicts a beauty pageant competitor using an excerpt from the film as a dramatic monologue. The catchphrase was also used in the 'Millennium TV series, in a 2001 episode of Disney's Lizzie McGuire, and in an Australian comedy/variety series Micallef Tonight.
Several songs refer to the movie. Rudy Ratzinger of the German electro-industrial band Wumpscut created a song in 1993 named after the movie which contains audio samples from the German-dubbed version. In the 2000s, folk rock singer-songwriter Jonathan Coulton, whose quirky satirical songs often refer to science fiction and technology, penned a song entitled "Chiron Beta Prime" which refers to the film.
[edit] References
- ^ http://www.iol.ie/~carrollm/hh/soycann.htm
- ^ a b c Soylent Green's population explodes. Retrieved on 2008-03-27.
- ^ Review by Tamara I. Hladik for scifi.com. Retrieved on 2008-03-27.
- ^ a b Jeremiah Kipp. Retrieved on 2008-03-27.
[edit] See also
[edit] External links
- Soylent Green at the Internet Movie Database
- Soylent Green at Rotten Tomatoes
- Review of Soylent Green
- SciFlicks.com review
- SciFlicks.com "Soylent green is people" sound clip
- SCIFI.com review
| Awards | ||
|---|---|---|
| Preceded by Slaughterhouse-Five |
Saturn Award for Best Science Fiction Film 1973 |
Succeeded by Rollerball |
